Medellín: Chaoten gegen Kartell

This was so boring. Overplayed topic of drugs in Colombia. Very inaccurate, Medellin is not a short drive away from the beach lol, it's very locked in-land up in the Andes.

Bringing Mike Tyson and Tuco Salamanca as the fail-safe of the movie was more Fail than anything, the second plays a Colombian druglord and can barely speak spanish correctly.

Also, the chase scenes were like okay but felt shorthanded. Looked like they were about to save the movie but ended disappointing. Acting was also terrible, characters were poorly developed and seemed too unrealistic.

Overplayed, overexcited, too bad to watch.

The movie is really bad.

There are several scenes that don't make sense, and we realize that the characters are making mistakes on purpose just to try to be funny.

The characters stand in the middle of a hail of gunfire and no one hits them. The head of the gang manages to be violent with everyone, except the protagonists. It looks silly in front of the protagonists, who suddenly manage to learn to fight, handle weapons, and even fly helicopters.

And to complete, in the end, after the film has tried to make fun the whole film, they put an unnecessary tragedy just to try to make drama. They reserved only about 10 minutes of the film to conclude the whole story and everything was rushed and without rhythm. Not to mention the police character, who was very poorly used in the story.

I could spend hours talking about this movie.

Bad, bad, bad and bad. By the way, bad!

"Medellín" sets out to be a fun action-comedy but stumbles under the weight of a weak plot and lackluster humor. The film follows a group of characters navigating the chaotic streets of Medellín, Colombia, where action-packed sequences and comedic moments are meant to intersect. While the film has moments of charm, it never fully captures the tone or energy it strives for.

The action scenes, though frequent, lack the excitement or cleverness seen in better films of the genre. Instead of thrilling the audience, they feel repetitive and fail to bring anything fresh to the table. The comedy, meanwhile, is often forced, relying too heavily on slapstick humor and tired stereotypes that fail to land. The cast, while capable, doesn't quite mesh together as well as it should. The performances feel disjointed, with some characters coming across as one-dimensional, leaving little room for meaningful connections or development. "Medellín's" attempt to blend high-octane action with comedy ultimately misses the mark. While the setting offers potential for a unique atmosphere, the film's predictable plot and lack of strong comedic timing make it an underwhelming experience.

Absurd movie. Only people as obtuse as the Pablo wannabe would enjoy it.

This boasts an absurd premise and Spanish speaking actors who can't speak Spanish without an American accent, let alone a Colombian accent. I'm looking at you Diablo, but this applies to every other actor who wasn't an extra.

Geographically inaccurate. The only near by town with a large body of water is a lake. Please explain how you got a shark there.

While we're at it: a hotel in the Comuna 13? Really???

The car under the semi scene, must have been the tallest semi, prime for rolling over in the tight hairpin turns of the roads between the mayor cities of Colombia, paired with lowest car in the history of the country: prime for getting stuck in potholes or at the foot of the myriad of hills within the city.

Need I go on? I always finish a movie, but my time is far too valuable for this one. I just couldn't.

Franck Gastambide applies the same recipe as his three previous films. But with this film, the result is less successful. Perhaps because certain ingredients are missing: the equivalent of Medi Sadoun's character in Les Kaïra (2012) or Malik Bentalha's in Pattaya (2016) or Taxi 5. Here, he is replaced by the character played by Ramzy Bedia, already present in the two aforementioned films. But it doesn't work, because he's not a source of humor.

This is also due to the subject matter, the drug cartels in Colombia. It's a less interesting subject, as it's been dealt with many times before, and much more brilliantly. A poor choice, then. And that's despite some nice ingredients: Mike Tyson as a trainer or the romantic attribute (Essined Aponte).

Otherwise, Franck Gastambide's talents are still there: a character with logorrheic dialogue, a mix of situational comedy and action sequences that are meant to be, and are, breathtaking, and the dwarf (Anouar Toubali) who brings his variations, much less well integrated here than in Les Kaira or Pattaya. In short, the recipe doesn't work here.