Die Geschichte von Chesley Sullenberger, der zum Helden wurde, als er sein Flugzeug auf dem Hudson River landete und damit allen 155 Passagieren das Leben rettete.Die Geschichte von Chesley Sullenberger, der zum Helden wurde, als er sein Flugzeug auf dem Hudson River landete und damit allen 155 Passagieren das Leben rettete.Die Geschichte von Chesley Sullenberger, der zum Helden wurde, als er sein Flugzeug auf dem Hudson River landete und damit allen 155 Passagieren das Leben rettete.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 14 Gewinne & 36 Nominierungen insgesamt
Laura Lundy
- Reporter #1
- (as Laura Lundy Wheale)
Onira Tares
- Reporter #2
- (as Onira Tarés)
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It's not easy to present recent history in film. The rescue of 155 souls in an airplane who were diverted to the Hudson River is still in our memories (I remember them standing on the wings). Tom Hanks does a cool, underplayed version of Chesley "Sully" Sullenberger, who will live in the annals of heroism for as long as we talk about heroes. I was wondering how one takes a two minute event and turns it into a bracing film. But they do. By including the events in the investigation of the landing, they are able to keep our attention. Sullenberger's actions came under tight scrutiny because the airline "lost a plane." As it turns out, the lead investigator for the NTSB wasn't played quite accurately. Of course, we are in need of a villain, and the geese that flew into the engines wouldn't make good witnesses. I'm used to filmmakers playing a bit fast and loose with events, but let's face it, everyday things don't draw much attention. Hanks is good. The pacing is good. The recreation of the landing is quite apt. A good film.
The movie is enjoyable to watch and gives a good impression of what must go on inside the mind of a pilot after such a spectacular accident. The depiction of the actual ditching (landing in the water) and the conversation between the pilots and controllers is quite accurate, and with CGI, quite believable.
However, the depiction of the investigative process, including the behavior of the investigators, is not realistic at all. I have worked as a professional pilot and air accident investigator for most of my life, and the investigation as depicted in this film is pure fiction.
In several interviews with the director, Clint Eastwood, he admitted that the movie needed a villain or antagonist, so he chose to depict the investigators and the investigative process as much more hostile than it really is.
However, the depiction of the investigative process, including the behavior of the investigators, is not realistic at all. I have worked as a professional pilot and air accident investigator for most of my life, and the investigation as depicted in this film is pure fiction.
In several interviews with the director, Clint Eastwood, he admitted that the movie needed a villain or antagonist, so he chose to depict the investigators and the investigative process as much more hostile than it really is.
If there's one thing you can count on Clint Eastwood doing well, it's directing an emotionally heartfelt story. Sully continues Eastwood's success by giving us probably the most human drama of 2016.
"The miracle on the Hudson" is the subject of this Eastwood drama, starring Tom Hanks, Aaron Eckhart, and Laura Linney. There will be plenty of obstacles with any film based on a true story, but with a film based on an event that lasted a mere 208 seconds, it's extra difficult. But Eastwood manages to pull a great story out of these unbelievable events that comes in just under 2 hours. Of course, the flight itself isn't the only hurdle that captain Sully went through, as he dealt with reporters, investigators, and the National Transportation Safety Board determined to diminish his heroic efforts.
Who could possibly be better to play Captain Sully than the great Tom Hanks. Having wonderfully played another "controversial" captain back in 2013 as Captain Phillips, there was no doubt he could pull off a somewhat similar role. Boy does Hanks deliver. He always effortlessly pulls out the big speeches and powerful dialogue well, but I often find his more subtle acting to be more impressive. It's the moments when Sully is reacting to the big moments with only his facial expressions and body languages that give me goosebumps. Not many actors are able to bring me to the verge of tears just by a facial expression, but Hanks is one of them.
Eastwood and his editors also deserve tons of credit for their work here. Much like Hanks' subtle acting, I love when Eastwood holds back the bombastic music (that can sometimes take you out of a story like this) and lets the audience choose how to feel by watching gorgeous cinematography and poignant acting and directing. This may be Eastwood's best directorial work since Million Dollar Baby. He understood exactly the moments to use and not music in order to pull the emotion out of his audience.
Most of all, this film is a great display of the power of the human spirit. Everything about this film is grounded with humanity. No one seems fake. So often Hollywood is flooded with over-the-top filmmaking that can easily dilute the power of the film's message. Sully knows exactly what it's going for, and it does it to near perfection.
