IMDb-BEWERTUNG
4,9/10
1324
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA look at the trials and tribulations of the Compson family, living in the Deep South during the early 20th century.A look at the trials and tribulations of the Compson family, living in the Deep South during the early 20th century.A look at the trials and tribulations of the Compson family, living in the Deep South during the early 20th century.
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This movie was a complete waste of time. This movie keeps on repeating itself throughout its entirety. He should whether he believes in god or not pray for forgiveness for this piece of garbage. If I had to hear "She smells like the trees." or some crap like that one last time I would have went full mental just like Franco did in the movie.
I'm not a big fan of Faulkner and always found his stories to be somewhat overemotional and difficult to understand, but I was captivated by this movie interpretation. There is a lot that is not explained as the action unfolds, and the order of events barely follow a chronological sequence, which can make it difficult for those who expect a more traditional mode of story telling. It almost felt like the images were being laid over each other, like thin paint that is applied and then allowed to dry so the colors and textures can be built up.
The acting is quite phenomenal throughout, and there's a high level of energy maintained as this confusing story circumvents about, serving as nothing more than the memoir of a family and the extreme emotional dependencies they inflict upon one another. The relentless and intense interactions are performed in a nearly senseless fashion, which I believe emulates the family's feelings of futility as they plummet through to their pathetic end.
Often, there was a mysterious musical track that almost sounded like the dull drone of a plane flying overhead, a very good way to bind the action together. If the music were more intense or melodramatic the movie could come across as sappy and ridiculous. As it is, the confusion and disparity could turn off even the most ardent viewer, but I found the experience rewarding on a number of subtle levels one might find in films by the likes of Ingmar Bergman.
The acting is quite phenomenal throughout, and there's a high level of energy maintained as this confusing story circumvents about, serving as nothing more than the memoir of a family and the extreme emotional dependencies they inflict upon one another. The relentless and intense interactions are performed in a nearly senseless fashion, which I believe emulates the family's feelings of futility as they plummet through to their pathetic end.
Often, there was a mysterious musical track that almost sounded like the dull drone of a plane flying overhead, a very good way to bind the action together. If the music were more intense or melodramatic the movie could come across as sappy and ridiculous. As it is, the confusion and disparity could turn off even the most ardent viewer, but I found the experience rewarding on a number of subtle levels one might find in films by the likes of Ingmar Bergman.
I watched this on netflix, expecting it to be ridiculous. It turned out to be a credit to Franco's seriousness and ambition. The tone was right, the pacing was right, the visual language was right, and I thought three of the principle characterizations were fantastic (Jason III, Quentin the son, and Jason IV). Actually I liked the Dalton Ames and Cady and Luster. And the Mother too. Anyway, I accepted from the beginning that a movie adaptation of TSTF is a huge challenge - it's a book I know pretty well, and I imagine anyone who sees this movie without having read TSTF a few times would wonder WTF?
So hats off to James Franco. He's such a hottie that I don't think people give him credit for serious work. Here's it's deserved.
I might change my mind at some point, but ever since seeing this film I've been asking myself what, if anything, James Franco could have improved with this difficult adaptation of a difficult book, and I haven't thought of anything yet. The real question is whether a film-maker ought to revise the source material to make it easier for the public to understand. Yes, he should, is the answer if all that matters is the commercial viability of the film. No, he shouldn't, if he's creating a work of art, and that what Franco has done here. I didn't think he had it in him. If you've read the book a few times, enough to disentangle the narrative, you'll appreciate what's been done. The book is divided into three parts. Part 1 focuses on Benjy and his experiences. Because Benjy has no grasp of time, past and present are mixed up confusingly. One lovely touch in the film is the way that random thoughts of Benjy are heard in his sister's voice, because he has no voice of his own. Part 2 is the story of his mentally disturbed brother Quentin. In the film, as in the book, it helps to know that there are two Quentins. The other one is Benjy's sister Caddy's daughter. In the book, Quentin's story is interrupted by partially informative streams of consciousness. In the film, the conclusion you reach is that here is a deeply disturbed young man, just about able to pass himself off as 'normal'. Again, the flow of time is as disordered as the man. Part 3 is, finally, a coherent narrative structure, focusing on brother Jason, the man with the worst anger management problem in the world. The film has matched all three parts as well as a film possibly could, and if you hate it, as my partner did, then you'd probably hate the book, and I could understand why. But I have to say that James Franco has created one of the best-made films I've seen recently, and I admire him greatly for doing so. It makes me optimistic about the forthcoming 'In Dubious Battle'.
I was surprised by the low reviews of this movie by the critics. Once I got into it, I was drawn in by the various characters. This movie is worth watching.
Wusstest du schon
- WissenswertesJames Franco and Seth Rogen also appeared together in Voll daneben, voll im Leben (1999), Beim ersten Mal (2007), Ananas Express (2008), The Green Hornet (2011), Das ist das Ende (2013), The Interview (2014), Die Highligen drei Könige (2015), Sausage Party - Es geht um die Wurst (2016), The Disaster Artist (2017), and Zeroville (2019).
- VerbindungenReferenced in Showreel: Ol' MacDonald Had a Show (2013)
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- Erscheinungsdatum
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- Auch bekannt als
- Els Germans Compson
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- Laufzeit1 Stunde 41 Minuten
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- Seitenverhältnis
- 16:9 HD
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By what name was The Sound and the Fury (2014) officially released in India in English?
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