Metacritic-Rezensionen

By The Stream continues to meld the auteur and his muse with its two central characters, employing several of Hong’s narrative and technical staples with an air of heightened self-reflection.

It’s a graceful, unassuming portrait of relationships old and new as a handful of characters consider their pasts and look wonderingly toward their futures, soju flowing freely all the while.

Art is a mode of potential connection built in large part on narcissism, and Hong Sang-soo is without peer these days in wrestling that irony onto the screen.

Although many Hong Sang-soo signatures are present in his newest film—scenes written the morning of; long, inebriated talks over delicious meals; lovely performances from his regular players—By the Stream marks a subtle but striking shift in his preoccupations and artistry.

True to the title, it’s a long soak in a certain kind of soulful, middle-class malaise, not far removed from John Cassavetes’ more restrained films.

It’s a film about making art that feels good in the moment, as the act itself can be as rewarding – and possibly even more so – than the delivery of that art to an audience.

In its engaging and eccentric way, Hong’s film-making is diverting and intriguing and then it capriciously concludes, leaving things up in the air, yet without making you feel shortchanged. Perhaps this one is slighter than his recent work, but it has a comic charm.

By the Stream is a wry comedy of manners that muses, in its unassuming way, on the creative act.