Das blaue Zimmer

This is a story from which one can see how desperately poor French justice system is. Their policemen are notori ous, but potential for injustice is even worse. In a small French village provincial town, a couple unsuccessfully tries to hide their affair. A family man is caught into adultery in a leg-web by cold and predatory female lover who had a crush on him since high school, but because of the rigid class system he never approached her. She contorts a way to get him between her spread legs (expl icitly shown several times), and replace her unloved but well off dying husband. She is married into pharmacy, and when a husband dies it is unclear if foul play is at play. But her mother in law has no doubts and decides to avenge her offspring by poisoning his son wife lover's family via convenient fact that they get plum jam from her. Weather the depiction of the obnoxiously unjust and plain stup id court and investigation system of France is realistic (and yes, it is that horrible, if not even more so, especially if you are a minority, and police is even worse), this is a stylistic attempt to say something about passion and such things. But toxic femininity - French way, wins the day, and a confused male victim, who is not manly enough to counter the horrible forces of female venom in all its editions, gets destroyed. His leggy lover, guilty or not (point a bit moot) fares better, as in her feminine mind she won them a life together as lifetime jailbirds if not lovebirds. Horrible - if only for a system, that convicts based on close to zero evidence, maximum prejudice and Gallic investigative incompetence, is an insult to intelligence - but in France, incompetence and arrogance go hand in hand together with a solid web of sensationalistic tabloid press and trial by ordeal level of judicial primi tivism. In addition, French provincialism has not changed much from the time of "The Raven", brilliant portrayal of true French mentality that remains unchanged at least from their glorious Vichy days circa 1943.

The Blue Room" (2014 release from France; 76 min.) brings the story of a man and a woman. As the movie opens, we hear the moans and whispers of a couple making love. Turns out to be Julie and Delphine. Pretty soon we come to understand that they are married, but not to each other. Delphine whispers to Julien: "Imagine what our days could be like, if we ran away". Little does she know what is to come... Just a few minutes into the movie, we then jump to the present day, where Julien is being interrogated at the police station, but we don't know why. To tell you more of the movie's plot would surely spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is based on the book of the same name by famed Belgian crime writer Georges Simeon (he died some 25 years ago). This prolific author has written dozens and dozens of crime novels, and many have been made into a movie. (I grew up in Belgium in the 70s, and he had the reputation of a giant.) Second, this movie is very much a labor of love for French actor Mathieu Amalric, who not only plays the lead role of Julien, but also directed the movie. Third, as the movie started out, I thought that this might be a "Fatal Attraction"-type movie, but as it turns out this is very much a police and court drama. A huge chunk of the movie plays out in the interrogations at the police station, even though it is interwoven with plenty of flashbacks as to what exactly happened. For those of you not familiar with the continental European criminal justice system, you will be in for a few extra surprises, as the differences with the American criminal justice system are profound. Also noteworthy is the very unusual screen ratio (almost but not quite 1:1). Last but not least, there is an outstanding orchestral score to the movie, composed by Gregoire Hetzel, and I only wish it was used more extensively in the movie (there are long sections where no score is used).

"The Blue Room" opened without any pre-release hype or fanfare at my local art-house theater here in Cincinnati in late October/early November (it only played a week). The early evening screening where I saw this at was not well attended (less than 10 people) but frankly I was surprised there were even that many people for this. Bottom line: I thought that "The Blue Room" was a nice change of pace from the crime dramas that we are used to in the US. If you like French movies with lots of talking and not much 'action' per se, I'd readily recommend you check this out.

This is really quite a simple story. Man has affair with other man's wife. Has wife and family but re-unites with woman he met before his marriage. They have a series of trysts. She has a husband who has a serious medical condition and one day he dies. Unfortunately, the woman is a pharmacist and it appears that they have done a "Postman Always Rings Twice" murder. The whole thing focuses on a bewildered man who realizes that his actions have a consequence. He's not even sure what has happened as he sits in a courtroom. Sometimes justice is less about criminal justice and more about moral justice. A slow moving psychological drama based on a George Simenon novel.

