Circus Maximus

A total lack of plastic culture. A formless music made only for a lame effect. A film about nothing, with nothing to say. I had the feeling that I was watching a student film made with the money of millionaire father, who comes from the country of kitsch. The abundance of signs and frames, even if some of them look baroque, makes the film like a cake with all the ingredients of an unsalted soup.

The character does not play. It just shows that it exists, behaving like in real life, simple and embarrassing. Basically, a very long music video, hard to watch and after which you miss Soul II Soul.

Si deep; no way.

Utopia is already fantastic, but having this go along side with the music adds an element that can't be described. I went to see the film opening night solo, and to my shock plenty others were there in the same boat. The energy of listening and seeing the album first with others was a great feeling, and being able to talk and admire the music with others was an experience I won't forget. The film feels like the perfect wrap to make "Utopia" truly come alive and allow the listener to better fulfill the vision of the music in there mind by showing them exactly was the vision was behind it. Fantastic movie and would see again in theatres.

Also thank you for the shirt Travis I appreciate it :)

The title basically says it all.

I loved Utopia as an album, I thought it was great, and that the features, instrumentals and performance were amazing. And this was supposed to go like hand-in-hand with the album and explain it all.

And in a way, I guess it did, but there's not a whole lot here. It's cleanly shot, almost all of the segments have incredible quality.

Each of the segments.fit their respective tracks quite well, but underneath it all, there's not a whole lot here.

It's painfully boring, there's essentially no plot, what there is is just a couple subplots for a few minute long segments that lead to nothing. I enjoyed the album, but I can take and leave this.

"Circus Maximus" a directorial collaboration with visionaries Kahlil Joseph, Valdimar Jóhannsson, Harmony Korine, and Nicolas Winding Refn, isn't merely a movie-it's an audiovisual journey that plunges its audience into a mind-bending, psychedelic exploration of the artist's road to Utopia. This cinematic masterpiece, deeply inspired by Alejandro Jodorowsky's "The Holy Mountain" (La montaña sagrada), delves deep into the enigmatic concept of Utopia while unraveling the notion that its attainment is merely a fleeting illusion, emphasizing that the true essence lies within the journey itself. Seamlessly weaving together striking visuals, hypnotic soundscapes, and introspective storytelling, "Circus Maximus" offers an unparalleled immersive experience that transcends conventional movie genres.

The film's core message is a contemplative one: Utopia, that seemingly unattainable state of perfection and contentment, is a mirage. Travis Scott and his team employ their collective artistry to illustrate the paradox of the pursuit, inviting the audience to ponder the nature of desire and the ever-elusive search for fulfillment. Through a series of mesmerizing sequences, viewers are taken on a whirlwind voyage that mirrors Scott's own creative evolution and personal growth.

What sets "Circus Maximus" apart is its profound connection to Travis Scott's latest album, intricately exploring the symbiotic relationship between music and visual storytelling. Each track is not only heard but experienced through the lens of the film, with every lyric and melody given deeper meaning within the context of the narrative. As the movie unfolds, the audience gains fresh insights into the artist's emotional landscape, underscoring the thought and intention behind each composition.

The visuals of "Circus Maximus" are a kaleidoscope of ethereal landscapes, vivid colors, and surreal imagery. The psychedelic visuals draw viewers into a trance-like state, mirroring the trippy, otherworldly quality of Scott's music. This synergy of sight and sound acts as a catalyst for introspection, allowing the audience to delve into the underlying themes of the human condition, desire, and the pursuit of something greater.

At its core, "Circus Maximus" is a testament to Travis Scott's artistic vision and his ability to provoke thought through his craft. It transcends the realm of a traditional movie, instead becoming a multisensory experience that engages both the conscious and subconscious mind. With its rich symbolism and intricate storytelling, the film becomes a canvas for individual interpretation, encouraging viewers to find their own connection to the narrative.

In conclusion, "Circus Maximus" is a captivating odyssey that defies convention and pushes the boundaries of visual storytelling. Through its mesmerizing blend of music, imagery, and narrative, it transcends the ordinary, inviting audiences to question the nature of Utopia and the significance of the journey. Travis Scott and his co-directors' audacious exploration of the human psyche and the pursuit of an ideal resonates deeply, leaving an indelible mark on anyone fortunate enough to experience this immersive masterpiece.

20 minutes of some interesting, some annoying, and some creative visuals that aid the UTOPIA experience. The human pyramid one and the one set in an African country stood out.

Other than that, the remainder is just a boring 55 minutes of Travis performing the rest of the album live in an old arena, nothing interesting or worthwhile. What's even the point of a live performance that takes up 75% of the "film" if you're going to play the studio recordings over the whole thing.

Simply an over-bloated music video, it's a shame cause it started off really good, then they ran out of ideas. But, I understand that this supposedly should've been the first time fans are exposed to the album and its world, watching it after having the album for weeks now doesn't add much of a value to the overall experience.