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As a Diljit fan, I had to watch this movie.

The film boasted great performances from Diljit, Boman, and Ratna, their acting truly carried the film. Diljit brought his usual charm to the screen with his light-hearted, witty character, and Boman added his usual flair of brilliance. It was nice to see Chunky Pandey in this movie - he brought 5 minutes of entertainment to the film, but otherwise his role was not needed. Unfortunately, the rest of the actors' performances were average, as their characters just weren't strong enough, a partial fault in direction, I think.

While the story did eventually come together, despite being a bit unrealistic, it wasn't the best storyline and certainly could have been better.

The journey there felt tiresome, the pacing was pretty slow, and some parts were unfortunately predictable.

It's a real shame because with tighter editing and a sharper script, this could have been a much more engaging watch.

Detective Sherdil (2025) : Movie Review -

Detective Sherdil is a regular whodunnit thriller, but only in the beginning. Soon, before you can even get involved with the murder mystery, it reveals that it isn't a whodunnit drama at all, but a howdunnit mystery. After watching thousands of classic murder thrillers, with almost nothing new left to explore, you can't really expect classic twists anymore. These days, either you make everyone a suspect, or build the narrative around how the murder was executed. The suspense around "who is the killer?" has grown dated-so here comes a fresh angle. Detective Sherdil tries this, but in the wrong tone. It goes the spoof route and adopts a comical style, which keeps you away from the seriousness of the murder plot, ultimately hurting the experience.

The story begins with Mr. Sherdil (Diljit Dosanjh), claimed to be the best detective in the force, who takes up the curious murder case of a billionaire, Pankaj Bhatti (Boman Irani). After his sudden death, the will is revealed, awarding most of his wealth to a dog and two outsiders-leaving the family shocked. Sherdil, joined by Natasha (Diana Penty) and his assistant, gets to work. The prime suspect is Purvak (Arjun Tanwar), the mute and deaf lover of Pankaj's equally mute and deaf daughter, Shanti Bhatti (Banita Sandhu). Everyone points fingers at Purvak, trying to convince Sherdil, but is he really the killer? The answer, of course, is no. So who is the actual culprit?

More than who the killer is, this film is about how it was done. Movie buffs have been second-guessing murder mysteries for decades-some guess right, some wrong-so novelty is lacking. Detective Sherdil tries to bring that novelty, but at what cost? The mystery build-up gets spoiled by childish humour and a spoof-like execution. While Sherdil's dialogues are written cleverly-at least on paper-the overall execution lacks quality. The characters and the environment lack the seriousness that a murder mystery demands, making it difficult to connect. Thankfully, it doesn't overstay its welcome. With a short runtime and a fast-paced screenplay, you quickly exit this cartoonish setup.

Diljit Dosanjh enjoys the screen time and plays his part with energy. From a comedy standpoint, he does well, but as a detective, supposedly the best in business, it's a weak show. Diana Penty looks charming, but her role isn't meaty enough to make a mark. Boman Irani and Ratna Pathak Shah bring seniority to roles that didn't need it. Banita Sandhu is strictly average. Chunky Panday remains calm and subtle, while Sumeet Vyas is decent. Sarah Barlondo and Kashmira Irani provide fair support, and the rest of the cast does what's required without much impact.

Clocking a little over 100 minutes, Detective Sherdil doesn't exactly bore. But technically, there's not much to praise either. Cinematography and sound design stay average. The mouth organ used by Sherdil to set the mood feels odd and unnecessary. The production design needs no special mention either, as the film is mostly shot in a couple of locations. It's minimal and simple. Director Ravi Chhabriya should've struck a better tonal balance. The sarcasm and humour are overdone, while the actual mystery feels underplayed. Had the mystery been a little stronger and the humour toned down, the film might have worked better. For now, it lands somewhere between a light parody and an animated spoof-far from a gripping whodunnit.

RATING - 4/10*

I hoped that Diljit Dosanjh's natural likability and comic timing would make Detective Sherdil an entertaining watch especially if the core mystery is well conceptualized. Unfortunately Diljit's character comes across as a bit of an arrogant know it all detective with fake accent. The overall mystery is not bad but the movie ends up with more than required twists and turns and some plot holes which would not have mattered if we would have either got the fun loving Diljit of Good Newwz and Crew or even the serious Diljit of Jogi and Chamkila.

