Während einer Zugfahrt nach Neu-Delhi sehen sich zwei Kommandosoldaten einer Armee von eindringenden Banditen gegenüber.Während einer Zugfahrt nach Neu-Delhi sehen sich zwei Kommandosoldaten einer Armee von eindringenden Banditen gegenüber.Während einer Zugfahrt nach Neu-Delhi sehen sich zwei Kommandosoldaten einer Armee von eindringenden Banditen gegenüber.
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So the selling point for the movie was that this was going to be the most bloodiest goriest Indian film ever. As i started watching I did not notice anything out of the ordinary. Then i realized this film is a lot more violent than what I'm used to seeing in Bollywood films. Bollywood action films have plenty of action and fighting and the hero kills in large numbers, but this dude was doing it with his hands and the blood was pouring from everyone.
Nothing that i never seen before just never from an Indian film. The uniqueness comes from the fact that the whole movie takes place on this train. Just a constant flow of battles happening in the tightest area possible Some surprises really made this picture original to the genre and added to it being one of the best action movies done.
Nothing that i never seen before just never from an Indian film. The uniqueness comes from the fact that the whole movie takes place on this train. Just a constant flow of battles happening in the tightest area possible Some surprises really made this picture original to the genre and added to it being one of the best action movies done.
I had the pleasure of seeing Kill at its world premier during the Toronto International Film Festival, as part of a Midnight Madness screening. Kill represents an impressive change of pace for Indian cinema. Yes, action movies continue to be a mainstay of the genre, but rarely do Indian films feel welcome along their East and Southeast Asian compatriots. If I could best describe this film, think the sincerity and raw emotion of Indian cinema with the quality choreography of The Raid, Oldboy, or any Tony Jaa film.
The Good:
1. The simple storyline. I don't think I've seen an action movie with as pure and straightforward a storyline like this in a while. It's to the film's benefit, because it better highlights the action and makes the film essentially understandable to any audience member (As long as they aren't squeamish). There's also something about Indian cinema, where the stories don't need to be complex, but the emotions - as displayed - can be, and that more than picks up the slack.
2. The performances. I'm surprised to highlight the performances for an action film, but yes, even the non-action performances are FANTASTIC in this movie. Laksh is great, but Raghav Juyal stole the show for me. He plays one of the most purely evil and detestable, yet impossibly likable villains I've seen in a long time, with INCREDIBLE comic timing and screen presence. In fact...
3. The villains. You'd imagine that a movie about bandits on a train, seemingly motivated by nothing but money, would be one-dimensional red shirts. Kill does the exact opposite, giving these goons a real sense of humanity. I can't recall the last time I've seen villains GRIEVE their fallen brothers like they do in this movie. It almost makes you feel bad for them. There's also a great array of what I like to call sub-bosses (those villains who aren't quite the main guy, but have enough screen time and cool moments to be considered a step below), like the giant Siddhi and the conniving Uncle.
4. The self-awareness. There are several moments in this film, towards the beginning, where I wasn't sure if it was deliberately lampooning Bollywood and its overuse of sentimentality and music. The audience was howling, so I'm going to assume yes, which is awesome. The idea of this movie starting like a typical "boy-loves-girl-but-she-can't-love-him-back" and transforming into this bloodbath was hilarious.
5. The action. How could I have forgotten the best part? Kill gives us some truly claustrophobic, intense, gory, exhilarating action sequences. Not for the faint of heart.
The Bad:
I heard this sentiment amongst the audience too, but we all agreed...there is a certain point when it's clear the first act is over where...let's just say, the movie gets CONSIDERABLY better. (Also, *that moment* was accompanied by an absolute ROAR from the crowd).
The Good:
1. The simple storyline. I don't think I've seen an action movie with as pure and straightforward a storyline like this in a while. It's to the film's benefit, because it better highlights the action and makes the film essentially understandable to any audience member (As long as they aren't squeamish). There's also something about Indian cinema, where the stories don't need to be complex, but the emotions - as displayed - can be, and that more than picks up the slack.
2. The performances. I'm surprised to highlight the performances for an action film, but yes, even the non-action performances are FANTASTIC in this movie. Laksh is great, but Raghav Juyal stole the show for me. He plays one of the most purely evil and detestable, yet impossibly likable villains I've seen in a long time, with INCREDIBLE comic timing and screen presence. In fact...
