Die leisen und die großen Töne

"Thibaut" (Benjamin Lavernhe) is an accomplished conductor who is now based in the USA but who comes home to France now and again to perform. It's during one such visit that he confides to his sister "Rose" (Mathilde Courcol-Rozés) that he needs a bone-marrow transplant. She readily agrees to help out but when she is found to be incompatible, that news opens quite a can of worms that results in him having to ask "Jimmy" (Pierre Lottin) - a brother he didn't know he had and who lives in a quietly dying town where his workplace is earmarked for closure, to help out. Initially uninterested and disbelieving, the film now illustrates just how the two men come to terms with their past, their present and (hopefully) their future against a backdrop of resentment and privilege as they try to reconcile with the elements of "luck of the draw" that have governed their lives thus far. Fortunately, they have one thing in common. They both love music, and as it transpires that "Jimmy" plays trombone in his local mineworkers band we have a conduit for them to bond - or not! There are shades of "Brassed Off" (1996) as this offers us a social commentary on the decline of traditional rural industries that leave little by way of hope or opportunity in it's wake; a little bit of romance and some seriously horrible uniforms too! Along the way, there is also some fine classical Mozart, some crooning from Charles Aznavour and some enjoyable band rehearsals with an eclectic collection of the townsfolk proving remarkably talented with instrument and voice alike - after a soupçon of guidance. No, there probably isn't so much jeopardy about the denouement, though there is a twist - it's really a story about family and one that's presented without too much sentiment and a bit of enjoyably bloody-minded Gallic humour. I was never quite sure what an orchestral conductor actually did, standing there flailing his baton at a collection of perfectly proficient musicians, but this might just have helped explain a little - and that seating matters too!

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

Oh how wonderful, a drama/comedy at its best. A country like France is truly a master at this. The actors are absolutely wonderful in their roles. The seriousness and humor are spot on. I really love that mix in a film. You are never disappointed. The film highlights many things that can be crucial in life. Without me revealing anything. After watching a film like this, you are filled with different emotions such as joy, hope and a little bit of sadness. Then the director has succeeded with his film in my opinion. The most important thing about film is that you are touched in one way or another. It is the experience and feelings you carry with you after you have seen a really good film. Watch the film and be touched in your own way.

En Fanfare takes us on a profoundly human journey filled with generosity and hope. This touching and luminous film transforms a familiar premise into an inspiring reflection on brotherhood, adoption, and altruism.

// A classic story, reimagined The plot centers on two estranged brothers who meet late in life-one thriving in a world of prestige, the other leading a modest existence. While the theme feels timeless, En Fanfare stands out with its nuanced storytelling. Combining tender moments with delicate humor, it entertains while provoking thought. The narrative raises universal questions about our ability to live together and create meaningful connections.

// A cinematic and musical triumph The direction is polished, featuring visually striking scenes enhanced by an enriching soundtrack. Music plays a key role, almost as a character in itself, heightening the emotional impact. The cinematography's subtle contrasts reflect the dualities of the film, such as wealth and humility, isolation and solidarity. The balance between story and music creates a deeply immersive experience.

// Exceptional performances The cast delivers outstanding work, with Benjamin Lavernhe excelling as the conductor. He portrays a figure of authority who evolves with unexpected depth and sensitivity. Opposite him, Pierre Lottin shines as the humble yet quietly resilient brother, embodying authenticity. Their chemistry breathes life into heartfelt scenes, navigating tension and growing connection with ease.

// A hopeful and timely message In a time of societal division, En Fanfare feels like a necessary breath of fresh air. It challenges the narrative of individualism, offering an uplifting portrayal of empathy and mutual support. This optimism, deeply rooted in complex characters and realistic scenarios, reminds us of the best humanity has to offer.

En Fanfare is a joyous and inspiring film for anyone who believes in the power of connection and generosity. Delicate yet powerful, it is a must-watch.

Final score: 9/10 A deeply human film that will leave you feeling uplifted.

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

---

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.