The production value of the movie looks good but the direction and execution feels a bit Amateurish. Even well established actors like Ratna Pathak Shah and Boman Irani feel a bit wooden at times in their delivery. I think that the usually likable Diljit could have lifted this decent murder mystery based on his pure charm but his character was not well created, hence for me this is a missed opportunity. It is not a poor movie but just a very average. I would recommend skipping it unless you are a big Diljit Dosanjh fan. 5/10.

The movie is a complete letdown. There's no proper story, no emotional depth, and not a single moment of genuine comedy. It feels like a random sequence of scenes stitched together with no clear direction or purpose. The characters lack development, the dialogues are dull, and the entire film struggles to keep the audience engaged. Even the attempts at humor fall flat, making the experience tiresome rather than entertaining. It's hard to stay invested when there's nothing to connect with - no plot, no message, and no memorable performances. It's disappointing how much potential was wasted in trying to do everything but ending up doing nothing. If you're expecting entertainment, drama, or even a few good laughs, this film offers none. Just a drag from start to finish. Save your time and skip this one.

Nowadays, I watch lot of thriller movies. Enjoyed the thrilled & mystery throughout the movie but lead actor's performance disappointed me. His acting was pathetic for this type of movie. The "Shanti" & "Purvak" character was fine really loved their acting. BGM was poor too.

Still the Story was quite enjoyable no doubt.

"Detective Sherdil" is a light-hearted murder mystery that shines with Diljit Dosanjh's endearing performance. Although the film falls flat due to its predictable plot and lack of suspense, it's still worth watching for fans of Diljit Dosanjh or light-hearted mysteries. The humor, particularly with Chunky Panday's cameo, adds to its charm. Overall, it's an average watch with a rating of 1.5/5 stars. Binge-watch it if you enjoy casual, non-thrilling mysteries!

The film's strengths lie in its cast, with Boman Irani and Ratna Pathak Shah delivering solid performances. Diljit Dosanjh's charm and comedic timing make the movie enjoyable, despite its shortcomings. If you're looking for a relaxing watch without too much complexity, "Detective Sherdil" might fit the bill. Just don't expect too much suspense or intricate plot twists!

Detective Sherdil, starring the ever-charismatic Diljit Dosanjh, had all the ingredients for a quirky, offbeat detective caper-but sadly, it ends up being an overcooked mess. The film struggles so much with its identity that it feels like the director wasn't sure whether they were making a Hindi comedy, a Punjabi slapstick, or a serious detective thriller-and in the process, they've failed at all three.

Diljit, as always, brings charm and likability to the screen, but even he can't salvage a script that's all over the place. The humor flips awkwardly between exaggerated regional jokes and forced Bollywood-style punchlines. This tonal confusion not only breaks the pacing but also disconnects the viewer from whatever emotional or narrative stakes the film tries to establish.

The detective aspect-promised in the title-barely holds up. Any hint of suspense or mystery is drowned out by comic skits that feel more like outtakes from a Punjabi stage show than elements of a cohesive plot. Scenes that should build intrigue instead derail into gimmicky distractions.

There are moments where you can almost see the potential-clever dialogues here, an interesting clue there-but those moments vanish quickly under the weight of genre confusion. It's as if the director kept switching hats mid-scene: now a detective movie, now a desi comedy, now something else entirely.

Detective Sherdil ultimately feels like a missed opportunity. It had the star power, the premise, and the cultural flair to stand out. But with no clear direction, it ends up being a chaotic mix that satisfies neither fans of mysteries nor those looking for a solid laugh. For all its noise and energy, it lacks clarity and purpose. Proceed only if you're a hardcore Diljit fan-or very, very curious.

In the realm of literature detective story generates special interest. The venture to unveil the covered one always has a special appeal among the audience of all age groups. After all, who can ignore anything compelling to bite nail out of suspense?

