Füge eine Handlung in deiner Sprache hinzuA sumptuous Sundance doc depicting the Long Island birthplace of stock car racing where only one track remains. Located on prime real estate, the real tors are circling. The property is wort... Alles lesenA sumptuous Sundance doc depicting the Long Island birthplace of stock car racing where only one track remains. Located on prime real estate, the real tors are circling. The property is worth millions and only the love and integrity of the track's community and elderly owners kee... Alles lesenA sumptuous Sundance doc depicting the Long Island birthplace of stock car racing where only one track remains. Located on prime real estate, the real tors are circling. The property is worth millions and only the love and integrity of the track's community and elderly owners keep the bulldozers at bay. Stunning cinematography immerses us in the intimate world of gras... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
- Self - Racing for Jesus Pastor
- (as Pastor Scott Kraniak)
- Self - Driver
- (as 'Crazy Eddie' Mistretta)
- Self - Driver
- (as 'Lightning' Tim Mulqueen)
- Self - Driver
- (as Tom 'Slick Pick' Pickerell)
- Self - 'Captain Video' Videographer
- (as 'Captain Video' Rick Todd)
- Self - Driver
- (as Tommy 'Wild Child' Walkowiak)
- Self - Driver
- (as James 'The Kid' White Jr.)
- Self - Driver
- (as Jack 'Attack' Handley Jr.)
- Self - Girlfriend
- (as Romilda 'Nita')
- Self
- (as 'Bug' Pickerell)
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The film examines a small-town race track, the blue-collar players that inhabit it and the close-knit community that revolves around it. Throughout the film it's impossible to stay apathetic to the sight of local heroes (race car drivers), the elderly track owners and the characters that frequent the race track who might lose their beloved track to real-estate development greed.
The film is loaded with life-or-death stakes (even thought the film couldn't be further away from NASCAR's world), intimate camerawork and impressive sound design. Director Michael Dweck uses long takes and little talk, and lets the environment and visuals do all the explaining.
Dweck found beauty in an unusual place and has shared it with all who care to look at it.
The car culture, was generally showcased as a culture of isofocused, for a lack of a better way to describe the context, but the car culture community, is not revolved around that reality. The reality of these people, from what I've obtained from the movie, is the whole association of the abilities to understand the car's capabilities, and mostly the car's historical significance and the importance of the car's performance. By having this "understanding" of the car's capabilities, will definitely provide you the insights of what it really means to have a "bet" on car racing. When you delve into the car culture, you'll definitely and quickly find the appreciation of what car racing is and does for the person. The Last race was a well created movie of what the car racing community does and focuses on.
Another scene is from a race car, it passes every car and then the wall is shown for several laps. Then smoke, did it break, who is it, did he win? Again, nothing. So bad.
Alas, Riverhead is the only remaining track of its kind in the area and seemingly barely hanging on, with its aging but dedicated owners Barbara and Jim Cromarty, and land developers on all sides of the track impatiently waiting for them to sell so they can develop another strip mall or parking lot on the valuable land.
This is not your typical doc, with its emphasis on the atmospherics of the stock car venue and the often quirky drivers and characters who keep it running. The film often seems disjointed, as it skips from one scene to another seemingly randomly. Thus, it will most likely turn off some viewers who expect a more traditional and orderly movie.
Overall, I found this doc to illustrate a slice of Americana that's still active but that more often than not will fade from our history.
Look for raw language throughout with the film being only about 1 hr. and 15 mins. in length.
Wusstest du schon
- SoundtracksOverview Effect
Written by Roger Goula
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 11.947 $
- Eröffnungswochenende in den USA und in Kanada
- 2.437 $
- 18. Nov. 2018
- Weltweiter Bruttoertrag
- 11.947 $
- Laufzeit1 Stunde 15 Minuten
- Farbe