Der Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstör... Alles lesenDer Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstörten Mädchen und einem Professor im Ruhestand.Der Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstörten Mädchen und einem Professor im Ruhestand.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 15 Gewinne & 30 Nominierungen insgesamt
- Bárbara niña
- (as Marina Anduix)
- Locutora radio
- (Synchronisation)
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This is down to the brilliant screenplay and realistic nature of the events that take place. I would believe it if these events took place. Some of it could seem a bit extreme, particularly with Barbara's story, but I didn't feel it was too over the top at any moment.
Technically magical girl is also brilliant. The cinematography was beautiful and Stationary shots are almost exclusively used which worked like a treat. The framing and shot composition we're absolutely great as well.
Themes of Selfishness and humanity are conveyed thoughtfully and in a way that, again, felt very real. I loved seeing how one person's selfish actions can affect so many others in truly hideous ways.
I think the thing that makes magical girl so great is the fact it treats the audience with respect. Quite a lot of left up to interpretation which works to great effect, if certain things were shown they wouldn't seem so revolting and disturbing.
Just a couple more points I want to make. The acting is all fantastic, Lucia Pollan gives one of the greatest child performances I've ever seen. And the reincorporation doesn't feel unnecessary and it makes for an excellent emotional moment.
I urge everyone reading this to watch magical girl. Even if you don't love the stories being told you can't deny the technical brilliance. I can not wait to watch this film again.
Magical Girl is written and directed by Carlos Vermut and (in a Pulp Fiction style) focuses on three stories and characters that are all equally understandable and fascinating. The story is definitely the core of Magical Girl. It is one that subverts expectation. It can make you laugh, cry, or feel disturbed, and all while being a perfect whole. It is also one that makes for an equally great rewatch. There are dozens of details scattered in the movie that can only make sense on a second viewing. Sometimes, these details can even change the context of a previous scene.
The acting and camera-work are good without being too exceptional, but the way they work with the unfolding events can make them much more effective. And the movie never feels constrained by its budget in any way. The song choices are not only great and incredibly memorable, but they also have an important role in the story.
Magical Girl is one of the most unappreciated gems of 2014. It is entertaining, emotionally powerful, unique, and intelligent at the same time. It takes very little to get invested, and you will be on the edge of your seat. I adore this film and would highly recommend Magical Girl, it is a must-see.
Three people in extreme conditions seem to move in a parallel universe where violence and pain dominate, but in a poetic way. In the universe of Vermouth, everyone is guilty and everyone is innocent. Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.
It would be easy to fill pages and pages about the virtues of "Magical Girl", but it is a little complicated to do without uncovering some of the many surprises of the film. Because in reality, it is much more than a story where lives intersect and the storm broke. It is a framework where the details are taken care to detail. The music appears only when it is needed.
Jose Sacristan, Barbara Lennie and Luis Bermejo not need more than one scene to explain the most accurate descriptions of screenplay. Lucia Pollan, a revelation, it is amazing to see her purity and innocence overshadowed by the situation.
What is bad, however, is that all these mixed ingredients in the same bowl can roll back to a kind of niche audience more accustomed to these kinds of films. As for the end, it is open to many interpretations, which can leave the viewer confused, but will give us the opportunity to look, to find our own explanation to what is happening.
Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.
The biggest problem with this movie is how convenient everything is. I get that Louis as a father would actually fulfill the wish of his daughter, Its not that dis-believable. But the lengths he goes to achieve it. can be questionable. But that's not really the problem I have with this movie.
Barbara's illness for which she takes medications for was never explored. While you can try to make the excuse that "It's left for interpretation" (which YMS did on youtube), Its not really an excuse because you are literally implying that I should guess what's wrong with her. This is not how you make me care for a character. Why does she have these scars on her body? Never explained. While I find it convincing that she would help Luise once, I find it hard to believe that she will go to such lengths, in his second "favour" with the 20k euros (which I honestly find It too convenient that just an accessory would be that much more than the costume itself). It doesn't make sense. Like she's literally risking her life and screwing it up as a whole, just so she can remain with her husband. It just doesn't make sense to me. It seems like a complete convenience for this edgy plot that this movie Is going with. Not to mention "THE DOOR" ritual thing (which just literally came out of no where.).
Now for the 3d act. After Barbara is completely screwed up and her life destroyed, due to her own ridiculous decisions (lets remember that she decided to sleep with Luis. Lets not pretend that didn't happen.). She all of a sudden wants revenge now.
OK, the part that really made me mad and just seriously made me hate this movie is the scene in the cafe with Damian and Luis. So you are telling me, that when Damian threatened Luis with the gun, Luis will just decide to respond with "Bitch"? Are you serious? Like, they literally had the whole time in the world in that cafe to discuss what exactly happened. This is what really made me really angry. He presented that whole phone blackmailing, in really the most conveniently horrible way possible. It doesn't make sense for me, that this would happen, when the guy is clearly smart enough to not throw his life like this.
So, this is how I feel about this movie. For me Its a really "edgy" and It hides its convenient plot in its "deepness".
Wusstest du schon
- WissenswertesThe movie is divided into three chapters: "World", "Devil" and "Flesh", the three enemies of the soul in Christianity.
- Zitate
Oliver: [Before Barbara enters the black salamander room and upon meeting the mysterious Oliver for the first time] Do you like bullfights?
Bárbara: No, not much, truthfully.
Oliver: I don't like them much either, but it is odd that Spain is specifically the country in which bullfighting is most popular. Do you know why Spain is a country in eternal conflict? Because we cannot decide whether we are a rational country or an emotional one. The Nordic countries, for example, are cerebral countries. However, the Arabs or the Latinos, have accepted their passionate side without complex nor guilt. They all know which side dominates. We Spaniards are on a balance that is suspended precisely in the middle. That is how us Spaniards are... like the bullfights. And what are bullfights? The representation of the struggle between instinct and technique, between emotion and reason. We must accept our instincts and to learn to struggle with them as if they were a bull, so that they do not destroy us. This is exactly what we offer our clients. Could you remove your clothes, please?
[Barbara undresses completely]
- SoundtracksHaru Wa Sara Sara
Music by J. Sivonen
Lyrics by R. Reiman
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
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Box Office
- Weltweiter Bruttoertrag
- 213.782 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1