The Movie Detective Shergill is another effort to make Celluloid portrayal of a detective story. Naturally, much was expected from the movie. But unfortunately, it has disappointed. The flaw seems to be too much experimentation. The storyline is straight forward. But it lacks certain important aspects. Rather, there seems certain elements which are contrary to such movie. Significantly, it is a boring narrative altogether and fails to hook the attention. Secondly, the element of surprise is missing. It is hard to understand why the Movie is so lengthy. Importantly, if one asks about the length of a detective story, it means nothing but worthlessness.

There are too many unnecessary characters in this Movie. The repeated use mouth organ makes things more boring. The way truth gets unveiled in this Movie doesn't sound convincing. Characters are also dull. It will be wrong to call it a detective movie despite named so. Not recommended obviously.

Unlike typical Bollywood films where songs pause the story, Detective Sherdil ingeniously weaves music into the detective work. A romantic ballad cleverly hides clues in its lyrics, and the background score uses traditional instrumentation to highlight red herrings. The "Dhaba Theme" that plays during investigative sequences has already become iconic, perfectly capturing the film's mix of folksy charm and modern pacing. It's rare for a mystery's music to be this integral to the experience. Unlike typical Bollywood films where songs pause the story, Detective Sherdil ingeniously weaves music into the detective work. A romantic ballad cleverly hides clues in its lyrics, and the background score uses traditional instrumentation to highlight red herrings. The "Dhaba Theme" that plays during investigative sequences has already become iconic, perfectly capturing the film's mix of folksy charm and modern pacing. It's rare for a mystery's music to be this integral to the experience.

After starting the movie i realised what this movie is copied from and only kept watching because of Diljit Dosanjh, as I am a big fan of his work and expected some comedy too but unfortunately I realised this is harf core copy of the famous movie Knives Out staring Daniel Craig with Indian masala, if you know those sequels you wouldn't want to see this movie unless until you're a Diljit fan. If you really want to enjoy a movie with such genre go watch the original Knives out movies, all 3 parts. Ofcourse the first part was the best but other three are also enjoyable. Overall not the worse movie I've seen but I feel it could've been better if they copied the original one ditto!

Character build up is as strong as thin layer of ice, the gravity of the plot is inversely proportional to gravity of a black hole. Director tried to save the movie but guess what !! It's Daljit's performance which screwed up everything.

The movie could be better if Daljit was replaced by some new comer and writer spent some time thinking about the characters and plot. From time to time editing messed up the screenplay.

Purely made for an audience who has nothing else to watch and can't understand dark or Sherlock like series.

It also seems the movie was supposed to be a webseries but fall bluntly in between it.

Strategy board games have a way of pulling people into a world of calculated moves, mind games, and unexpected twists. That's why the release of Empire's Edge had fans buzzing. Unfortunately, the final product doesn't live up to the hype.

The game's concept sounds promising on paper - build alliances, conquer territories, and uncover secret objectives - but the execution leaves much to be desired. The rules are overcomplicated in parts where they should be straightforward, and strangely oversimplified where they should allow depth. The result? A sluggish pace and very little excitement.

Matches drag on far longer than they need to, not because of tense decision-making, but due to tedious mechanics and excessive filler moves. Many of the characters and power cards feel like pointless additions, doing nothing to advance the gameplay.

When victory finally arrives, it's rarely satisfying - more a relief that the game is over than a thrill of achievement. For a title marketed as a bold reinvention of the strategy genre, Empire's Edge is more likely to gather dust on the shelf than inspire heated rematches.

Interrogation approaches criminal psychology like an archaeological dig, carefully brushing away layers of deception to uncover buried truths. The film's structure brilliantly mirrors this process - each interrogation scene reveals another stratum of motivation, from superficial explanations to profound psychological wounds. Kunwar Pragy Arya's investigator becomes increasingly forensic in his methods, treating words as evidence to be cataloged and analyzed. A masterful sequence shows him reconstructing a suspect's timeline with the precision of a scientist, only to discover his own assumptions have contaminated the evidence. Directors Raja and Agarwal employ subtle visual cues to track this excavation - lighting grows gradually harsher as truths emerge, compositions become more fragmented as certainties collapse. What emerges isn't just solution to a crime, but a profound understanding of how human beings rationalize their worst actions. This is psychological drama at its most incisive and unsettling.

