Ponman

Rating - 4.5/5

A raw, intriguing and emotional family drama portrayed through brilliant screenplay and exceptional performances.

The plot of the story revolves around the Gold dowry system prevailing in the marriage institution set on the backdrop of a coastal town in Kollam and how a Gold broker gets entangled in an emotional and survival protest among two families forms the crux of the story.

Hats off to you Jothish Shankar in envisioning the story penned by G R Indugopan and delivering an absolutely brilliant movie on screen along with Justin Mathew. This movie has got life in it. The filmmakers has effortlessly landed the audience to the backdrop of Kollam and its underdog culture through the opening folklore song and coastal settings. The first 15 mins moves steadily forming background for the story to take shape and progress while the latter half giving too many enlightening and satisfying moments through articulate dialogues that leaves you awe,surprised and inspired. The director has placed peak moments for both the lead actors in the story showing their head on head performances. This movie is a clear example of how well a realistic story plot can be put to life connecting family drama,emotions,betrayal, brotherhood,friendship in perfect harmony.

Spectacular performances by Basil & Lijomol showing distinct layers of their characters. Stunning performance by Sajin Gopu and his body language,mannerisms and the way he conveys his emotions through his eyes was outstanding. Anand Manmadhan has given a career breaking performance in this movie as an underdog. Sandhya Rajendran who played the mother character has also made an impressive delivery. Deepak Parambol,Reju Sivadas,Jaya Kurup & Kiran Peethambaran also made notable performances.

Marvellous and realistic frames by the veteran Sanu John Varghese along with Justin's impressive songs and BGM's elevated the movie experience. Chitra Chechi's voice when heard with the natural serene frames was an absolute bliss. Kudos to Nidhin Raj Arol for giving a life moving cinematic experience. Hats off to Jothish Sankar & Kripesh Ayyappankutty for giving the natural and earthly tone to the set works and prawn culture setups in giving life to the underdog performances.

A must watch movie on big screens with family to see the raw and realistic life in pure bliss and experience some life moving moments.

Ponman kicks off with an energetic track that immediately sets the tone for the film. Based on the phrase "Kollam kandaal Illam venda," the song beautifully captures the essence and spirit of Kollam, showcasing its rich landscapes and culture. A vibrant tribute to the region-Kerala Tourism, take note!

At its core, Ponman tells the story of a family struggling to get their daughter married amidst steep dowry expectations. Enter PP Ajesh-the Ponman (gold guy) - who arranges gold for such families, ensuring they either pay him back in cash or return the gold if things don't work out. What starts as a simple transaction quickly spirals into an intense, gripping journey when things don't go as planned.

But Ponman isn't just about its setting - it's about sheer perseverance, conviction, and the courage to take risks when the stakes are high. Basil Joseph delivers one of his finest performances, shedding his usual comedic persona to embody a character driven by sheer willpower. His raw energy, sharp dialogues (deeply rooted in Kollam's colloquial slang), and fearless attitude make Ajesh a compelling protagonist. He takes on challenges that even seasoned players would hesitate to tackle, and that relentless drive is the heartbeat of this film.

Sajin Gopu's Mariano is a character who invokes both fear and intrigue. A tyrant in his own right, he commands authority, and his presence alone unsettles those around him. Yet beneath this tough exterior, the film subtly explores the weight of responsibility he carries as the breadwinner of his family. This layered portrayal adds depth to the film, making Mariano more than just an imposing figure.

Anand Manmadhan's Bruno is another standout - his blind faith in party loyalty, only to face bitter disappointment, is a subtle yet striking reflection of workplace and political dynamics. Lijomol Jose as Steffi plays her part well, portraying a woman unafraid to take a stand for what she doesn't want in her life. Sandhya Rajendran, as the mother, brings an emotional touch, portraying the helplessness of a parent caught in societal pressures.

Ponman is a film about ordinary people showing extraordinary resilience. With a solid storyline, raw intensity, and brilliant performances, it grips you from start to finish. A compelling watch that stays with you long after the credits roll.

After a pretty long while, I got to see the kind of Malayalam cinema that's very rooted to its region (Kollam, in this case). The lead characters (Basil as gold dealer PP Ajesh, Lijo Mol Jose as the bride Steffi Graf, Sajin Gopu as the groom Mariyano, and Anand Manmadhan as the bride's brother Bruno) are all established in a slow-and-steady fashion. One thing leads to another, and gold needs to be arranged (as dowry) for a wedding. Yes, we're talking about "progressive", "modernist", and "100% literate" Kerala. The transactional nature of weddings still prevails in several parts of the state (if that's unbeknownst to many), with the brides often having no say in the actual event.. and that also includes the choice of accepting or rejecting a groom. There have been several films set in this story backdrop, but what makes Ponman unique is its approach, its locations, and most significantly, the shades attributed to its leads.

