Während des rapiden Zusammenbruchs der Gesellschaft kämpft eine reiche Familie in den Bergen mit den militärischen Zwängen ihrer Veteranen und den ländlichen Werten ihrer Mitglieder.Während des rapiden Zusammenbruchs der Gesellschaft kämpft eine reiche Familie in den Bergen mit den militärischen Zwängen ihrer Veteranen und den ländlichen Werten ihrer Mitglieder.Während des rapiden Zusammenbruchs der Gesellschaft kämpft eine reiche Familie in den Bergen mit den militärischen Zwängen ihrer Veteranen und den ländlichen Werten ihrer Mitglieder.
Bald verfügbar
Wird am 10. Juli 2025 veröffentlicht
Iñigo Pascual
- Ajay
- (as Inigo Pascual)
Matt Koenig
- Malcolm McNulty
- (as Matthew Koenig)
Georgie White
- Georgie Eriksson
- (as Georgiana Snow White)
Emmanuel McCord
- Bing
- (as Manny McCord)
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One hard truth about writing reviews is that I'll watch a film now and again that I won't connect with, and "Homestead" turned out to be that next movie. However, I understand that while I may not like it, other people will, so don't let this review stop you from seeing it if you're already excited.
To begin with the positives, all the actors, including Neal McDonough, Bailey Chase, Olivia Sanabia, Kearran Giovanni, and Tyler Lofton, did nicely with the material. In particular, McDonough's performance as Ian Ross stood out for me, as he had charisma while his character assesses the end of the world in a (mostly) realistic manner.
While I didn't think the narrative was strong, I must admit that Ben Kasica, Leah Bateman, and Phillip Abraham's screenplay was well-written. It also contains a message about how, in crisis, coming together is the best option, enhanced by Ben Smallbone's beautiful direction.
There were many great scenes, specifically the opening scene, which demonstrates the events that led to the world falling apart. Scenes like that are when the film excels, showcasing how tragedy can reveal the best and worst in all of us.
Unfortunately, the negatives weigh down the experience for me. For the first negative, the film doesn't handle its narrative the best. This drawback could be due to how uninvested I was in the character's struggles. Said characters make decisions that feel unrealistic or out-of-character based on how they previously were set up. For example, Chase's character, Jeff Erikson, feels closed off emotionally throughout the film, and his attitude only changes toward the end.
The editing was a bit messy. Time progression is all over the place, cemented by, and I'm paraphrasing, a '30 Days After the Incident' title card. It skips details that I feel the film would have benefited from showing, and I know there's a TV show following this. The choppy editing led to stagnant pacing, with the film only picking up in select moments. Kevin Costner's "Horizon: An American Saga - Chapter 1" had similar issues, which felt like a setup rather than a complete package. I'll give "Homestead" this: I prefer it over Horizon, and if it were between watching Chapter 2 of Costner's passion project or the TV show where I'd have to "Pay It Forward" to view, I'd go for the latter option. I'm not because a $15 minimum is too much of an ask for only the first episode, and it should have been $5. I know I'm being a hypocrite because the Angel Sponsored Screening I went to, where I saw the film for free, wouldn't happened without the "Pay It Forward" program, so thanks to everyone who helped make the screening possible.
Moving on from the show and the editing, one final point I want to bring up, a minor issue compared to the editing, is the narration. Dawn Oliveri's character, Jenna Ross, delivers the narration throughout the film, and I felt it didn't leave an impact. The narration is vital for developing her character, but it seemed like the only aspect giving her character instead of letting her actions speak for themselves. Again, it could be a symptom of my lack of character investment, but for the most part, the film could've removed the narration.
"Homestead" didn't work for me, and that's okay. I know that others will enjoy it, but I'd sooner watch its preceding TV show when it becomes free instead of "Paying It Forward." No offense to the program, but I should like the setup that shouldn't feel like a setup. While I didn't enjoy it enough, if you see and enjoy it and are interested in seeing the story continue, definitely "Pay It Forward."
Technically, the acting, directing, writing, and Matthew Rivera's cinematography make the technical score a 9/10.
