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6,6/10
4301
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Während sich Michael Todd schwer tut seinen Film "In 80 Tagen um die Welt" zu produzieren, kämpft der junge Komiker Mario Moreno alias Cantinflas in Mexiko um jeden Auftritt, den er haben ka... Alles lesenWährend sich Michael Todd schwer tut seinen Film "In 80 Tagen um die Welt" zu produzieren, kämpft der junge Komiker Mario Moreno alias Cantinflas in Mexiko um jeden Auftritt, den er haben kann.Während sich Michael Todd schwer tut seinen Film "In 80 Tagen um die Welt" zu produzieren, kämpft der junge Komiker Mario Moreno alias Cantinflas in Mexiko um jeden Auftritt, den er haben kann.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 30 Gewinne & 11 Nominierungen insgesamt
Arantza Muñoz
- Bailarina
- (as Aranzta Muñoz)
Armando Vega Gil
- Músico Salón
- (as Armando Vega-Gil)
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Labeled as the "Charlie Chaplin of Mexico" and once called the greatest comedian alive by none other than the little tramp himself, Charlie Chaplin, Cantinflas was a improvisational comedic tour de force. If you consider yourself Mexican/Mexican American, or you simply wanna get to know the Mexican cinematic genius, Mario Moreno a.k.a.Cantinflas, (the unparalleled Shakespearean word playing tramp from Mexico) you are obligated to watch this film! I had my doubts about a Spanish actor being cast as one of our most iconic Mexican figures, but justice has been done to this endearing personality.The Performance and execution are spot on as Señor Mario Moreno. Well as the cliché goes,Imitation is the sincerest form of flattery, pos "ahí esta el detalle!"
Cantinflas (2014) should have been a clever little gem about a piece of forgotten film history but ends up being a solidly boring mish-mesh of a film that did little justice to its subject matter. In it Cantinflas aka Mario Moreno (Oscar Jaenada) works his way up from a minor vaudeville player on the streets of Mexico City to one of the most beloved Mexican actor/comedians of all time.
He does so while a second, mostly English tale unfolds. Michael Todd (Michael Imperioli) a wily producer at United Artists is trying to cobble together the 1956 theatrical version of Around the World in 80 Days. He boasts to the studio exec that he can convince over forty international film stars to be in the film but in reality he barely has Elizabeth Taylor on the hook. In an attempt to make the film salvageable he asks the ever-popular Cantinflas to make a cameo appearance.
Despite polished period detail and some worthwhile performances, Cantinflas feels cheap and more than a bit off. The cinematography colludes into a mix of flat browns and grays and everyone seems to be spotted by florescent lights. One cannot help but wonder if this story was given to a more mature director we'd be able to see and enjoy the vibrant colors of Mexico and the luster of old Hollywood.
The film is also betrayed by a script that fails to staple the important moments or rather the two largest threads into a story of urgency. The turbulent labor politics of Moreno's time get the same compromised treatment as his early roving theatre career. His height of popularity is as deflated as the 80 Days subplot. It's as if the editors lost a few key scenes on the cutting room floor and pasted half-shot scenes together hoping the audience wouldn't notice.
There's one nearly-poignant scene where Cantinflas, in a "success is ruination"-type stupor sees a note of encouragement by none other than Charlie Chaplin. Again I say near-poignant because up until that moment we never knew Chaplin's opinion was important to Cantinflas. Goaded by the letter, once Cantinflas agrees to do Around the World in 80 Days it leaves him without catharsis or character change. His wife seemed to think fame was going to his head so appearing in the film he's most internationally recognized for wouldn't have solved that dispute; yet it did.
Cantinflas attempts to create a stereotypical biographical film out of a figure that, given the events of the film, deserved better. At best this film deserves to be on cable and given a Hallmark type release, not a theatrical one. Maybe in the decades to come people will honor his contribution to his nation's cinema with a movie that immortalizes the man properly. Now that would be the rub.
http://www.theyservepopcorninhell.blogspot.com
He does so while a second, mostly English tale unfolds. Michael Todd (Michael Imperioli) a wily producer at United Artists is trying to cobble together the 1956 theatrical version of Around the World in 80 Days. He boasts to the studio exec that he can convince over forty international film stars to be in the film but in reality he barely has Elizabeth Taylor on the hook. In an attempt to make the film salvageable he asks the ever-popular Cantinflas to make a cameo appearance.
