Die Glaskuppel

Many have rushed to criticize the show for being slow and boring. The narrative takes place in a small Swedish town, and many of the cliches of this type of tale-such as tragic family secrets and an evil enterprise destroying the environment-were unavoidable, as in previous top-rated Scandi-noir dramas such as "Katla" and "Trapped". However, this is one of the rare examples where the tiny circle of people playing the roles of suspects and victims served a legitimate goal, which was not to answer the whodunit but to reveal the true relationships between these characters and the real causes of the tragic events. So congratulations to peers who correctly identified the bad person, but this was neither statistically difficult in a pool of a few suspects nor the primary goal of this show.

Giving even a little detail on who, when and where would reveal everything so I will not provide any detail about it since ultimately everything finally seems to play a strong function in the real plot which is not what first seems and which gradually unveils in amazing manner in each of the six episodes.

People also thought the filming seemed emotionless. The Swedish accent makes it difficult for the main characters to experience the feelings they unleash, hence this criticism has only logical grounds-especially for English language viewers. Not only were the laconic dialogues and the characters tense, but I also believe that each part should be closely watched to ensure that what is truly happening is followed. The finest thing about this program is how skillfully it created one of the best character developments of a wicked mind. The story is told under close proximity to a scientific criminologist with the best twists on a warped psyche.

Once more, I want nothing to be spoiled; but, before and after the secrets come to light, pay close attention to the acting of every character to realize how great it is particularly for the three main characters of the show.

I honestly don't get the hate - "Die Glaskuppel" is an incredibly gripping and underrated series that constantly keeps you guessing. From the very beginning, it pulls you in with its intense atmosphere and never lets go. The plot is packed with brutal and unexpected twists that hit you when you least expect them, and the tension only escalates with each episode. Just when you think you've figured it out, everything changes again. It's unpredictable, addictive, and full of surprises right up to the final scene. If you enjoy clever, suspenseful storytelling, this series is a hidden gem you shouldn't miss.

I, too, don't understand the really negative reviews. This is not an American action shoot 'em up. Scandinavian people are by nature stoic and they don't talk a lot. I should know - my father was 100% Norwegian. This drama is well written, has a different storyline than I've seen in a while with good actors not to mention wonderful scenery and an accurate depiction of Swedes in a small town who reject their environment being ravaged. I'm quite enjoying this!!! We are finally getting access to really good Nordic thrillers and I watch them so often, they can't keep up with audiences that like them. Icelandic are the best.

I thought the series was quite good! I was completely off the mark for the ending, so it was a fun surprise for me. It started off a little slow, but I was invested by episode 2. Nordic noir also has a certain vibe to it, so you need to be okay with a slow pace at times since it contributes to the atmosphere. It's a very specific mood that you see in many series like this.

Like the other positive reviewers note, I don't think the acting was bad at all. Being less emotive when you're playing a specific type of character in certain plot/setting has its place and this show is one of them. In everyday life, people aren't overly expressive and in my option, the acting felt very natural. To me Leyla's character was intentionally masking emotions. Sometimes people who have suffered significant trauma cope by numbing themselves out. She was self-medicating so she clearly still had unresolved issues.

I hate to be snarky, but one of the reviewers stated that a lot of questions were left unanswered and there were some plot holes, but had they actually watched the entire show instead of a select few episodes, they would have found that many of their questions would have been answered. I believe I only had one question I was left with at the end, but I may just have missed something.

First up , it was great to see Ville Virtanen back on the scene , albeit in a minor cameo . To know he was in it ( and is a renowned director himself ) was promising from the outset . If you can handle several red herrings on course to its conclusion , then this is for you . It does borrow heavily from The Killing , but in a different way . You'd need to watch it all to get that one I'm afraid. There is also a serious nod to the Hannibal Lecter franchise , which is no bad thing . My only criticism of the show ( and it's not unique to this show but all of the Scandi Noir offerings , inclusive of the American efforts ) are the continuous drone shots of the countryside . We know the area is stunning , but it's boring now and merely "meats out" the running time.