IMDb-BEWERTUNG
8,0/10
4664
IHRE BEWERTUNG
10 Jahre später wird Manu aus dem Gefängnis entlassen und beginnt, sich ein neues Leben aufzubauen. Doch die Erinnerungen an Priya verfolgen ihn und er ist gezwungen, wieder in ihr Leben ein... Alles lesen10 Jahre später wird Manu aus dem Gefängnis entlassen und beginnt, sich ein neues Leben aufzubauen. Doch die Erinnerungen an Priya verfolgen ihn und er ist gezwungen, wieder in ihr Leben einzutreten.10 Jahre später wird Manu aus dem Gefängnis entlassen und beginnt, sich ein neues Leben aufzubauen. Doch die Erinnerungen an Priya verfolgen ihn und er ist gezwungen, wieder in ihr Leben einzutreten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Empfohlene Bewertungen
SSB is a wonderful experience for me, i had watched it 4 times.
It's a pearl of sensational writing, music, excellent performance by the actor's & more it's a sensational in way of story telling by Hemanth Rao. Bro, you made a perfect mean of love ✨❤, the way you're narrating everything is suffused in hearts of people.
The scenes, aesthetic lighting, perfect cuts made a more impression seems like different genres both A n B in sense of showing 2 phases of life in a heartful manner!
The characters played by Rukmini & Shetty sir was top notch, Moreover after Charlie that much impact given by sheety sirwith this performance. In this Part B, Surabhi too good in her role, Both their reciprocity was another plus point to movie. & The climax was terrific, didn't expected. May be that's y Hemanth is good in writing!!
It's a pearl of sensational writing, music, excellent performance by the actor's & more it's a sensational in way of story telling by Hemanth Rao. Bro, you made a perfect mean of love ✨❤, the way you're narrating everything is suffused in hearts of people.
The scenes, aesthetic lighting, perfect cuts made a more impression seems like different genres both A n B in sense of showing 2 phases of life in a heartful manner!
The characters played by Rukmini & Shetty sir was top notch, Moreover after Charlie that much impact given by sheety sirwith this performance. In this Part B, Surabhi too good in her role, Both their reciprocity was another plus point to movie. & The climax was terrific, didn't expected. May be that's y Hemanth is good in writing!!
Disclaimer: I consider 'Sapta Sagaradaache Ello' side-A and B as just one long movie.
SSE is a must watch movie. The direction, writing, acting, music... are all of top tier quality. The realistic and gritty portrayal of everyday life of the middle-class and the near-poor leaves a significant impact on viewers. Like the lyrics of the movie's songs, there is beautiful poetry throughout the movie.
You can't predict where it's going next and that keeps you invested until the very end. There are a lot of little things and details in the backdrop that keeps the flow of story engaging. The messy prison, the textile factory, the shabby house, the broken train... show that that the writers and the director are not only creative as heck, but they did their research too. The action sequences are also done really well, where every punch and stab feel as painful as they do in real life.
The music is great, many songs are still on my playlist. The actors have done an excellent job. Rakshith Shetty takes the top prize, no doubt. But the actress who played 'Surabhi' is too good an actress to remain unknown to the masses.
I didn't find the movie to be slow. There are movies which should've been shorter (Avane Sriman Narayana comes to mind). But in SSE's case, if it was any faster, it might not have been as impactful as it is now.
Some criticisms: What bothered me the most in the movie is the villain. The villain's actions and thoughts should make the audience feel dread and disgust. But here, the director uses the villain's sexual orientation itself to invoke or amplify those emotions in the audience. That is so wrong.
And the stalking and self-destructive obsession of the protagonist too bothered me. But I guess that's what the movie wants us to witness. When he walks out of cocoon he flew in as a butterfly, he chooses not to remain a butterfly but to become a worm (sorry Roopanthara).
SSE is a must watch movie. The direction, writing, acting, music... are all of top tier quality. The realistic and gritty portrayal of everyday life of the middle-class and the near-poor leaves a significant impact on viewers. Like the lyrics of the movie's songs, there is beautiful poetry throughout the movie.
You can't predict where it's going next and that keeps you invested until the very end. There are a lot of little things and details in the backdrop that keeps the flow of story engaging. The messy prison, the textile factory, the shabby house, the broken train... show that that the writers and the director are not only creative as heck, but they did their research too. The action sequences are also done really well, where every punch and stab feel as painful as they do in real life.