Ajesh is such an interesting protagonist, and the way the screenplay moulds him into someone who's willing to take risks and go any lengths to get his job done, is spectacular. This is one role where I felt Basil Joseph's acting chops were put to excellent use, as the character is one that evolves, and the arc is justified. He isn't the invincible hero; heck if you tell me prior to watching the film that there are physical altercations between the slender Ajesh and the hulking Mariyano with the former coming out on top, I would immediately be exclaiming "NO WAY!". Not only does the film deliver splendily in that regard, but what's even more interesting is how the writing builds to this particular boiling point.

In most movies that involve dowries, the leading lady is often relegated to someone who sits in a corner and cries the whole time. But Steffi is written (and performed) in a very candid, very responsive manner. The dialogues spoken by her and Ajesh are concentrated and carry a lot of depth, making their scenes memorable. Their deliciously first-rate performances also make it worth your while. DoP Sanu John Varghese returns to Malayalam after Malik and Ariyippu with a bang-those night shots against the Kollam backwaters look absolutely brilliant. The way he captures a muddy fight sequence between Ajesh and Mariyano is also incredible. Justin Varghese comes up with a soundtrack that seamlessly blends in with the locations, the characters, and their dire circumstances. I have not read Nalanchu cheruppakkar by G. R. Indugopan, but my gut says that director (and production designer) Jothish Shankar did great justice to the source material. Also, the subtle underlining of dank humour in several scenes (special mention goes to Deepak Parambol as Jesus, in two different scenes) REALLY worked for me.

On the downside, even at 2 hours, the first half can come across as slightly draggy (i.e. Until the core conflict emerges) because the film is super-focused on laying out its key characters and their somewhat familiar dilemmas. This, however, gets solid payoffs in the second half, making the overall experience a good one!

This is one of those films that make me appreciate it more and more as I think about it. Films related to issues surrounding dowry are nothing new in Malayalam cinema but the honesty, subtlety, and nuance this movie showed is truly outstanding. Initially, I was surprised to learn that the novella this is based on was named 4-5 Cheruppakkar, because if it is about dowry, why is the name talking about young men like that? But the movie really showed why it is, even though it's more about two men and a woman. The way the so-called culture of patriarchy that is so ingrained in society makes the evils of such a system a question of survival for the working-class people has never been portrayed with such honesty. All three main characters are incredibly written and performed. Even when Sajin Gopu's "villain" character is clearly doing something wrong, we are made to understand why a person who is proud of his hard work is resorting to it and also paints a picture of why he's living as an intimidating character to everyone.

Basil Joseph has been having great success as an actor in the last few years but this is one of his best performances. Ajesh's self-confidence is his desperation for survival, and however weird people may find it, this is the kind of character I always wanted to become. Have conviction in your decisions and go to any lengths for it even if everything looks impossible. The way he's able to stand tall in front of both physical and emotional blackmail and yet show enough empathy and sympathy where it counts makes it impossible to not root for the character after a point.

I loved how it ended with such half-direct dialogues where the implications were clear and yet was able to maintain the mood and style of the film.

A movie about dowry like never before, with so much social commentary that doesn't feel preachy - only Mollywood can do this. Will Akshay Kumar remake...?

This film was terrific from an acting standpoint. I didn't expect Sajin Gopu (Ambaan from Avesham) to play a grey shade role this convincingly, dude's convey a fear that you wouldn't expect from Avesham. Lijomol Jose and the support characters were good, but this was a Basil Joseph show.

The film questions the pressure on a family for gold as dowry. Madilyil Jewelry - lol. Apparently it's a thing...? Lijomol's Steffi starts off as a certain character, undergoes a transformation that makes you want to support but also not, at the same time. You want to blame everybody but you see why they do what they do...there are so many layers to this film that you can keep discussing but everything seems subtle.

All that said, I dunno why I was expecting another Jaya Hey or a humorous film but I suppose it's not fair to expect that from all Basil movies. Regardless, this was totally worth the watch and will surely make it to Mollywood's top 10 films of the year.