For the enjoyment score, if you want to see it, then do so, but I felt it was weak. For me, the enjoyment score is a 5/10. Nonetheless, its messaging is lively, inspired, and necessary. In most cases, we all connect in a time of tragedy and peril one way or the other, and working alongside one another is the solution. I wish that message were in a better film.
To begin with the positives, all the actors, including Neal McDonough, Bailey Chase, Olivia Sanabia, Kearran Giovanni, and Tyler Lofton, did nicely with the material. In particular, McDonough's performance as Ian Ross stood out for me, as he had charisma while his character assesses the end of the world in a (mostly) realistic manner.
While I didn't think the narrative was strong, I must admit that Ben Kasica, Leah Bateman, and Phillip Abraham's screenplay was well-written. It also contains a message about how, in crisis, coming together is the best option, enhanced by Ben Smallbone's beautiful direction.
There were many great scenes, specifically the opening scene, which demonstrates the events that led to the world falling apart. Scenes like that are when the film excels, showcasing how tragedy can reveal the best and worst in all of us.
Unfortunately, the negatives weigh down the experience for me. For the first negative, the film doesn't handle its narrative the best. This drawback could be due to how uninvested I was in the character's struggles. Said characters make decisions that feel unrealistic or out-of-character based on how they previously were set up. For example, Chase's character, Jeff Erikson, feels closed off emotionally throughout the film, and his attitude only changes toward the end.
The editing was a bit messy. Time progression is all over the place, cemented by, and I'm paraphrasing, a '30 Days After the Incident' title card. It skips details that I feel the film would have benefited from showing, and I know there's a TV show following this. The choppy editing led to stagnant pacing, with the film only picking up in select moments. Kevin Costner's "Horizon: An American Saga - Chapter 1" had similar issues, which felt like a setup rather than a complete package. I'll give "Homestead" this: I prefer it over Horizon, and if it were between watching Chapter 2 of Costner's passion project or the TV show where I'd have to "Pay It Forward" to view, I'd go for the latter option. I'm not because a $15 minimum is too much of an ask for only the first episode, and it should have been $5. I know I'm being a hypocrite because the Angel Sponsored Screening I went to, where I saw the film for free, wouldn't happened without the "Pay It Forward" program, so thanks to everyone who helped make the screening possible.
Moving on from the show and the editing, one final point I want to bring up, a minor issue compared to the editing, is the narration. Dawn Oliveri's character, Jenna Ross, delivers the narration throughout the film, and I felt it didn't leave an impact. The narration is vital for developing her character, but it seemed like the only aspect giving her character instead of letting her actions speak for themselves. Again, it could be a symptom of my lack of character investment, but for the most part, the film could've removed the narration.
"Homestead" didn't work for me, and that's okay. I know that others will enjoy it, but I'd sooner watch its preceding TV show when it becomes free instead of "Paying It Forward." No offense to the program, but I should like the setup that shouldn't feel like a setup. While I didn't enjoy it enough, if you see and enjoy it and are interested in seeing the story continue, definitely "Pay It Forward."
Technically, the acting, directing, writing, and Matthew Rivera's cinematography make the technical score a 9/10.
For the enjoyment score, if you want to see it, then do so, but I felt it was weak. For me, the enjoyment score is a 5/10. Nonetheless, its messaging is lively, inspired, and necessary. In most cases, we all connect in a time of tragedy and peril one way or the other, and working alongside one another is the solution. I wish that message were in a better film.
The movie was pretty good for what it was, but I believe the type of scenario that played out at the beginning, with the US coming under nuclear attack and the power grid going down, would have been much better if more people could relate to the aftermath of such events. Less than 10 minutes into the movie, 98% of people who have made some sort of preparations for such events were left out of the rest of the movie, and the 2%, or less, who might know someone with such accommodations and security were the only ones left to imagine themselves in that type of situation, unless, of course, you were one of those people who were totally unprepared, standing outside the gate begging to get in. Like I said at the beginning of this review, the movie was pretty good for what it was, but unfortunately, it was unrealistic to "prepper" viewers. Maybe Angel should think about making another movie that relates more to average people in rural areas who are prepared, to one degree or another. Maybe the storyline could be about a family, or families, living through such a scenario of events from their own homes and properties; their struggles to hang on to what they have; to keep their families safe and fed, and the tuff decisions that have to be made concerning those who were un or under prepared, including friends and neighbors.