3. The villains. You'd imagine that a movie about bandits on a train, seemingly motivated by nothing but money, would be one-dimensional red shirts. Kill does the exact opposite, giving these goons a real sense of humanity. I can't recall the last time I've seen villains GRIEVE their fallen brothers like they do in this movie. It almost makes you feel bad for them. There's also a great array of what I like to call sub-bosses (those villains who aren't quite the main guy, but have enough screen time and cool moments to be considered a step below), like the giant Siddhi and the conniving Uncle.
4. The self-awareness. There are several moments in this film, towards the beginning, where I wasn't sure if it was deliberately lampooning Bollywood and its overuse of sentimentality and music. The audience was howling, so I'm going to assume yes, which is awesome. The idea of this movie starting like a typical "boy-loves-girl-but-she-can't-love-him-back" and transforming into this bloodbath was hilarious.
5. The action. How could I have forgotten the best part? Kill gives us some truly claustrophobic, intense, gory, exhilarating action sequences. Not for the faint of heart.
The Bad:
- The first act. While I didn't dislike it overall, I think the first act suffers from some pacing issues that took me out of the film. It sorta gets started from the get go and I tend to prefer films that slowly lead us into the narrative.
I heard this sentiment amongst the audience too, but we all agreed...there is a certain point when it's clear the first act is over where...let's just say, the movie gets CONSIDERABLY better. (Also, *that moment* was accompanied by an absolute ROAR from the crowd).
- Tiluka. I know, I know. The love interest isn't the main part of this movie, and while I found her and our hero's relationship sweet for what it was trying to be, I couldn't help but feel her and him were a bit underwritten.
A pair of elite soldiers boards a train that is attacked by a ruthless gang. Combat is at close quarters. Deaths happen in gruesome and extreme ways, including by fire extinguisher. Armed forces, police, and gangs engage in combat against each other.
Director Nikhil Nagesh Bhat experienced a train attack in real life and brings the experience to film audiences around the globe. While the film is shallow and women are treated poorly, there are unexpected twists and turn and it is enthralling for its action sequences. The world premiere in Toronto with the midnight madness crowd was a great deal of fun.
Director Nikhil Nagesh Bhat experienced a train attack in real life and brings the experience to film audiences around the globe. While the film is shallow and women are treated poorly, there are unexpected twists and turn and it is enthralling for its action sequences. The world premiere in Toronto with the midnight madness crowd was a great deal of fun.
Wow, I am in disbelief that this is a Bollywood film! It is executed in a truly brilliant manner. The setup may be straightforward, but the action, direction, and acting are all outstanding. India's response to the Raid Films. I can't express in enough words how excited I am about what I witnessed. I was rooting for each kill and it remains engaging. The main actor has a promising career ahead in Bollywood and a flawless first film launch. Raghav is a pleasure to see and nails every scene he is in. The entire supporting cast performs admirably, but in the end, this movie belongs to the director. His vision and execution, without diminishing the lead's contributions, are truly remarkable. This movie is an absolute blast for any action enthusiast. No giveaways, just sharing joy like how the film made me happy.
Like the fast-moving train, the screenplay also paces itself swiftly without boring the audience. The entire film is about this one episode, and action blocks are lined up in most scenes, coupled with a few montage sequences to elevate the emotions. The action choreography is brilliant and cinematographer Rafey Mehmood executes them seamlessly, and the set pieces deserve special mention.
Kill has the visual narrative of an action video game, with each level becoming more challenging, and promising an interesting episode. The linear screenplay also helps in keeping the audience hooked on the plot. The violence does escalate as the story progresses, staying true to its tagline of being the 'most violent' Indian film. In short, Kill is mostly an entertaining film for fans of the action genre.
Kill has the visual narrative of an action video game, with each level becoming more challenging, and promising an interesting episode. The linear screenplay also helps in keeping the audience hooked on the plot. The violence does escalate as the story progresses, staying true to its tagline of being the 'most violent' Indian film. In short, Kill is mostly an entertaining film for fans of the action genre.
On the Scene: Lakshya and Raghav Juyal
Wusstest du schon
- WissenswertesThree days before the film's release, 87Eleven Entertainment, known for the popular 'John Wick' series starring Keanu Reeves, announced that they had purchased the rights to remake the movie in Hollywood.
- Crazy CreditsThe title doesn't appear on screen until 46 minutes into the film.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Kill: Masacre En El Tren
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.171.487 $
- Eröffnungswochenende in den USA und in Kanada
- 420.902 $
- 7. Juli 2024
- Weltweiter Bruttoertrag
- 1.930.699 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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