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7,9/10
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Die Geschichte der heimlichen Liebe zwischen Lee Hwon, einem fiktiven König von Joseon, und Wol, einer Schamanin. Wol wurde als Heo Yeon Woo geboren, die Tochter einer Adelsfamilie, die die ... Alles lesenDie Geschichte der heimlichen Liebe zwischen Lee Hwon, einem fiktiven König von Joseon, und Wol, einer Schamanin. Wol wurde als Heo Yeon Woo geboren, die Tochter einer Adelsfamilie, die die Liebe des Kronprinzen Hwon gewann.Die Geschichte der heimlichen Liebe zwischen Lee Hwon, einem fiktiven König von Joseon, und Wol, einer Schamanin. Wol wurde als Heo Yeon Woo geboren, die Tochter einer Adelsfamilie, die die Liebe des Kronprinzen Hwon gewann.
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Who the hell decided to cast Han Ga-In as a grown-up Kim Yoo-Jung ? It was a terrible mistake and totally destroyed the show! With all due respect to her, she looks nothing like Kim Yoo-Jung and frankly her acting was mediocre at best. Funny thing is, Nam Bo-Ra would have been so much better for this role as one could easily believe thats a grown up Kim Yoo-Jung. Han Ga-In would have suited much better as a grown-up Joon Bo-gyeong.
It was a great storyline but the bad casting spoiled the show for me. I still gave it 6 because of Kim Yoo-jung in first 8 episodes and wonderful performance by Kim Soo-Hyun as the King in remaining episodes.
It was a great storyline but the bad casting spoiled the show for me. I still gave it 6 because of Kim Yoo-jung in first 8 episodes and wonderful performance by Kim Soo-Hyun as the King in remaining episodes.
I am finding this show good in storyline and visuals, but excruciatingly slow and painful to watch. Each episode could be cut in half and still achieve the same goal. The switch of characters in the time jump baffled me as they looked nothing alike and it took me 3 slow episodes to figure it out. While i feel like I've complained a lot, the storyline is good and interesting and the costumes and sets are beautiful. I just wish i didn't fall asleep midway through every episode.
sure, a fairy tale. a Korean one, with the entire flavor of spices and scents and beauty and bitter joy. with slices of drama in brilliant clothes. with delicate romanticism and links between so different worlds. but, in same measure, chronicle of a fight. for love. and for self definition. the young king looking the right manner to solve the crisis. the young woman looking be herself and, in same measure, the good answer to the challenges around her. so, a film who preserves many ingredients from the historical films from South Korea cinema. but , in same measure, who remains special. for its delicate and precise use of poetry
10debvee60
I overheard a student where i work mentioning that all her friends were asking for more Korean program suggestions on Netflix and I was intrigued. I've already enjoyed a few subtitled shows and when I heard her discussing them I knew I had to see for myself. While one of the suggestions wasn't really my cup of tea, Moon Embracing the Sun is one of those series you can only hope you find another like it. I'm on Episode 13 of 20 of Moon Embracing the Sun and it is one of the most enjoyable experiences I've had on television in years. It's a Korean period piece set in the distant past with a little bit of everything. The drama and romance (not sex) between the main characters is so intense. I love looking at their faces, their clothes, everything they do and the places they go. I find myself staring at the screen. It's a story about lovers who are subject to the events around them living in the royal palace and city. There's some political intrigue. There's the shaman culture and Confucian philosophy. There is a point where without warning the characters are replaced by older actors in a passage of time so I was a little confused at first but soon caught up. Love the actors who play the King - young and old. I'm thinking I want to know more about Korea now.
The younger cast had 6 episodes and really built a solid base for the drama. Their acting range were far superior to all the adults, except Kim Soohyun that reprises their roles.
The female lead was like a card board cutout that utters only the dialogues. She had just one emotion: Act Surprised!
There was no chemistry between her and the male lead. And their love story felt flat. The only saving grace was the Lee Hwon character, which was greatly built up by Yeo Jingoo and successfully continued by Kim Soohyun. The character is absolutely iconic! Props to the actors and the writers.
The story was sweet too (if not for the female lead for ruining it for me). I loved the comedy between the King and his servant, as well as the bromance between the brothers.
This is a solid drama. And would have been a masterpiece had they casted an actress who can actually act.
The female lead was like a card board cutout that utters only the dialogues. She had just one emotion: Act Surprised!
There was no chemistry between her and the male lead. And their love story felt flat. The only saving grace was the Lee Hwon character, which was greatly built up by Yeo Jingoo and successfully continued by Kim Soohyun. The character is absolutely iconic! Props to the actors and the writers.
The story was sweet too (if not for the female lead for ruining it for me). I loved the comedy between the King and his servant, as well as the bromance between the brothers.
This is a solid drama. And would have been a masterpiece had they casted an actress who can actually act.
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- WissenswertesBased on the novel "The Moon that Embraces the Sun" by Jung Eun Gwol.
- SoundtracksThe moonlight is setting
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What is the Canadian French language plot outline for The Moon Embracing the Sun (2012)?
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