The film's cinematography cleverly mirrors classic noir tropes while undercutting them for comedy. Dramatic low-angle shots reveal... Sherdil tripping over his own feet. Moody lighting sets the stage for... a completely wrong deduction. This visual parody demonstrates deep genre knowledge while creating something fresh. Even the color grading - slightly heightened but not cartoonish - perfectly supports the film's tone of grounded absurdity.ek number ke Film hai one of the best accting this are really greatest and blockbuster movies in this films and television awards in this click here and there are a lot of.

What makes Interrogation truly extraordinary is how it implicates viewers in the very systems it critiques. The directors employ subtle techniques to make us complicit - lingering shots that force us to scrutinize suspects' faces, audio design that makes us lean in to catch whispers. As the investigation progresses, we realize we've been unconsciously adopting the investigator's biases, judging characters based on incomplete information. The film's structural genius lies in how it gradually shifts our sympathies, revealing that everyone - including ourselves - operates on flawed assumptions. A brilliant late-film reveal doesn't just surprise us narratively, but forces us to confront how easily we were manipulated. This isn't just storytelling; it's moral provocation of the highest order, holding up a mirror to our own prejudices and preconceptions about guilt, innocence, and justice. In an era of snap judgments and social media trials, Interrogation feels terrifyingly relevant.

The film's cultural specificity becomes one of its greatest strengths, offering a hilarious but affectionate parody of small-town Indian bureaucracy. Sherdil's interactions with the local police department - where every procedure gets derailed by chai breaks and gossip - provide some of the film's biggest laughs while feeling grounded in reality. These culturally rooted jokes give the comedy an authenticity that makes it resonate beyond simple slapstick. Detective Sherdil ultimately works because it's not just making fun of detective stories, but celebrating them through its uniquely Indian perspective.

The film cleverly plays with nostalgia for classic detective stories while feeling completely contemporary. There are loving homages to Byomkesh Bakshi and Hercule Poirot, but filtered through modern Indian sensibilities. The technology gags (like our hero struggling with fingerprint scanning apps) feel particularly fresh. Even the traditional "gathering all suspects" climax gets a delightful update involving a WhatsApp group and viral memes. It's this balance of old and new that makes the film so accessible across generations. The film cleverly plays with nostalgia for classic detective stories while feeling completely contemporary. There are loving homages to Byomkesh Bakshi and Hercule Poirot, but filtered through modern Indian sensibilities. The technology gags (like our hero struggling with fingerprint scanning apps) feel particularly fresh. Even the traditional "gathering all suspects" climax gets a delightful update involving a WhatsApp group and viral memes. It's this balance of old and new that makes the film so accessible across generations.

Beneath its procedural surface, Interrogation functions as a devastating deconstruction of our cultural myths about justice. The film systematically dismantles cherished fictions - that the system is fair, that truth prevails, that good triumphs. Darshan Jariwala's judge emerges as a mythmaker in robes, constructing narratives of guilt and innocence based on power rather than fact. Directors Raja and Agarwal employ visual storytelling that subtly references classical justice imagery (scales, blindfolds, swords) only to subvert them. A haunting flashback reveals the judge literally removing his blindfold to wink at a favored lawyer, exposing justice's supposed impartiality as theater. By film's end, we're left with the uncomfortable realization that our entire legal system may be less about truth than about maintaining comforting stories that justify its existence. This is cinema as cultural critique at its most potent and necessary.

Detective Sherdil excels in what I call "competency whiplash" - moments where our hero displays unexpected flashes of brilliance immediately undercut by spectacular failure. These carefully timed swings make his character more compelling than if he were simply incompetent. The writing maintains just enough possibility that Sherdil might actually be a genius to keep us guessing, while the payoff always delivers satisfying laughs. Detective Sherdil excels in what I call "competency whiplash" - moments where our hero displays unexpected flashes of brilliance immediately undercut by spectacular failure. These carefully timed swings make his character more compelling than if he were simply incompetent. The writing maintains just enough possibility that Sherdil might actually be a genius to keep us guessing, while the payoff always delivers satisfying laughs.

