Jung & Schön

I really liked Ozon's last film (Dans la maison), but this one was a disappointment for me. It's hard not to see this story as a bunch of first world problems. But at its core, there are several good ideas and stories - and none of them gets the spotlight. The director goes from one subplot to the other, without really developing the characters, and seemingly has no idea what to do with this story. (And this makes the ending even worse.) But time to time, some settings or the actors' performance can tell us more than a thousand words.

Anyway, it's a thoughtful and basically a good movie, but it's too unfocused, unbalanced to go anywhere. If you haven't seen Dans la maison from Ozon, I'd recommend that one instead.

This film tells the story of a teenage middle class girl who explores her sexuality by becoming a prostitute.

"Young and Beautiful" shows a lot of skin, but little of the mind. I mean this in a good way though, because it keeps Isabelle's life choices mysterious. When it does show Isabelle's mind (in the scene where she talks to the psychologist), she opens up and shows her true emotions that have been suppressed. Isabelle's short confession is enough to provoke much thought, and makes the film more sophisticated. It's just like the scene towards the end, when she switches on her phone, her brief facial expression is already telling us a lot.

The plot is not as tight or thrilling as Ozon's previous film "In the House", but it is still enjoyable as it lingers my mind after watching it.

Jeune & Jolie (also known as Young & Beautiful) is the story of a 17-year old girl named Isabelle who after losing her virginity, the experience of which leaves her cold, starts living a double life as a call girl under the alias Lea, which in her opinion is a win-win situation as it allows her to explore her sexuality while being paid for it. But when one of her clients dies due to heart attack during an encounter, she leaves & quits prostitution but is later tracked down by the police who reveals Isabelle's double life to her parents.

I don't really know what to make of this film. The filmmaker's intention is not as clear as it should be nor clear is the motives of its characters plus the subplots are very fragmented & scattered all over the place. The characters are rather uninteresting & Isabelle clearly is a confused teenager who's not aware of the consequences of the path she has chosen. Yet, Marine Vacth gives her all to deliver a sensual performance that could've been much rewarding if the character was more fleshed out in the script.

Cinematography, however, exquisitely captures the beautiful location this film is shot at & the quote "once a whore, always a whore" is strongly implied but the drama remains stale as a whole. On an overall scale, Jeune & Jolie is that cinema which had the opportunity to become something truly intriguing & rewarding at the same time but apart from the plethora of sex scenes it offers from start to finish, it lacks everything a cinema needs to stimulate its audience.

This film is incredibly slow and apathetic, but that's the beauty of it. Isabelle (Marine Vacth), a girl with a stable family who finds herself in a stable environment, is a strange creature. From what I've noticed, she only had a real connection with two people: her little brother and Alice (Charlotte Rampling). She decides to become a prostitute, even though she didn't need the money and could've had sex with any young guy, and her reasons to start doing such a thing aren't clear. François Ozon directed a film with a lot of million dollar questions.

From my personal perspective, she did it for the taste and the thrill provided by the sense of being independent, of doing something dangerous and morally wrong. Even though she felt somewhat disgusted and guilty for having sex with strange men, she kept doing it to, somehow, prove herself that she didn't need anyone's approval to do what she wanted to do - in this case, a dangerous and morally wrong thing. She probably didn't plan to tell anyone, but her family found out in a bad way. I see her as a rebel hearted girl who feels trapped in a cage (in her case, her mother, society, morality, a nice and stable life) and who's holding back her feelings because, if she let them out, they might be too overwhelming - that's why she so apathetic all the time. Or maybe she just couldn't care less about anyone because life is boring and we're gonna die.

I enjoyed the film. I enjoyed the photography, the scenarios, the actors, the language, etc. It's not an exciting production, though. It's the perfect movie to watch on a rainy Sunday, when there's nothing else to do.

Young & Beautiful is one of François Ozon's few completely serious movies, without even the gentle humor of In the House. This will appeal more to fans of Time to Leave or Under the Sand than to fans of 8 Women, for example - unless you love every movie he's ever made, as I do.

This is the marvelously well written, directed, photographed and acted story of a beautiful girl named Isabelle, from a prosperous and loving middle-class family, who turns 17 during the course of the movie. She and her younger brother Victor are best friends.

She has a strong sex drive but quickly discovers that she doesn't really enjoy the act itself. Her body insists on doing it, and she's in high demand because of her extraordinary beauty, so she goes online and turns it into a part-time job on weekdays after school. She does it more to channel her frighteningly strong drive into something productive than for the money - which seems to me like a remarkably intelligent and sensible decision for a 17-year-old. No one has any idea that she's doing it, even Victor.

Everything goes well until the police investigation of a sudden but natural death involves her, and the cops tell her mother. Since she's a minor, she's legally a victim, not a criminal, but the proverbial stuff hits the fan anyway.

Besides Ozon's brilliance and skill, which are remarkably consistent across the wide range of genres he experiments with, this movie is extraordinary for three wonderful performances. First is Marine Vacth as Isabelle. It's rare and delightful when a great beauty turns out to be greatly talented as well.

Second is Fantin Ravat as her little brother Victor. Theirs is the strongest, healthiest, most interesting and most gratifying sibling relationship I've ever seen.

Third is Charlotte Rampling as the wife of one of Isabelle's clients. The scene between her and Vacth is like a cinematic jewel, full of beauty and magic. Those two powerful women and Ozon raise an already very good movie into the heavens. Fantastic.