Hat eine wilde Truppe junger Komiker und Autoren das Fernsehen für immer verändert.Hat eine wilde Truppe junger Komiker und Autoren das Fernsehen für immer verändert.Hat eine wilde Truppe junger Komiker und Autoren das Fernsehen für immer verändert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 10 Gewinne & 43 Nominierungen insgesamt
Colby James West
- Radio Announcer
- (as Colby West)
- …
Peter E Dawson
- Elevator Attendant
- (as Peter Dawson)
Zusammenfassung
Reviewers say 'Saturday Night' captures the chaotic energy of 'Saturday Night Live's' first episode. The ensemble cast is praised, and the real-time format and 70s aesthetic are effective, though some find it overly chaotic and humorless. Historical accuracy and character portrayals receive mixed feedback. Despite this, the film is valued for its nostalgia and strong performances.
Empfohlene Bewertungen
As someone who grew up with Saturday Night Live (SNL) on in the background most Saturday nights, thanks to my parents, it's no surprise I've developed a deep affection for the show. Over the years, the format and talent involved just kept improving. While I'm part of the era with names like Seth Meyers, Jimmy Fallon, and Tina Fey, I've always looked back on classic episodes with fondness. There are sketches from decades past that I still revisit because they're just that iconic. Naturally, all of this made me curious about the film Saturday Night, now in theaters. And if you're a fan of the show, particularly those old enough to have experienced the original cast in the 1970s, here's why you should definitely check this one out.
Most people see Saturday Night Live as a lighthearted, easy watch, a way to get a few laughs late at night. But what many don't realize is how chaotic and stressful it was to actually get the show on air, especially in the early days. The film dives into the behind-the-scenes madness leading up to the premiere episode on October 11th, 1975. Ninety minutes before going live, the set was still unfinished, people were being fired, mistakes were being made left and right. It was a whirlwind of confusion and stress, and the film places you right in the middle of it. From the moment you're thrown onto the set, there's an undeniable energy as everyone scrambles to get things ready. It's a thrilling ride without a single dull moment.
Directed by Jason Reitman, Saturday Night feels like his best work since 2009's Up in the Air. His direction injects the film with a kinetic, almost frantic energy, perfectly capturing the chaos of a live production on the verge of collapse. The cast delivers outstanding performances, each of them embracing the high-octane tone Reitman clearly set. Dylan O'Brien nails his portrayal of Dan Aykroyd, Cory Michael Smith captures the essence of Chevy Chase, and Nicholas Braun impressively balances two distinct characters throughout the film. However, the standout by far is Gabriel LaBelle as Lorne Michaels, the mastermind behind it all. LaBelle, who was solid in Spielberg's The Fabelmans, truly shines here, delivering a breakout performance that anchors the entire film. His portrayal of Michaels is captivating, he shoulders the film almost entirely, with only a few scenes where he's not the focal point.
Now, while Saturday Night excels in capturing the essence of its characters and infusing humour to keep audiences laughing, it does have one notable flaw: it stretches the believability of how all of this could have unfolded in just 90 minutes. Though the film isn't meant to showcase sketches from SNL itself, I couldn't help but feel that the story ends a bit abruptly. I expected the conclusion, but still, it felt like a few more beats could've been hit before the credits rolled. That feeling of "is that it?" holds the film back slightly for me.
In the end, Saturday Night isn't a masterpiece, but it's an energetic, fun film that captures the frantic spirit of creating live television. It made me laugh a lot, and the energy was infectious. Despite its imperfections, I had a great time watching it.
Most people see Saturday Night Live as a lighthearted, easy watch, a way to get a few laughs late at night. But what many don't realize is how chaotic and stressful it was to actually get the show on air, especially in the early days. The film dives into the behind-the-scenes madness leading up to the premiere episode on October 11th, 1975. Ninety minutes before going live, the set was still unfinished, people were being fired, mistakes were being made left and right. It was a whirlwind of confusion and stress, and the film places you right in the middle of it. From the moment you're thrown onto the set, there's an undeniable energy as everyone scrambles to get things ready. It's a thrilling ride without a single dull moment.
Directed by Jason Reitman, Saturday Night feels like his best work since 2009's Up in the Air. His direction injects the film with a kinetic, almost frantic energy, perfectly capturing the chaos of a live production on the verge of collapse. The cast delivers outstanding performances, each of them embracing the high-octane tone Reitman clearly set. Dylan O'Brien nails his portrayal of Dan Aykroyd, Cory Michael Smith captures the essence of Chevy Chase, and Nicholas Braun impressively balances two distinct characters throughout the film. However, the standout by far is Gabriel LaBelle as Lorne Michaels, the mastermind behind it all. LaBelle, who was solid in Spielberg's The Fabelmans, truly shines here, delivering a breakout performance that anchors the entire film. His portrayal of Michaels is captivating, he shoulders the film almost entirely, with only a few scenes where he's not the focal point.
