Füge eine Handlung in deiner Sprache hinzuA successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.
- Regie
- Drehbuch
- Hauptbesetzung
Giselle Gant
- Zola
- (as Gizelle Lebleu Gant)
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Let's begin with Scott Foley, the lead actor. His performance is drier and more wooden than an old door in a clapped out one-euro Italian villa. He seems like he's in a hurry to catch a plane in every scene, so, trying to get through his lines as quickly as possible, with the only expression he can muster, that of a surprised deer in the headlights. Violante Placido, the stunning Italian actress that plays Eric's love interest, was woefully directed, and the same goes for Maia Reficco, who plays his daughter. They seem to be capable of much more.
The script and dialogue is painfully predictable, formulaic and cringefully cheesy. On more than once occasion, I blurted out the dialogue almost word-for-word just before it was delivered. Eric's (Scott Foley) character is underdeveloped, touching a bit on the hackneyed stereotype of the culturally insensitive and arrogant American abroad.
The pacing is all wrong, and never changes, always feeling hurried and never allowing time for any of the character's emotions to absorb, much like a commercial. This is especially ironic for a movie about leaving the big city behind for the slow paced life of the Italian countryside.
The warm organic beauty of the scenery and sets were the only thing that kept me from fast forwarding through the film.
This genre was done a hundreds types better 22 years ago by Diane Lane in 'Under The Tuscan Sun'.
Scott Foley should find another line of work.
The script and dialogue is painfully predictable, formulaic and cringefully cheesy. On more than once occasion, I blurted out the dialogue almost word-for-word just before it was delivered. Eric's (Scott Foley) character is underdeveloped, touching a bit on the hackneyed stereotype of the culturally insensitive and arrogant American abroad.
The pacing is all wrong, and never changes, always feeling hurried and never allowing time for any of the character's emotions to absorb, much like a commercial. This is especially ironic for a movie about leaving the big city behind for the slow paced life of the Italian countryside.
The warm organic beauty of the scenery and sets were the only thing that kept me from fast forwarding through the film.
This genre was done a hundreds types better 22 years ago by Diane Lane in 'Under The Tuscan Sun'.
Scott Foley should find another line of work.
Step into Italy with warm scenic beauty, golden sunshine, and charming Edwardian-era architecture. La Dolce Villa is the most relaxing escape you can indulge in right now-it's sweet, tender, and as aromatic as an authentic Italian café.
I have to appreciate the film's underlying social message about Italian village properties being auctioned for just one euro. It adds a layer of depth to the story, making it more than just a picturesque getaway.
Story-wise, it's fine, but I really admire the craftsmanship and construction makeover that went into bringing the old villa back to life. Imagine giving a story to those satisfying room makeover videos on youtube. If you're looking for a decent film to enjoy while preparing a cozy meal, this is it.
I'll go with a 7/10 for this one-it's like a warm hug.
I have to appreciate the film's underlying social message about Italian village properties being auctioned for just one euro. It adds a layer of depth to the story, making it more than just a picturesque getaway.
Story-wise, it's fine, but I really admire the craftsmanship and construction makeover that went into bringing the old villa back to life. Imagine giving a story to those satisfying room makeover videos on youtube. If you're looking for a decent film to enjoy while preparing a cozy meal, this is it.
I'll go with a 7/10 for this one-it's like a warm hug.
I started watching this, but couldn't stomach seeing it to the end. I'm American living in Europe for 55 years. I speak Italian and other languages, and visit Italy frequently. This movie is typical naive American cliché kitsch. The dialogue is full of American "New Speak" slang and cultural references that hardly anyone in Italy understands - I have trouble with it too. The protagonist is not there to admire and embrace millennia of culture, but rather, to spread the American obsession with turning everything into a business enterprise. I can't imagine any European giving this movie the thumbs-up. I can't.
Well.. I am wondering if there will come a time, when Netflix movie will be more high quality?
It seems to me most of the movies made are made to have it as a backdrop while cooking, which is too bad. Probably we are to blame cause we watch them and create demand.
This one in particular is actually a nice plot with a lot of potential due to popular romanticised reality of foreigners buying 1 euro houses in Italia, but it is again made so cheesy and corny and lacks depth or quality acting. Feels very superficial. Don't get me wrong, it still is a nice backdrop, mostly due to surroundings and location, but otherwise lacks depth heavily. It is too bad, cause all these films seem half-done, and like my parents used to tell me my whole life, getting things half done is worse than not doing them. I must agree.
It seems to me most of the movies made are made to have it as a backdrop while cooking, which is too bad. Probably we are to blame cause we watch them and create demand.
This one in particular is actually a nice plot with a lot of potential due to popular romanticised reality of foreigners buying 1 euro houses in Italia, but it is again made so cheesy and corny and lacks depth or quality acting. Feels very superficial. Don't get me wrong, it still is a nice backdrop, mostly due to surroundings and location, but otherwise lacks depth heavily. It is too bad, cause all these films seem half-done, and like my parents used to tell me my whole life, getting things half done is worse than not doing them. I must agree.
Kinda feel like they just follow a recipe of how to make a romantic comedy. It's a nice movie, but maybe too many stereotypes of what could be a romantic comedy. Like, they could be more subtle.
Also, do they have issues with the camera? Why are some can characters shaded in some scenes? Like the grandmas waving? They didn't see that in post-editing?
At least, you see beautiful sceneries of Italy. It made me want to buy one house for 1 euro and move there today.
Italy definitely has the vibe they portray.
Overall, it is a good movie to pass the time on Valentine's day with your significant other.
Also, do they have issues with the camera? Why are some can characters shaded in some scenes? Like the grandmas waving? They didn't see that in post-editing?
At least, you see beautiful sceneries of Italy. It made me want to buy one house for 1 euro and move there today.
Italy definitely has the vibe they portray.
Overall, it is a good movie to pass the time on Valentine's day with your significant other.
Wusstest du schon
- WissenswertesWas filmed on location in San Gregorio da Sassola outside of Rome.
- PatzerAlthough cheques are not common in Italy they are still valid and can be cashed in banks.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La dolce casa
- Drehorte
- Stazione Trastevere, Rom, Latium, Italien(departure railway station)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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