Interrogation saves its most profound statement for its closing moments, showing that discovering truth often creates more problems than it solves. The film's resolution provides no catharsis, only the sobering realization of how many lives have been irreparably damaged in its pursuit. Directors Raja and Agarwal employ a brilliant visual metaphor in the final scene - a meticulously reconstructed case file being dismantled page by page, symbolizing how fragile our constructs of truth really are. The investigator's journey ends not in triumph, but in quiet despair at the human cost of his obsession. This brave refusal of easy answers elevates Interrogation from mere entertainment to essential art. In an era of absolute certainties and reductive narratives, the film stands as a vital reminder that truth is messy, complicated, and often more destructive than the lies it replaces. A masterpiece for our troubled times.

For viewers who find most murder mysteries too intense, Detective Sherdil offers the ideal introduction to the genre. The stakes feel real enough to maintain suspense, but the constant humor and Diljit's twinkling-eyed performance keep things comfortably light. The screenplay cleverly explains investigative techniques through comedy, For viewers who find most murder mysteries too intense, Detective Sherdil offers the ideal introduction to the genre. The stakes feel real enough to maintain suspense, but the constant humor and Diljit's twinkling-eyed performance keep things comfortably light. The screenplay cleverly explains investigative techniques through comedy, like when our hero accidentally solves part of the case while trying to impress a love interest. It's educational entertainment at its finest - you'll laugh while unconsciously learning about detective work. When our hero accidentally solves part of the case while trying to impress a love interest. It's educational entertainment at its finest - you'll laugh while unconsciously learning about detective work.

Detective Sherdil is a delightful blend of humor and mystery, offering a refreshing twist on the typical crime investigation narrative. The film Detective Sherdil is a delightful blend of humor and mystery, offering a refreshing twist on the typical crime investigation narrative. The film follows an amateur detective whose bumbling yet endearing antics keep the audience entertained. Director Ravi Chhabriya crafts a lighthearted yet engaging story, with standout performances from Sarah Barlondo and Diljit Dosanjh. The screenplay, co-written by Sagar Bajaj and Ali Abbas Zafar, strikes a fine balance between comedy and suspense, making this a must-watch for fans of quirky detective stories. An amateur detective whose bumbling yet endearing antics keep the audience entertained. Director Ravi Chhabriya crafts a lighthearted yet engaging story, with standout performances from Sarah Barlondo and Diljit Dosanjh. The screenplay, co-written by Sagar Bajaj and Ali Abbas Zafar, strikes a fine balance between comedy and suspense, making this a must-watch for fans of quirky detective stories.

Detective Sherdil is like a warm hug for mystery lovers-it's comforting, funny, and just suspenseful enough. Diljit Dosanjh is perfectly cast as the quirky detective, and his chemistry with the ensemble cast is fantastic. The film doesn't rely on Detective Sherdil is like a warm hug for mystery lovers-it's comforting, funny, and just suspenseful enough. Diljit Dosanjh is perfectly cast as the quirky detective, and his chemistry with the ensemble cast is fantastic. The film doesn't rely on shock value; instead, it wins you over with humor and charm. Chunky Panday's cameo is a hilarious highlight, and the overall tone is so upbeat that you can't help but enjoy the ride. A great pick for a lighthearted watch. Value; instead, it wins you over with humor and charm. Chunky Panday's cameo is a hilarious highlight, and the overall tone is so upbeat that you can't help but enjoy the ride. A great pick for a lighthearted watch.

On represents a masterclass in suspense filmmaking, where every element - from the sparse production design to the haunting background score - serves the central mystery. Directors Ajoy Varma Raja and Preksha S. Agarwal demonstrate remarkable control over their craft, using the confined setting of a police station to create unbearable tension. The film's genius lies in its structure: what begins as a straightforward investigation gradually peels back layers to reveal a complex web of moral compromises. Kunwar Pragy Arya delivers a career-defining performance as the lead investigator, his calm demeanor belying a growing obsession with the case. The interrogation scenes achieve a rare authenticity, avoiding Hollywood-style theatrics for something far more unsettling in its realism. Particularly impressive is how the directors balance multiple timelines without confusing the audience, using subtle visual cues to orient viewers. This isn't just entertainment - it's a clinic in precision filmmaking.