Now, while Saturday Night excels in capturing the essence of its characters and infusing humour to keep audiences laughing, it does have one notable flaw: it stretches the believability of how all of this could have unfolded in just 90 minutes. Though the film isn't meant to showcase sketches from SNL itself, I couldn't help but feel that the story ends a bit abruptly. I expected the conclusion, but still, it felt like a few more beats could've been hit before the credits rolled. That feeling of "is that it?" holds the film back slightly for me.
In the end, Saturday Night isn't a masterpiece, but it's an energetic, fun film that captures the frantic spirit of creating live television. It made me laugh a lot, and the energy was infectious. Despite its imperfections, I had a great time watching it.
This is the hardest review ever for myself because I don't completely know how to feel about this film. If you didn't grow up watching SNL or know nothing about the OG cast or how SNL was started you're going to be incredibly confused, lost and bored. I think that's the issue I have with this movie is you have to essentially know who everyone is from the beginning of SNL. Tons of name dropping and names and no back stories, if you go in wanting to watch a movie that will explain it to you... this isn't it and you will most likely walk out. So it really puts the category of viewers quite small. I grew up watching SNL (but in the Sandler, Farley, Spade, Farrell era). If it wasn't for my dad being obsessed with older beginning SNL and always having it on I would have hated this. My husband grew up on MadTV and even though some big names like Belushi, Chevy chase, Dan Aykroyd from movies growing up he had no clue who anyone else was. We had to come home and watch the first episode and I had to explain a ton of things he wasn't picking up on. Like the relationship with Lorne and his wife and the connection with Aykroyd there. Most people wouldn't have a clue though.
I will say the casting is INCREDIBLE, I did laugh at some parts although I think it had potential to be a bit funnier. It's not wildly inaccurate at all like some people say. Most of the things were true just some didn't happen THAT night.
The actors did absolutely amazing, and the 70s vibe and filming style was great. It really felt like you were immersed. I did feel a bit stressed out, I don't even drink and I left thinking "I need a drink, I feel like I just had an exhausting day at work".
I do recommend watching the very first episode ever prior to going if you haven't seen it in awhile. They absolutely nail some scenes it's uncanny.
Sadly I think this movie will bomb, but they really did a poor job making it watchable for anyone who is now considered "boomer" age or close to. Many people in that category no longer are watching movies in theaters much, passed away or are now stuck in their Jesus ways they'll be offended at things they probably weren't in 1975. Obviously some people in that category will love it but I would guess that may be far and few between.
You might enjoy it if you also do research on the beginning of SNL first and know what they all looked like but that's a lot of work to ask of viewers.
I don't recommend seeing it in theaters if you even think you might be lost, you will be. I honestly think even myself if I watched it from home I would have got distracted. My husband and I were the only ones in the theatre not a single other person and I caught him scrolling on his phone a couple times. I have never seen him do that in a movie before so I know he was bored.
So idk I give it 10/10 for casting and acting and doing great capturing the era. 7/10 because I'm one of the few people under the age of 50 who knew the history. But if I was a regular person just watching a movie for fun I would have given it a 2/10.
I will say the casting is INCREDIBLE, I did laugh at some parts although I think it had potential to be a bit funnier. It's not wildly inaccurate at all like some people say. Most of the things were true just some didn't happen THAT night.
The actors did absolutely amazing, and the 70s vibe and filming style was great. It really felt like you were immersed. I did feel a bit stressed out, I don't even drink and I left thinking "I need a drink, I feel like I just had an exhausting day at work".
I do recommend watching the very first episode ever prior to going if you haven't seen it in awhile. They absolutely nail some scenes it's uncanny.
Sadly I think this movie will bomb, but they really did a poor job making it watchable for anyone who is now considered "boomer" age or close to. Many people in that category no longer are watching movies in theaters much, passed away or are now stuck in their Jesus ways they'll be offended at things they probably weren't in 1975. Obviously some people in that category will love it but I would guess that may be far and few between.
You might enjoy it if you also do research on the beginning of SNL first and know what they all looked like but that's a lot of work to ask of viewers.
I don't recommend seeing it in theaters if you even think you might be lost, you will be. I honestly think even myself if I watched it from home I would have got distracted. My husband and I were the only ones in the theatre not a single other person and I caught him scrolling on his phone a couple times. I have never seen him do that in a movie before so I know he was bored.
So idk I give it 10/10 for casting and acting and doing great capturing the era. 7/10 because I'm one of the few people under the age of 50 who knew the history. But if I was a regular person just watching a movie for fun I would have given it a 2/10.
