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La Dolce Villa

  • 2025
  • 6
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
6,0/10
9911
IHRE BEWERTUNG
BELIEBTHEIT
1.184
67
Scott Foley and Maia Reficco in La Dolce Villa (2025)
A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.
trailer wiedergeben1:57
1 Video
16 Fotos
Romantic ComedyComedyRomance

Füge eine Handlung in deiner Sprache hinzuA successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.

  • Regie
    • Mark Waters
  • Drehbuch
    • Elizabeth Hackett
    • Hilary Galanoy
  • Hauptbesetzung
    • Scott Foley
    • Violante Placido
    • Maia Reficco
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    9911
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.184
    67
    • Regie
      • Mark Waters
    • Drehbuch
      • Elizabeth Hackett
      • Hilary Galanoy
    • Hauptbesetzung
      • Scott Foley
      • Violante Placido
      • Maia Reficco
    • 51Benutzerrezensionen
    • 19Kritische Rezensionen
    • 44Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Fotos15

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 12
    Poster ansehen

    Topbesetzung32

    Ändern
    Scott Foley
    Scott Foley
    • Eric
    Violante Placido
    Violante Placido
    • Francesca
    Maia Reficco
    Maia Reficco
    • Olivia
    Giuseppe Futia
    • Giovanni
    Simone Luglio
    • Nino
    Tommaso Basili
    Tommaso Basili
    • Bernardo
    Daniel Panzironi
    • Matteo
    Nunzia Schiano
    • Left (Bossy) Antonia
    Luisa De Santis
    Luisa De Santis
    • Middle (Sassy) Antonia
    Lucia Ricalzone
    • Right (Sweet) Antonia
    Giselle Gant
    Giselle Gant
    • Zola
    • (as Gizelle Lebleu Gant)
    Madior Fall
    Madior Fall
    • Cesare
    Jenny De Nucci
    Jenny De Nucci
    • Donata
    Mitch Salm
    Mitch Salm
    • Larry Longo
    Melanie Neu
    • Tracey Longo
    Ettore Nicoletti
    Ettore Nicoletti
    • Hotel Concierge
    Loris Loddi
    Loris Loddi
    • Provincial Assessor
    Sinne Mutsaers
    Sinne Mutsaers
    • Deb Welch
    • Regie
      • Mark Waters
    • Drehbuch
      • Elizabeth Hackett
      • Hilary Galanoy
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    6,09.9K
    1
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    10

    Empfohlene Bewertungen

    5lusodouro

    Beautiful scenery and people...that's it...

    Let's begin with Scott Foley, the lead actor. His performance is drier and more wooden than an old door in a clapped out one-euro Italian villa. He seems like he's in a hurry to catch a plane in every scene, so, trying to get through his lines as quickly as possible, with the only expression he can muster, that of a surprised deer in the headlights. Violante Placido, the stunning Italian actress that plays Eric's love interest, was woefully directed, and the same goes for Maia Reficco, who plays his daughter. They seem to be capable of much more.

    The script and dialogue is painfully predictable, formulaic and cringefully cheesy. On more than once occasion, I blurted out the dialogue almost word-for-word just before it was delivered. Eric's (Scott Foley) character is underdeveloped, touching a bit on the hackneyed stereotype of the culturally insensitive and arrogant American abroad.

    The pacing is all wrong, and never changes, always feeling hurried and never allowing time for any of the character's emotions to absorb, much like a commercial. This is especially ironic for a movie about leaving the big city behind for the slow paced life of the Italian countryside.

    The warm organic beauty of the scenery and sets were the only thing that kept me from fast forwarding through the film.

    This genre was done a hundreds types better 22 years ago by Diane Lane in 'Under The Tuscan Sun'.

    Scott Foley should find another line of work.
    7kamalranjan

    Like a warm hug

    Step into Italy with warm scenic beauty, golden sunshine, and charming Edwardian-era architecture. La Dolce Villa is the most relaxing escape you can indulge in right now-it's sweet, tender, and as aromatic as an authentic Italian café.

    I have to appreciate the film's underlying social message about Italian village properties being auctioned for just one euro. It adds a layer of depth to the story, making it more than just a picturesque getaway.

    Story-wise, it's fine, but I really admire the craftsmanship and construction makeover that went into bringing the old villa back to life. Imagine giving a story to those satisfying room makeover videos on youtube. If you're looking for a decent film to enjoy while preparing a cozy meal, this is it.

    I'll go with a 7/10 for this one-it's like a warm hug.
    bobswitzerland

    Kitsch

    I started watching this, but couldn't stomach seeing it to the end. I'm American living in Europe for 55 years. I speak Italian and other languages, and visit Italy frequently. This movie is typical naive American cliché kitsch. The dialogue is full of American "New Speak" slang and cultural references that hardly anyone in Italy understands - I have trouble with it too. The protagonist is not there to admire and embrace millennia of culture, but rather, to spread the American obsession with turning everything into a business enterprise. I can't imagine any European giving this movie the thumbs-up. I can't.
    5anaberdenn

    Nice backdrops but very superficial

    Well.. I am wondering if there will come a time, when Netflix movie will be more high quality?

    It seems to me most of the movies made are made to have it as a backdrop while cooking, which is too bad. Probably we are to blame cause we watch them and create demand.

    This one in particular is actually a nice plot with a lot of potential due to popular romanticised reality of foreigners buying 1 euro houses in Italia, but it is again made so cheesy and corny and lacks depth or quality acting. Feels very superficial. Don't get me wrong, it still is a nice backdrop, mostly due to surroundings and location, but otherwise lacks depth heavily. It is too bad, cause all these films seem half-done, and like my parents used to tell me my whole life, getting things half done is worse than not doing them. I must agree.
    6pierreolivier-21287

    Recipe of a romantic movie

    Kinda feel like they just follow a recipe of how to make a romantic comedy. It's a nice movie, but maybe too many stereotypes of what could be a romantic comedy. Like, they could be more subtle.

    Also, do they have issues with the camera? Why are some can characters shaded in some scenes? Like the grandmas waving? They didn't see that in post-editing?

    At least, you see beautiful sceneries of Italy. It made me want to buy one house for 1 euro and move there today.

    Italy definitely has the vibe they portray.

    Overall, it is a good movie to pass the time on Valentine's day with your significant other.

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    Handlung

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    • Wissenswertes
      Was filmed on location in San Gregorio da Sassola outside of Rome.
    • Patzer
      Although cheques are not common in Italy they are still valid and can be cashed in banks.

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 13. Februar 2025 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • La dolce casa
    • Drehorte
      • Stazione Trastevere, Rom, Latium, Italien(departure railway station)
    • Produktionsfirmen
      • DAE Light Media
      • Front Row Films
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    Technische Daten

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    • Laufzeit
      1 Stunde 39 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 7.1
    • Seitenverhältnis
      • 2.00 : 1

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