Bring Her Back

The Philippou's brothers have again created a spellbinding horror film chock full of heavy themes, real characters and terrifying moments.

The brothers are arguably the best in the current horror game. Bring her Back reads more as a psychological thriller mixed with moments of true terror. The strength of the characters, the family bond and heavy themes all blend perfectly to create one hell of a ride.

The brother's style is so profound, the imagery, recurring motifs and downright brutal moments is something to relish. I love how we actually care about those on screen. Smart characters played by great actors that don't make any dumb decisions.

When the film really turns up a gear in the final act it never stops. Unafraid of breaking boundaries and playing it easy. It goes full force right until the end.

This is a must watch.

BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.

I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.

Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.

Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.

I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.

"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.

Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.

I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.

The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.

The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.

And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.

The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.

Definitely not disappointed.

A movie to disturb the comfortable and also disturb the disturbed, Bring Her Back is the kind of thing I'll probably never watch again, but I'm glad to have seen it the one time. Not sure if it says anything good about me, but horror is the one genre that's able to get to me and reliably make me feel things, so bring on the gnarly stuff. I like it if a movie makes me feel something, even if those feelings aren't pleasant emotions.

There are some familiar horror things here, but I think the Philippou brothers push things far enough to ensure it doesn't really feel derivative while the movie is playing out. Looking back on it, it's kind of like, "Oh yeah, maybe it's not really all that original," but in the moment, Bring Her Back is visceral and intense. There's a very brutal scene that goes for the jugular a bit before the halfway mark, and from there, things do take off... but I think I felt more dread before that point. The knowing that things will go there might've been a stronger feeling than seeing things actually going there. That being said, when things go there, it was still impactful. It's just maybe this would've messed with me more, somehow, if it had never gone full throttle. Though then it would probably just feel like a Michael Haneke film, for better or worse.

I don't really want to say too much about the plot. It's a movie with a fairly limited setting and not many characters, and so saying anything about where those characters go and what they do has the effect of kind of giving away most of the film, potentially undermining the limited (but not non-existent) surprises on offer here in the process. That ties into that whole notion of the experience in the moment being much more striking than thinking back on the movie and trying to break it down. It's a rollercoaster; I was thrilled while it was happening, a bit nauseous right after it finished, and kind of moving on with my life an hour or two later (while not at all regretting going on the ride itself).