"Life is different from when you live it to when you look back at it"

-Julien

I first heard of this picture when it was selected to be a part of the Cannes Film Festival. I was curious to see what the buzz would be since the film was directed by Mathieu Amalric, a French actor I very much admire and I found to be very underrated. This was not his first shot at directing since I believe this is actually his fourth or third picture. The buzz that eventually came was good and I was interested to see it since it had been recently released in theaters near me.

The Blue Room is Directed by Mathieu Amalric and it stars Mathieu Amalric, Léa Drucker and Stéphanie Cléau. "A man and a woman, secretly in love, alone in a room. They desire each other, want each other, and even bite each other. In the afterglow, they share a few sweet nothings. At least the man seemed to believe they were nothing. Now under investigation by the police and the courts, what is he accused of?"

I was interested, curious to see what this film was all about, still I had my expectations low, which opened room for surprise. I got to say that the film was indeed a little surprise, it didn't at all disappoint. It's a modest, even if tidy little picture that's unexpectedly inventive in its film-making and narrative/storytelling choices.

This is one of those films that the grand majority wont see, even major film buffs, and I do think that that is a shame, because although far from being a knockout, it is still worth your watch. This small, tight tiny 75 minute picture is an adaptation of a novel by Georges Simenon, a novel of the same name. Simenon would probably be impressed with the run-time since the man could write novels in only a few weeks.

It's small film, that never really aspires to be anything bigger, I did think that I lacked a little bit of ambition and when the film ends we don't feel totally fulfilled mainly also because we don't see much of the point in this story. "So what" is probably going to be the reaction of many going out of the theater, and others will undeniably be thrown out by an unconventional way of storytelling, which made things a bit confusing at times but all the more engaging, fresh and exciting as an whole. It's a film that will probably disappoint bigger audiences (those who even get to see it), since it's a film with a high level of ambiguity and it has disorienting story-telling, you will leave with little answers, or no answers at all. The film focuses on the ambiguity and interpretation of memory, actions and intentions.

I left with the theater with little answers and I did get the feeling of "So What" when the credits start to roll but still I got to say that I did enjoy myself. Amalric beautifully constructs and puts together this film, honoring its source material. We are kept in two different times and spaces during the film, first inside Julien's head and his memories, or at least his perception and we also get to see things from the future, where he is in jail and being questioned about his love affair with an old friend from high- school who is now his lover. What did the man do? Are we seeing the memories of a murder? Is he guilty of whatever he is being charged with? Those questions keep going through our heads as we soon start to find more and more meandering pieces of this jigsaw who's eventually left undone.

The acting is also excellent. Mathieu Amalric leads his own cast and he's as always fantastic. Is this the face of a killer? Is he innocent? Great display of talent once again, he doesn't either give easy answers in the directing or in the acting, effective and powerful though. We believe for every second his on screen, that that guy is really there and we believe in his existence. The supporting cast is also very good, nothing too showy but they do their jobs. Amalric is really the man to be applauded, he directs, acts and adapts the source material, all with little or no flaws at all. I applaud is boldness and creativity when it came to storytelling and putting the film together in the editing room. It is successful as a modest suspense picture and as a drama, it fails a bit because it feels a bit too tame, small and it ultimately doesn't leave a big mark on you, even though I wont forget it soon.

Rating:B-

about desire. about the role of the other. about flesh and love and hidden by yourself sins, about the search of yourself and about the fall of a night.about justice. a film who mix, in wise manner, the seduction with fascination. a work of beauty and dark secrets and images of victims and fragile intentions. it could be the film of Mathieu Amalric. like many of his films because he has the science and the gift to propose the right solution for the tone of story. because it is a film of details, about a not special event, in which the states of characters remains the only significant thing. so, a film who must see. for the acting first. then, for atmosphere.