The music is great, many songs are still on my playlist. The actors have done an excellent job. Rakshith Shetty takes the top prize, no doubt. But the actress who played 'Surabhi' is too good an actress to remain unknown to the masses.
I didn't find the movie to be slow. There are movies which should've been shorter (Avane Sriman Narayana comes to mind). But in SSE's case, if it was any faster, it might not have been as impactful as it is now.
Some criticisms: What bothered me the most in the movie is the villain. The villain's actions and thoughts should make the audience feel dread and disgust. But here, the director uses the villain's sexual orientation itself to invoke or amplify those emotions in the audience. That is so wrong.
And the stalking and self-destructive obsession of the protagonist too bothered me. But I guess that's what the movie wants us to witness. When he walks out of cocoon he flew in as a butterfly, he chooses not to remain a butterfly but to become a worm (sorry Roopanthara).
SUCH AN AMAZING WORK DONE BY HEMANTH RAO AND TEAM. RAKSHITH SHETTY ACTING NAILED THE ENTIRE CINEMA . TEARS ARE DROPPING DOWN CONTINOUSLY WHILE WATCHING CLIMAX SCENE FIRSTLY THE HEART TOUCHED SONG IS KADALANU KANA HORATIRO.. SONG MAKE ME SO MUCH EMOTIONAL. THIS SHOWS TRUE LOVE AGIANST MANU TOWARDS PRIYA. THE STRUGGLING OF MANU TO MAKE PRIYA HAPPINESS IS VERY VERY HEART MELTING...? HEY THIS IS NOT A MOVIE THIS IS AN EMOTION TO ALL LOVE BROKEN HEARTS.. IF THE LOVE NOT SUCCESS IN UR LIFE DONT DISTRESS BLESS HER TO LEAD A GOOD LIFE AND SEE HER HAPPINESS BLESS TO HER TO BE HAPPY THIS IS THE GOOD MESSAGE TO ALL . AND FINALLY MANU SETTLED ALL LIFE IN MOVIE BUT HE WON THE ENTIRE CINEMA FANS HEART.. FOR ACCTING,DIRECTION,MUSICALS,AND STORY I RATED 10/10 FOR THIS AMAZING WORK.. PLEASE GIVE LIKE THIS CNIMEAS TO KANNADA INDUSTRY RAKSHITH SHETTY SIR YOU HAVE AN AMAZNIG TALENT.. BY THIS I BECOME OF YOU FAN.....
ALL THE BEST ENTIRE SAPTA SAGARADACHE ELLO TEAM.....?
BY.
HARSHARAMYA.
BY.
HARSHARAMYA.
Love is everything it's cracked up to be. It really is worth fighting for, being brave for, risking everything for. " - Erica Jong.
"'For a while' is a phrase whose length can't be measured. At least by the person who's waiting." - Haruki Murakami.
"But it is easy to speak of the past, impossible to go there. I am powerful in ways you can only dream, yet I am still a prisoner of what I have done. I can never escape the cell I have made for myself. Things are what they are." - Joe Abercrombie.
The above quotes encapsulates the essence of "Sapta Sagaradaache Ello Side B" a film that has left me lingering in the ocean's hushed embrace, hours after dream-like conclusion. I am overwhelmed by the sheer depth and complexity of the feelings it has stirred within me, adrift in a sea of emotions, in the rhythmic cadence of the tides that defy articulation. In the heart of Bangalore, Manu's tale embark on a relentless quest for a closure, revenge and redemption. He still holds on to the echoes of past, the indelible regrets, unfulfilled wishes that have shackled his soul. Here in Part B Manu is a loafer, a tormented soul who still has nemesis from the past but only to find that his mind is his most formidable adversary. In this obsessive pursuit Manu transforms through voyeuristic lens, fixated on Priya, becomes consumed by her as his every thought and action revolves around her whereabouts and spending time with her child. This act can irk some people but it is shown as a momentary solace as the vibrant hues of memory dance within him, providing illusion of joy. Along the way, we as the audience begin to yearn to decipher the truth and hope the cracked mirrors mend. To uncover the enigma of Manu, one must bear witness to the film's captivating spectacle on the silver screen. Beguiled by SIDE A, i have been anticipating this day for a closure. I must say it a fitting finale, a hard hitting swansong and a sequel that is punctuated by unexpected musical interludes and subtle gags. Getting it right for a sequel has been a hit or a miss and not often does it satisfy viewer expectations. The blood-red climax is one of the standout sequence, i read some shallow cinephiles calling it as an unnecessary indulgence, overly gratuitous but ignore them. It will garner polar reactions, to each his or her own but i feel it is about time Rakshit Shetty takes up a mass hero role with good writing and the impact would been compelling.
