IMDb-BEWERTUNG
6,5/10
6927
IHRE BEWERTUNG
Berichtet von den dramatischen Ereignissen um einen intelligenten und beliebten Filmstudenten aus Harlem, der in eine komplexe juristische Schlacht.Berichtet von den dramatischen Ereignissen um einen intelligenten und beliebten Filmstudenten aus Harlem, der in eine komplexe juristische Schlacht.Berichtet von den dramatischen Ereignissen um einen intelligenten und beliebten Filmstudenten aus Harlem, der in eine komplexe juristische Schlacht.
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A$AP Rocky
- James King
- (as Rakim Mayers)
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Why do movies so regularly show the murder suspect going to trial, of all things, nearly immediately after arrest? The average time for this particular situation is two years or so before full trial. Our "hero" would have had several months in jail, not prison, leading up to it. After a conviction he'll do his time in prison. It's that simple, why not hire a competent consultant or listen to their "consulting", you know, what you pay them for?
And a lone detective dressed like a comic book investigator making the arrest? Absolutely laughable!
The gray colored courtroom looked like either a cartoon or Star Trek simulation room, I can't decide which. Ridiculous decision, and yes I get the artistic angle since they were pushing it so hard, but still bad. The narration even mentioned it, referring to justice being black or white, no gray. Then it's pure gray, huh?
Wright, Nelson, and Victor all had excellent performances as expected, rest were meh.
And a lone detective dressed like a comic book investigator making the arrest? Absolutely laughable!
The gray colored courtroom looked like either a cartoon or Star Trek simulation room, I can't decide which. Ridiculous decision, and yes I get the artistic angle since they were pushing it so hard, but still bad. The narration even mentioned it, referring to justice being black or white, no gray. Then it's pure gray, huh?
Wright, Nelson, and Victor all had excellent performances as expected, rest were meh.
'Monster' refers to the opening statement made by the prosecutor and how he chooses to label Steve, - Kelvin Harrison Jr- based on a presumed guilt that isn't just a result of his position within the courtroom but also because of Steve's race, the idea that a 17-year-old black male is somehow inherently barbaric.
It's the same assumption that's led to countless state-sanctioned killings or imprisonments, based less on facts of the case and more the fear that surrounds it and Monster smartly avoids looking at the frustration of the political to focus on the horror of the personal. Just how terrifying would every stage of this process be for a teen?
Aside from the harrowing practicalities of life in prison, how would an already fractured time mentally effect an adolescent. Then shatter under this new lens? How would one then start to view one's self?
The trick for Steve and his lawyer (Jennifer Ehle) is to turn him into a human for the members of the jury, rather than the stereotype as they see him.
The same applies for first-time director Anthony Mandler, working against members of the audience who might arrive to the film, and the situation, with similar 'baggage'
A thoroughly enjoyable movie. I've given this 7/10.
It's the same assumption that's led to countless state-sanctioned killings or imprisonments, based less on facts of the case and more the fear that surrounds it and Monster smartly avoids looking at the frustration of the political to focus on the horror of the personal. Just how terrifying would every stage of this process be for a teen?
Aside from the harrowing practicalities of life in prison, how would an already fractured time mentally effect an adolescent. Then shatter under this new lens? How would one then start to view one's self?
The trick for Steve and his lawyer (Jennifer Ehle) is to turn him into a human for the members of the jury, rather than the stereotype as they see him.
The same applies for first-time director Anthony Mandler, working against members of the audience who might arrive to the film, and the situation, with similar 'baggage'
A thoroughly enjoyable movie. I've given this 7/10.
This is one of those movies where it's all about the execution. The story is something that we've seen before, but it's the way they execute this story that makes it an original watch. Because our main character is a future movie director, he guides us through the story with a very interesting point of view. The way he narrates the story might be a little on the nose at times, but it does give a very fresh perspective on a familiar story. Something that also made a good impression were the performances. Especially Kelvin Harris Jr. Gives a very good performance that shows the heartwarming, but also the darker moments of his teenage life. The direction is something that was a bit questionable at times. The way it uses the flashbacks and forward where easy to follow, but a bit out of place at times. There were also some side stories that didn't really go anywhere and little errors that kept me out of the story, but it did bring it home in the end. I became very invested in the story and that made the ending very nerve racking. All in all, a familiar story with a very interesting point of view.
Despite the star-studded cast of vastly talented, and most times undervalued artists, what I love most about Monster is that the film paid its true creator all the praises. Based on Dean Myers' book, the screenwriter allowed the author to speak for and through the film, and to the point where watching it, at times, felt as if I was in a small book store with my eyes closed, listening to one of the greatest writers in American history paint an image of a simple life in Harlem that could easily have been my own.
Production: Good script. Okay editing. Some of the scenes were a little jarring to the narrative. Good casting. Sets look realistic. 6/10.
On screen: Good to decent acting. Most of the actors are believable, but sometimes their actions seemed unnatural. Good cinematography. The artsy esthetic works for this film. 7/10.
Content/Impact: The telling of this story is necessary to combat the racism that black people, especially young black men, face today. The humanity that is shown throughout the film of black youth and how racism can write their own narrative is profound. Not only did it illustrate this through the main character Steve Harmon but the fact that it was shown through one of the "antagonists" William King shows us the complexity of black people meaning that black people are people too just like everyone else breaking the stereotype that black people are a monolith. 10/10.
Overall: Solid book to film adaptation needed in the world we live in today. 7.6/10.
On screen: Good to decent acting. Most of the actors are believable, but sometimes their actions seemed unnatural. Good cinematography. The artsy esthetic works for this film. 7/10.
Content/Impact: The telling of this story is necessary to combat the racism that black people, especially young black men, face today. The humanity that is shown throughout the film of black youth and how racism can write their own narrative is profound. Not only did it illustrate this through the main character Steve Harmon but the fact that it was shown through one of the "antagonists" William King shows us the complexity of black people meaning that black people are people too just like everyone else breaking the stereotype that black people are a monolith. 10/10.
Overall: Solid book to film adaptation needed in the world we live in today. 7.6/10.
WUSSTEST DU SCHON:
- WissenswertesMichael Imperioli was originally cast as Anthony Petrocelli, but due to scheduling conflicts, Paul Ben-Victor replaced him.
- VerbindungenReferenced in Flix Forum: Monster (2025)
- SoundtracksSe Que Quieres
Written by Nicholas Jonathan Smith, Donald 'D'jon' Johnson, Vito A. Colapietro II (as Vito Colapietro) and Neely Dinkins Jr. (as Neely Dinkins)
Performed by Nick Olate
Courtesy of Choppa Records/The Co-Stars Ent
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Details
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
By what name was Monster! Monster? (2018) officially released in Japan in Japanese?
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