IMDb-BEWERTUNG
4,1/10
7190
IHRE BEWERTUNG
Eine intime Reflexion und sehr visuelle Neuinterpretation von Jennifer Lopez' Reise der Selbstheilung und des ewigen Glaubens an ein märchenhaftes Ende.Eine intime Reflexion und sehr visuelle Neuinterpretation von Jennifer Lopez' Reise der Selbstheilung und des ewigen Glaubens an ein märchenhaftes Ende.Eine intime Reflexion und sehr visuelle Neuinterpretation von Jennifer Lopez' Reise der Selbstheilung und des ewigen Glaubens an ein märchenhaftes Ende.
- Auszeichnungen
- 2 Nominierungen insgesamt
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Another Jlo doc/movie cringe fest. If Yaoundé had any doubts of whether or not JLo was a raging narcissist then look no further. Not sure why I watched other than morbid curiosity after reading about how bad it was. And yep! It's bad. This multi millionaire for over 3 decades is now trying a new angle... to make the audience feel sorry for her somehow?? Didn't get enough love as a child yards yards yadda. And that her mother is actually a narcissist. Welp. Clearly she has no problem throwing people under the bus if it serves her. She has always talked about how supportive and great her mother is but now it's suddenly "poor me". There is a scene where she "sings" about being broken and it is soooooooo bad. I had to turn it off at that point because it was borderline creepy. These celebs are so out of touch and self obsessed. I'm over it.
What was she thinking? The creative direction is scattered and everything about this is contrived and over the top for no reason. There's nothing wrong (imo) with entertainers making artistic works like this one but it falls flat in this case. The visuals are stunning so that's a plus but it's not enough to make this widely likeable or a huge success. To the films credit, it could have gotten much, much better towards the middle/end but I had to tap out after about 25 minutes. It's one note/boring even with all of the glitz and glam. I will give her kudos for going for it and trying something new. But even all the cameos couldn't lift this heavy rock.
One last thing - WE KNOW THAT IT'S NOT A MOVIE. Stop thinking that those of us that don't care for it are mad because we thought it was a typical movie. We know that it isn't and we can still not like this project. As deep as she wanted this to be, it's not.
Lastly (I promise): Jennifer. Sweetie. You are not in your 20's or 30's anymore as much as you would like to be. Age with grace, please. It is laughable that you continue to push this narrative that you are young. You aren't and that is perfectly ok. You can be in your 50's, 60's and 70's and be sexy, fun, and REAL. Step into that and stop playing yourself.
One last thing - WE KNOW THAT IT'S NOT A MOVIE. Stop thinking that those of us that don't care for it are mad because we thought it was a typical movie. We know that it isn't and we can still not like this project. As deep as she wanted this to be, it's not.
Lastly (I promise): Jennifer. Sweetie. You are not in your 20's or 30's anymore as much as you would like to be. Age with grace, please. It is laughable that you continue to push this narrative that you are young. You aren't and that is perfectly ok. You can be in your 50's, 60's and 70's and be sexy, fun, and REAL. Step into that and stop playing yourself.
I was looking forward to this documentary because I read her book when it first came out and I liked it. I think this documentary should have explain why she does not allowed workers to look at her. Why she makes her manors work 16 hours 7 days a week and why she took money from the waitress after Ben Affleck gave a good tip to the worker. I thought this film was going to be about empowerment of women still growing through difficulty but it was more about trying to find sympathy for herself. Which in that case she should have explained why she miss treat the staff and her back up dancers. OMG.
It's clear to me that tremendous effort went into this project. It has some nice visuals, a veritable fashion show of costume changes, plently of choreography, a slew of high-profile cameos, etc. I just wish all that effort had been put toward a more worthy project. This is a Vanity project through and through, all created to help Jennifer Lopez justify being married four times and to prove to the world why this fourth marriage will last (it won't). The accompanying behind-the-scenes doc is even worse, with her contrived efforts to act like a genuine person falling embarrassingly flat and Ben Affleck's very "I so don't want to be here." demeanor, which has lead to a steady barrage of divorce rumors.
There's no denying the magnetic energy of JLo's music or her mega babe status. But as to what fresh madness this film is, I have no bloody clue. Best guess is that it's a string of music videos linked together by random celebrity cameos and cringey dialogue. I'm sure audiences will vibe the glitz, glamour and hypnotic dancing, which is ridiculously extravagant. I don't believe this film requires much of your attention, I used it as background music while I cleaned the dining room. Thankfully it's only an hour long, so if you vibe JLo and her music then watching it won't be a waste of your time.
Wusstest du schon
- WissenswertesThis film is one component of a three-part, $20 million self-financed multimedia project that examines and plays with Jennifer Lopez's life as a serial romantic. It also includes the album "This is Me Now" and the "Greatest Love Story Never Told" documentary.
- VerbindungenEdited into Jennifer Lopez: Rebound (2024)
- SoundtracksThis Time Around
Produced by Rogét Chahayed, Angel Lopez (for Hit Village Productions Inc.), Tay Keith, Jeff Gitelman (as Jeff 'Gitty' Gitelman) for Gitty Music, Inc., Federico Vindver
Written by Jennifer Lopez, Ink (as Atia Boggs), Douglas Ford, Jason Derulo (as Jason Joel Desrouleaux), Rogét Chahayed, Angel Lopez (as Jose Angel Velazquez), Tay Keith (as Brytavious Lakeith Chambers), Jeff Gitelman, Federico Vindver
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- This Is Me...Now: Una historia de amor
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- Laufzeit1 Stunde 5 Minuten
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- 2.35 : 1
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