Despite polished period detail and some worthwhile performances, Cantinflas feels cheap and more than a bit off. The cinematography colludes into a mix of flat browns and grays and everyone seems to be spotted by florescent lights. One cannot help but wonder if this story was given to a more mature director we'd be able to see and enjoy the vibrant colors of Mexico and the luster of old Hollywood.
The film is also betrayed by a script that fails to staple the important moments or rather the two largest threads into a story of urgency. The turbulent labor politics of Moreno's time get the same compromised treatment as his early roving theatre career. His height of popularity is as deflated as the 80 Days subplot. It's as if the editors lost a few key scenes on the cutting room floor and pasted half-shot scenes together hoping the audience wouldn't notice.
There's one nearly-poignant scene where Cantinflas, in a "success is ruination"-type stupor sees a note of encouragement by none other than Charlie Chaplin. Again I say near-poignant because up until that moment we never knew Chaplin's opinion was important to Cantinflas. Goaded by the letter, once Cantinflas agrees to do Around the World in 80 Days it leaves him without catharsis or character change. His wife seemed to think fame was going to his head so appearing in the film he's most internationally recognized for wouldn't have solved that dispute; yet it did.
Cantinflas attempts to create a stereotypical biographical film out of a figure that, given the events of the film, deserved better. At best this film deserves to be on cable and given a Hallmark type release, not a theatrical one. Maybe in the decades to come people will honor his contribution to his nation's cinema with a movie that immortalizes the man properly. Now that would be the rub.
http://www.theyservepopcorninhell.blogspot.com
Encapsulating and portraying the life and talent of Mario Moreno "Cantiflas" on the big screen is indeed a challenge that probably most producers would like to avoid. Nonetheless, knowing full well the challenges ahead of them, the director and producers of the film managed to put together a compelling story that resonates with moviegoers of today. Cantiflas is simply the story of a poor and humble Mexican in the early 1930's when mostly talent, inheritance and luck were the only ways out of poverty. The story is told in such a way that those unfamiliar with Cantiflas can quickly recognize and appreciate the breadth and depth of the golden age of Mexican cinema and one of its most shinning stars, Mario Moreno.
It is obvious that the lead actor, Óscar Jaenada spent a considerable amount of time watching Cantinflas movies to be able to imitate his voice and mannerism. He does a decent job portraying one of most intricate comedians of all time, which in itself is a very arduous task.
Undoubtedly, the film pays tribute to the Golden Age of Mexican Cinema of the 1940's and 1950's, with all its splendor and flair. Hopefully, it would serve as an inspiration for a new generation of filmmakers to appreciate the rich legacy given to them.
It is obvious that the lead actor, Óscar Jaenada spent a considerable amount of time watching Cantinflas movies to be able to imitate his voice and mannerism. He does a decent job portraying one of most intricate comedians of all time, which in itself is a very arduous task.
Undoubtedly, the film pays tribute to the Golden Age of Mexican Cinema of the 1940's and 1950's, with all its splendor and flair. Hopefully, it would serve as an inspiration for a new generation of filmmakers to appreciate the rich legacy given to them.
Expectations were just to have a nice time at the movies...I grew up watching Cantinflas movies...so, will it be in Spanish, will it be in English? When casting was in progress, Controversy ensued when the actor playing the Mexican icon would be from Spain...not just Spain, but from Catalunya! Just having been to Barcelona and hearing first hand the marked difference between Castillian and Catalan...I didn't think the actor could even pull off sounding a bit from the Western Hemisphere. I stand happily corrected. What an amazing portrayal. Hat's off to the principal actor, all actors, director and everyone that had a hand in this tour de force, magical, moving movie. No spoilers here, but it tugged at my heart. The power of immense, unfathomable fame vs. the true, crystal clear power of love. The hysterical man/myth that some of us were lucky enough to grow up with has been presented to new generations as the man only a handful really knew. I couldn't be happier coming home from the movies.