+Eastwood back at the top
+Hanks subtle acting
+Power of human spirit
91/100
"The miracle on the Hudson" is the subject of this Eastwood drama, starring Tom Hanks, Aaron Eckhart, and Laura Linney. There will be plenty of obstacles with any film based on a true story, but with a film based on an event that lasted a mere 208 seconds, it's extra difficult. But Eastwood manages to pull a great story out of these unbelievable events that comes in just under 2 hours. Of course, the flight itself isn't the only hurdle that captain Sully went through, as he dealt with reporters, investigators, and the National Transportation Safety Board determined to diminish his heroic efforts.
Who could possibly be better to play Captain Sully than the great Tom Hanks. Having wonderfully played another "controversial" captain back in 2013 as Captain Phillips, there was no doubt he could pull off a somewhat similar role. Boy does Hanks deliver. He always effortlessly pulls out the big speeches and powerful dialogue well, but I often find his more subtle acting to be more impressive. It's the moments when Sully is reacting to the big moments with only his facial expressions and body languages that give me goosebumps. Not many actors are able to bring me to the verge of tears just by a facial expression, but Hanks is one of them.
Eastwood and his editors also deserve tons of credit for their work here. Much like Hanks' subtle acting, I love when Eastwood holds back the bombastic music (that can sometimes take you out of a story like this) and lets the audience choose how to feel by watching gorgeous cinematography and poignant acting and directing. This may be Eastwood's best directorial work since Million Dollar Baby. He understood exactly the moments to use and not music in order to pull the emotion out of his audience.
Most of all, this film is a great display of the power of the human spirit. Everything about this film is grounded with humanity. No one seems fake. So often Hollywood is flooded with over-the-top filmmaking that can easily dilute the power of the film's message. Sully knows exactly what it's going for, and it does it to near perfection.
+Eastwood back at the top
+Hanks subtle acting
+Power of human spirit
91/100
A very low-key and introverted film. The structure of the film is very clever, the most moving flight process is scattered in the middle of the film, constantly re-enacted fragments to enhance the heat. But from another point of view, the story of the film is very simple, it can be said that the plot has no depth, especially reflected in the final hearing, a sentence to achieve a big turnaround. After watching it, there was even a feeling that it was a documentary rather than a commercial movie.
It's a cold morning on Jan 15, 2009. Captain Chesley Sullenberger (Tom Hanks) and his first officer Jeff Skiles (Aaron Eckhart) survive bird strikes and the lost of both engines to safely land the US Airways Flight 1549 in the middle of the Hudson River. All 155 aboard are rescued. Despite being almost universally herald as a hero, the NTSB investigation starts raising questions and Sully is haunted by the incident.
Hanks is Sully. He embodies the easy natural goodness the role entails. The recreation of the incident is compelling. Eastwood should be more careful about doing the incident twice. The second time needs to be sufficiently different from the first. Then there is the clunky NTSB villainy. The flawed computer simulations need to be expanded. Otherwise, it's hard to buy the dangers to Sully. I wonder if a straight docu-style recreation would be more compelling.
Hanks is Sully. He embodies the easy natural goodness the role entails. The recreation of the incident is compelling. Eastwood should be more careful about doing the incident twice. The second time needs to be sufficiently different from the first. Then there is the clunky NTSB villainy. The flawed computer simulations need to be expanded. Otherwise, it's hard to buy the dangers to Sully. I wonder if a straight docu-style recreation would be more compelling.
Wusstest du schon
- WissenswertesFerry Captain Vincent Lombardi, who was the Captain of the first ferry to reach the airplane, played himself in this film.
- PatzerDuring the take-off scene First Officer Skiles has his hands on the throttles all the time, from the runway till the plane is airborne. In reality A320 pilots must immediately take their hands off the throttle as soon the plane has reached V1 speed.
- Zitate
Chesley 'Sully' Sullenberger: Everything is unprecedented until it happens for the first time.
- Crazy CreditsPhotos of the real plane and rescue are shown during the credits. They are followed by a brief video with real people from that day including the passengers and Captain Sullenburger.
- Alternative VersionenThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- VerbindungenEdited from Late Show with David Letterman: Folge #16.88 (2009)
- SoundtracksFlying Home
(Theme from 'Sully')
Written by Clint Eastwood, Tierney Sutton and J.B. Eckl
Performed by The Tierney Sutton Band
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Sully: Hazaña en el Hudson
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 125.070.033 $
- Eröffnungswochenende in den USA und in Kanada
- 35.028.301 $
- 11. Sept. 2016
- Weltweiter Bruttoertrag
- 243.870.033 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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