But, that's just me thinking.
But, that's just me thinking.
This movie seemed interesting based on the short synopsis that I read beforehand but I would have skipped it entirely if I knew that 1: it becomes very heavy handed on its political and religious views once it gets its foot in the door and 2: it ends in an unsatisfying way followed by a lead actor urging you to scan a QR code that lets you purchase the ending of the story after you already bought your ticket. Yes, I'm serious. This movie is not just bad, its not just borderline propaganda, its an advertisement for a streaming service that ransoms the ending of the movie. I hope this practice starts and ends with this movie because it is downright abhorrent, and the people behind the decision to paywall the ending ought to be ashamed of themselves.
I'd rate this 0/10 if I could.
I'd rate this 0/10 if I could.
Cringe. I was pretty excited for this marketed "stand alone" movie, and I was sure it was going to develop throughout. Nope. Apparently this is a pilot, and I really wanted to convince myself that I wasn't giving it enough grace, based on what is previewed at the end. However, there is no reason to watch the rest of the series.
As a religious conservative myself, I really wanted to like this movie. But when the girl's "can I...pray for you" line was delivered awkwardly and distantly to the guy seeking comfort after his mistake (instead of her leaning in to offer a touch, hug, or even a quiet ear to listen), I laughed, then I groaned, then I lost all hope that the rest of the movie would be able to portray a good message convincingly. Sorry to say, this is Angel's first big flop, mostly due to its deceptive marketing, disjointed narrative, and failed dialogue (not to mention, the morality of message is very inconsistent).
As a religious conservative myself, I really wanted to like this movie. But when the girl's "can I...pray for you" line was delivered awkwardly and distantly to the guy seeking comfort after his mistake (instead of her leaning in to offer a touch, hug, or even a quiet ear to listen), I laughed, then I groaned, then I lost all hope that the rest of the movie would be able to portray a good message convincingly. Sorry to say, this is Angel's first big flop, mostly due to its deceptive marketing, disjointed narrative, and failed dialogue (not to mention, the morality of message is very inconsistent).
The movie is supposed to be about a nuclear incident, you see the explosion then everybody heads to Ross home. No explanation of who caused the incident or why, just people hiding at the Ross home and securing it from who knows? No aliens, no crooks, no evil people, just hiding from nothing. A huge lack of a Christian theme, no spiritual message, not a movie I would identify with Angel Studios. It was like 2 separate movies, one about hiding and protecting each other from an unknown enemy, and one about finally getting Faith and everything is then ok. Very, very disappointing for Angel Studios. If this movie is a sample of where Angel Studios is heading, it's no wonder The Chosen filed a breach of contract dispute with Angel Studios which was decided in The Chosen's favor. Angel Studios has chosen to dispute the judges ruling and file an appeal. The boys from Utah are on the wrong path. I'll add I got 2 free tickets from Angel Studios, and I would not even have watched it for free it I knew what it was about after I watched it.
Wusstest du schon
- WissenswertesNeal McDonough agreed to play in this project because he liked Angel Studios and was eager to play a non-villain role. Following his performance as the Benefactor in The Shift (2023) McDonough had entered into an agreement with Angel Studios to submit some of his projects to the company for optional release should they be approved by the viewers who composed the Angel Guild. This was the first of his projects to be approved for funding and release.
- Zitate
Jenna Ross: Everyone wondered how the world ended, but this is the story of how it began again.
- VerbindungenFeatured in 2023 Illuminate - Angel Studios (2023)
- SoundtracksYou and I
Written and Performed by Roland Lewis
Courtesy of Bingaman House Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ферма
- Drehorte
- Bountiful, Utah, USA(the Homestead)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.811.864 $
- Eröffnungswochenende in den USA und in Kanada
- 6.000.241 $
- 22. Dez. 2024
- Weltweiter Bruttoertrag
- 20.815.384 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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