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6,6/10
3509
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhat really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.What really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.What really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.
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Anyone who has studied history, and that's just about everyone, will find something to enjoy in Bill, a big screen leap for the popular TV team that expands the scope of the show without letting go of the good humour and wit beloved by millions.
Taking a cue from Shakespeare in Love, but playing the idea of the Bard's formative years in a very different way, Bill features Mathew Bayton as the young playwright, seeking his fortune in London and falling under the wing of Christopher Marlowe (Jim Howick). The historical aspect is brought to the fore as King Phillip II (Ben Willbond) concocts a scheme to eliminate Queen Elizabeth I (Helen McCrory) by gunpowder, with Bill's first play giving him a pretext to carry out his plan. Bill's excitement about seeing his work brought to the stage is tempered by a dawning realisation that he's only a pawn in a bigger political game.
Bill might well work for worldwide audiences as a cheerful parody of Shakespeare in Love, but has its own sense of comic invention. It's refreshing to see a British film with such spirited performances, with Willbond sporting several moustaches at once and his co-writer Laurence Rickard superbly deadpan as the violently anti-Catholic Walsingham. Bill never dumbs down history, but reflects it through amusingly modern updates; the castle security go to Code Woad when the believe there's a high risk of attack, and Phillip's men are subject to a search by a decidedly modern customs officer. Damien Lewis has a brief but amusing cameo, and all the performers are on point; you can tell that they've got confidence in the material, and they wring every possible laugh from it. Sneaking into cinemas with barely a breath of publicity, Bill should find a wide and appreciative audience once it finds a home on the small screen; carefully plotted and with genuine wit behind the gags, it's the best British comedy of the year. That may not be saying much, given that big-screen comedy is seemingly a lost art, but Bill is just the thing to put a rare smile on the faces of adults and children alike.
Taking a cue from Shakespeare in Love, but playing the idea of the Bard's formative years in a very different way, Bill features Mathew Bayton as the young playwright, seeking his fortune in London and falling under the wing of Christopher Marlowe (Jim Howick). The historical aspect is brought to the fore as King Phillip II (Ben Willbond) concocts a scheme to eliminate Queen Elizabeth I (Helen McCrory) by gunpowder, with Bill's first play giving him a pretext to carry out his plan. Bill's excitement about seeing his work brought to the stage is tempered by a dawning realisation that he's only a pawn in a bigger political game.
Bill might well work for worldwide audiences as a cheerful parody of Shakespeare in Love, but has its own sense of comic invention. It's refreshing to see a British film with such spirited performances, with Willbond sporting several moustaches at once and his co-writer Laurence Rickard superbly deadpan as the violently anti-Catholic Walsingham. Bill never dumbs down history, but reflects it through amusingly modern updates; the castle security go to Code Woad when the believe there's a high risk of attack, and Phillip's men are subject to a search by a decidedly modern customs officer. Damien Lewis has a brief but amusing cameo, and all the performers are on point; you can tell that they've got confidence in the material, and they wring every possible laugh from it. Sneaking into cinemas with barely a breath of publicity, Bill should find a wide and appreciative audience once it finds a home on the small screen; carefully plotted and with genuine wit behind the gags, it's the best British comedy of the year. That may not be saying much, given that big-screen comedy is seemingly a lost art, but Bill is just the thing to put a rare smile on the faces of adults and children alike.
"Bill" is a funny movie that appeals on two levels. As an adult, I like comedy that refers to real historic events and people. But I imagine children will also enjoy the silly acting and more obvious jokes. I am an old fan of Monty Python and see similarities to that style. However, my review is as an American who has never seen "Horrible Histories" on British TV, nor was familiar with any of the actors. It appears some reviewers get hung up on that relationship. But I feel this movie entertains quite well on its own merits.
I have noticed that many of the more negative reviews are (wrongly) comparing this film to Monty Python. My advice is that if you do decide to watch this, it may help you to know its origins lie in a very fun British children's show, and NOT in Pythonesque humour. The only real similarities Between this team and Python are that the cast is British, and that many of the actors play multiple roles. All fair comparisons end there. The team that made this film have never tried to emulate Python, but instead are extending their own style developed over many years of producing work for kids.
I enjoyed it - not really a laugh out loud film, but definitely a steady stream of sniggering. You do have to watch closely for the constant stream of mini-japes, many of which are juvenile, conversely some of them are subtle and smart.
If you are looking for Python you will most likely be disappointed, but if you are looking for something different that walks a rather sweet line between childish & broad, and occasionally subtle & clever, you will probably get a kick out of this.
Anyone familiar with BBC'S children's TV show Horrible Histories will be familiar with the format and they take it a stage further by giving it the the big screen treatment in Bill. The plot is set in Elizabethan times with Philip of Spain set to invade whilst a young Bill Shakespeare leaves Stratford to head to London to make his name and fortune. Really you don't need to know to much more, th gags come quick, and there are plenty of laughs for all. The added bonus of a couple of high profile performers in husband and wife Damian Lewis and Helen Mcrorry only add to this fun for all the family film. 8/10
This movie was such a delightfully funny surprise. Reminiscent of Monty Python fare and wit, it totally cracked me up. Well executed, well paced, and well cast, and served up with ridiculous irreverent perfection. I got the feeling they were loving what they were doing - and I loved it too. Plus the added surprise of seeing who played who at the end. The movie takes elements of the accepted history of "Bill" (a la Shakespeare In Love) and tells very a funny story about it.
So refreshing to watch, compared to so many plot-less comedies that rely on gross out jokes, juvenile themes, and offensive language to be 'funny'. The banter is quick, the jokes and gags fresh and unexpected, the lines classic, and it contains all the twists and turns of, well, a Shakespearean comedy.
Loved it.
Best liked: Characters using Shakespearean phrases.
So refreshing to watch, compared to so many plot-less comedies that rely on gross out jokes, juvenile themes, and offensive language to be 'funny'. The banter is quick, the jokes and gags fresh and unexpected, the lines classic, and it contains all the twists and turns of, well, a Shakespearean comedy.
Loved it.
Best liked: Characters using Shakespearean phrases.
Wusstest du schon
- WissenswertesThe ghost sequence was not achieved using digital or optical effects. It was captured 'in camera', using a Victorian stage technique called 'Pepper's Ghost': Jim Howick's performance was reflected onto a sheet of angled glass, positioned in front of the camera, while Mat Baynton performed behind the glass.
- PatzerSir Francis Walsingham died in 1590, three years before the events of the film (This is presumably why various characters react to his appearance by saying they thought he was dead).
- Zitate
Christopher Marlowe: Saying things in a short snappy way instead of a long drawn-out way is the soul of wit
Bill Shakespeare: You mean brevity?
Christopher Marlowe: Yeah
- VerbindungenFeatured in Projector: Miss You Already/Bill (2015)
- SoundtracksMortal Coil/Court Scene
Written by Bernard Hughes
Lute by Chorodophony
Percussion by Robert Millet
Recorder, Rauschpfeife & Natural Trumpet by Adrian Woodward
Double Bass by Lucy Shaw
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Box Office
- Weltweiter Bruttoertrag
- 896.929 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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