Kudos to director Hemanth Rao and team for creating this technically sound of a film and a poetic gem that will stand as a towering testament for the Kannada film industry. Also, I suggest if anyone reading this to check out my review for SIDE A whenever you have a moment.
"'For a while' is a phrase whose length can't be measured. At least by the person who's waiting." - Haruki Murakami.
"But it is easy to speak of the past, impossible to go there. I am powerful in ways you can only dream, yet I am still a prisoner of what I have done. I can never escape the cell I have made for myself. Things are what they are." - Joe Abercrombie.
The above quotes encapsulates the essence of "Sapta Sagaradaache Ello Side B" a film that has left me lingering in the ocean's hushed embrace, hours after dream-like conclusion. I am overwhelmed by the sheer depth and complexity of the feelings it has stirred within me, adrift in a sea of emotions, in the rhythmic cadence of the tides that defy articulation. In the heart of Bangalore, Manu's tale embark on a relentless quest for a closure, revenge and redemption. He still holds on to the echoes of past, the indelible regrets, unfulfilled wishes that have shackled his soul. Here in Part B Manu is a loafer, a tormented soul who still has nemesis from the past but only to find that his mind is his most formidable adversary. In this obsessive pursuit Manu transforms through voyeuristic lens, fixated on Priya, becomes consumed by her as his every thought and action revolves around her whereabouts and spending time with her child. This act can irk some people but it is shown as a momentary solace as the vibrant hues of memory dance within him, providing illusion of joy. Along the way, we as the audience begin to yearn to decipher the truth and hope the cracked mirrors mend. To uncover the enigma of Manu, one must bear witness to the film's captivating spectacle on the silver screen. Beguiled by SIDE A, i have been anticipating this day for a closure. I must say it a fitting finale, a hard hitting swansong and a sequel that is punctuated by unexpected musical interludes and subtle gags. Getting it right for a sequel has been a hit or a miss and not often does it satisfy viewer expectations. The blood-red climax is one of the standout sequence, i read some shallow cinephiles calling it as an unnecessary indulgence, overly gratuitous but ignore them. It will garner polar reactions, to each his or her own but i feel it is about time Rakshit Shetty takes up a mass hero role with good writing and the impact would been compelling.
Kudos to director Hemanth Rao and team for creating this technically sound of a film and a poetic gem that will stand as a towering testament for the Kannada film industry. Also, I suggest if anyone reading this to check out my review for SIDE A whenever you have a moment.
I liked Side A, but was not much happy about it's pace. Felt it was slow, but it's expected going by Hemanth's previous ventures.
But, Side B is paced nicely. Acting by Rakshith is impressive and so the other actors.
Technically, movie is rich and proves that a talented team doesn't need big budget to make impressive movie. Many things are not obvious in the movie, for example the way the violent dog pestering heroine is handled and used by the hero.
BGM and songs are top class.
On the down side, the movie would have been more impactful if it was made as a single part because the first part emotions is lost.
Also, movie could have been even more faster.
Climax fight could have been more realistic though the violence is brilliantly masked by good direction.
But, Side B is paced nicely. Acting by Rakshith is impressive and so the other actors.
Technically, movie is rich and proves that a talented team doesn't need big budget to make impressive movie. Many things are not obvious in the movie, for example the way the violent dog pestering heroine is handled and used by the hero.
BGM and songs are top class.
On the down side, the movie would have been more impactful if it was made as a single part because the first part emotions is lost.
Also, movie could have been even more faster.
Climax fight could have been more realistic though the violence is brilliantly masked by good direction.
Wusstest du schon
- WissenswertesThe whole fight scene where Manu gets into a room with bunch of people, is a one shot scene with no cuts or edits.
- VerbindungenFollows Sapta Sagaradaache Ello - Side A (2023)
- SoundtracksSapta Sagaradaache Ello (Side B)
Dhananjay Ranjan
Karthik Chennoji Rao
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- Laufzeit2 Stunden 28 Minuten
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What is the Italian language plot outline for Saptha Sagaradaache Ello: Side B (2023)?
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