I enjoyed Saturday Night, but not as much as I hoped. It was a little repetitive that Lorne Michaels was having so many problems on the show. There were good laughs and convincing performances of all the main characters/actors we watched, but there could've been a little more to it then the final 2 hours or so before the show aired it's first episode. I would've liked to know where Lorne Michaels had the idea of Saturday Night Live and what he produced before. It was mostly entertaining with good laughs, but kind of claustrophobic being in a sound stage almost always with a few scenes outdoors.
Elton John may have sung that "Saturday night's alright for fighting," but it turns out it's even better for comedy-at least that seems to be part of the thinking behind the creation of Saturday Night Live. Though, let's be honest, that was low on the list of reasons.
This film about the very first episode of SNL might not be the most accurate depiction of history, but it sure knows how to entertain. Despite featuring paper-thin characters, ludicrous moments (seriously, no comedy writer gets hired five minutes before a show starts-I'm calling BS on that), and yes, even a cameo involving Milton Berle's penis (Not joking), it somehow manages to pull it all off.
Uh, that is pull the movie off, not Milton.
This film about the very first episode of SNL might not be the most accurate depiction of history, but it sure knows how to entertain. Despite featuring paper-thin characters, ludicrous moments (seriously, no comedy writer gets hired five minutes before a show starts-I'm calling BS on that), and yes, even a cameo involving Milton Berle's penis (Not joking), it somehow manages to pull it all off.
Uh, that is pull the movie off, not Milton.
I expected to really enjoy 'Saturday Night'. I was hoping for a fast-paced and hilarious look at a historic night. They got the fast-paced bit down (perhaps even a little too fast-paced for its own good at times) but the hilarity never came. Instead the movie came across quite unpleasant, with forced drama for the most part.
There are a lot of characters in this movie and very few of them are interesting to watch. 1975 was far too long ago for most of us to know who these people are, but it seems like the movie just assumes that we will. And because of the structure there isn't much, if any, time to set up and develop the characters. So we are just told, here's a person who was there that night, enjoy their screen-time. I will say the scenes with Chevy Chase were interesting, but that probably worked for me because I know who he is and am a big fan.
I felt like there was so much potential for comedy and witty dialogue and yet it just never came. A funny situation would arise with a character taking drugs that were too powerful for them, but the movie was in such a hurry to get to the next scene that it couldn't breathe and become a memorable scene.
This probably sounds like a very negative review, and it is, but it's more negativity aimed at what this film could've and should've been, as opposed to the general quality of the film. It isn't a bad film, but it should have been so much more. 6/10.
There are a lot of characters in this movie and very few of them are interesting to watch. 1975 was far too long ago for most of us to know who these people are, but it seems like the movie just assumes that we will. And because of the structure there isn't much, if any, time to set up and develop the characters. So we are just told, here's a person who was there that night, enjoy their screen-time. I will say the scenes with Chevy Chase were interesting, but that probably worked for me because I know who he is and am a big fan.
I felt like there was so much potential for comedy and witty dialogue and yet it just never came. A funny situation would arise with a character taking drugs that were too powerful for them, but the movie was in such a hurry to get to the next scene that it couldn't breathe and become a memorable scene.
This probably sounds like a very negative review, and it is, but it's more negativity aimed at what this film could've and should've been, as opposed to the general quality of the film. It isn't a bad film, but it should have been so much more. 6/10.
Who Plays Who in 'Saturday Night'?
Who Plays Who in 'Saturday Night'?
Matt Wood stars as John Belushi in Saturday Night, check out the rest of the cast and their real-life counterparts.
Wusstest du schon
- WissenswertesAn obnoxious stagehand tells art director Akira Yoshimura that he'll be gone in two weeks. As of the movie's release in 2024, he is the only person who has been with the show for the entirety of its run.
- PatzerThroughout, there's the discussion of whether or not Lorne Michaels's wife, Rosie, will be credited with her last name as Shuster or Michaels. In the film, she chooses Shuster, but in the actual episode of "Saturday Night Live", she is credited as Rosie Michaels.
- Zitate
Jim Henson: The writers on the seventeenth floor tied a belt around Big Bird's neck and hung him from my dressing room door.
Michael O'Donoghue: Hey, Jim! I heard about Big Bird. So sorry. Auto-erotic asphyxiation, who knew?
- Crazy CreditsThe movie opens with a quote of Lorne Michaels: "The show doesn't go on because it's ready; it goes on because it's 11:30."
- VerbindungenFeatured in Eddie Murphy, Hollywoods schwarzer König (2023)
- SoundtracksIt's You
Written by Brian Thomas Curtin
Performed by United Sonic Alliance
Courtesy of Crucial Music Corporation
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.511.315 $
- Eröffnungswochenende in den USA und in Kanada
- 270.487 $
- 29. Sept. 2024
- Weltweiter Bruttoertrag
- 10.055.029 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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