Fandry

I can even say this is the only movie that I have seen till date which is so authentic in its execution. The story revolves around a young boy(Jabya)who is a victim of the social inequality due to casteism in a village. The entire film drives in a direction where the group of people in the village infuriate the boy by abusing him and his family with his caste calling them "Fandri" (Pig), but he remains calm as his family is dependent on the village. The accumulation of all this anger, fear, fury get outburst in the climax act.

Everyone in the cast has done a extraordinary performance, there is nowhere where you can see any cinematic sequence. This credit should go the director of the movie (Nagraj Manjule). The amount of ground work that is there in this movie is enormous. Every single detail on the character, or the locations and sequence is something really unbelievable. One thing that can be quoted for instance is the place where Jabya's sister asks water in one of the homes when she runs and gasps. The anonymous character from the home doesn't hands over the water to her instead keeps it down to avoid the touch of inferior caste.

In the era of highly moving camera and fast action cuts, the camera work in the movie just shows the power of still cinematography which elevated the movie to the much higher level.

The movie is just one great masterpiece from the debut director !

" Done with be quite "

Film : Fandry Director : @nagraj_manjule Dop : @vikram_amladi Music : @alokanandadasgupta @ajayatulofficial Cast : Kishore kadam Somamth Avghade

Probably I was dumb I was Speechless After watching this Gut wrenching an eye opener Surrealistic gem !

#nagarajmanjule Sir Ji Beautifully Crafted and Executed (SOUND and lighting Played a Major role) Bit closer to Mr Ray Style of making

I thought #Sairat was yours best work But Fandry is the classic one

A film whose simple charm hardly prepares the viewer for the edge-of-street tension of its last fifteen minutes,

There is a scene towards the end of the film when Kachru's family catches a pig and is carrying it out of the village. On their way, they pass the paintings of revolutionaries who championed the cause of eradication of the caste system and this scene sums up the irony of the society that we live in today. Somnath and Suraj have performed extremely well considering it is their debut performance. Kishore has mastered the art of slipping into any role he does and is brilliant as usual. Nagraj does a great job behind and in front of the camera as the eccentric Chankya. Acting of the whole cast is top-notch to say the least...it's hard to believe that all of them except Kishor Kadam are amateur actors...Somnath Awaghade as Jabya is brilliant !

Without doubting or without going for a second chance I could say probably the best " Ending shot of the decade "

breathless as the characters.

#fandry #marathifilm

A must watch movie. I really love the climax portion. I appreciate the director for taking this type of story.

Wow great movie I saw this in ilInternational Film Festival of Kerala. I personally got a chance to congratulate the director. Such a great movie. Shows how dalits are being treated in society. The man's invention of so called caste, making people uneducated. Its a clear cut of how people are being treated in India due to man's so called invention of caste.

Regional cinema in India (that excludes Bollywood and the big mainstream Tamil and Telugu movies) occasionally yields little gems like this flick. I heard of it on a news program towards the end of 2014 - the anchor was listing her favorites from the year gone by and she mentioned this as a must-watch inter-caste school love story. That is not quite accurate - the love is deep but one-sided, unrequited, and as one realizes early on, rather hopeless. A low- caste school boy is smitten by the pretty high caste girl that he sees in school every day but centuries of caste stigma are not easily shaken off by sharing the same classroom. The low caste family is routinely humiliated and called upon to trap the wild pigs that roam the village - the rest of the villagers consider the pigs unclean and any contact with the pigs impure. The boy rages against the caste trap and his own father for forcing him to take part in trapping pigs. The movie unfolds slowly for most of its running time, and the high caste characters are almost caricatures in their cruel callousness. Yet, the movie comes alive with a brutal brilliance in the last 10 minutes as shame and fury collide within the tormented boy in an explosive climax. The very last scene is like a punch in the stomach as the raging boy seems to hurl a stone at the audience itself for being mute spectators to injustice.