I've seen the movie "Cantinflas" directed by Sebastian del Amo, and I am convinced that this is "the film that every Mexican must-see". This is biopic is the story of Mexico's greatest and most beloved comedy film star of all time, Mario Moreno "Cantinflas". The film follows him from his humble beginnings on the small stage to the bright lights of Hollywood.
On one side you discover the man: Mario Moreno who expressed his values through his Cantinflas character on films and stage. Cantinflas gives voice to social issues: on his films he would protest against injustice, keeping his cool being sincere, generous, honest and optimistic. Cantinflas never resorted to vulgarity, nor to profanity, insults or violence to make us laugh, and his unique speech style (cantinflear) reflects the demagogic rhetoric we hear from politicians. We all recognize on Mario Moreno "Cantinflas" a Mexican hero who overcame poverty and lack of formal education to become an artist and humanist, recognized worldwide.
On the other hand, there is the film where actor Oscar Jaenada does a masterful "incarnation" of Mario Moreno Cantinflas. Thanks to Oscar's credibility and this film's quality production, more people attended movie theaters to watch the movie and a new generations will better understand Cantinflas legacy and values.
In addition, the performances of other actors like Ilse Salas, Barbara Mori, Gabriela de la Garza and Luis Gerardo Méndez, to name a few, were preceded by months of preparation and are really a tribute to the characters they play. Original music by Aleks Syntek. Screen play by Edui Tijerina, and excellent production of entrepreneurs Vidal Garza Cantú, Adolfo Franco, Alejandro Barron, and Mario Moreno Ivanova. Thus, "Cantinflas" brings to life Mexico's hero, so this is a most- see film for everyone in Mexico, and elsewhere.
On one side you discover the man: Mario Moreno who expressed his values through his Cantinflas character on films and stage. Cantinflas gives voice to social issues: on his films he would protest against injustice, keeping his cool being sincere, generous, honest and optimistic. Cantinflas never resorted to vulgarity, nor to profanity, insults or violence to make us laugh, and his unique speech style (cantinflear) reflects the demagogic rhetoric we hear from politicians. We all recognize on Mario Moreno "Cantinflas" a Mexican hero who overcame poverty and lack of formal education to become an artist and humanist, recognized worldwide.
On the other hand, there is the film where actor Oscar Jaenada does a masterful "incarnation" of Mario Moreno Cantinflas. Thanks to Oscar's credibility and this film's quality production, more people attended movie theaters to watch the movie and a new generations will better understand Cantinflas legacy and values.
In addition, the performances of other actors like Ilse Salas, Barbara Mori, Gabriela de la Garza and Luis Gerardo Méndez, to name a few, were preceded by months of preparation and are really a tribute to the characters they play. Original music by Aleks Syntek. Screen play by Edui Tijerina, and excellent production of entrepreneurs Vidal Garza Cantú, Adolfo Franco, Alejandro Barron, and Mario Moreno Ivanova. Thus, "Cantinflas" brings to life Mexico's hero, so this is a most- see film for everyone in Mexico, and elsewhere.
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- WissenswertesOfficial submission of Mexico to the best foreign language film category of the 87th Academy Awards 2015.
- PatzerThe scene of shooting "Ahí está el detalle" (1940) begins with a title card indicating that filming takes place at Churubusco Studios. Churubusco facilities weren't opened until 1945. In fact, filming took place at CLASA Studios.
- Crazy CreditsWhile the credits role one of the most famous scenes of the film El bolero de Raquel is recreated by the actors in the film.
- VerbindungenFeatures Die Reise zum Mond (1902)
- SoundtracksScore 01/ Original Soundtrack - Cantinflas: Música Original De La Película
Composed by Roque Baños (as Roque Baños López)
Universal / Universal Music Latino / Vene
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- 캔틴플라스
- Drehorte
- Teatro de la Ciudad, Mexico City, Mexiko(Where Cantinflas and his friends go to a show early in the film.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.382.924 $
- Eröffnungswochenende in den USA und in Kanada
- 2.661.253 $
- 31. Aug. 2014
- Weltweiter Bruttoertrag
- 17.998.703 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
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