Black Cab

If you're in the mood for a horror film that can't quite decide if it wants to terrify you with supernatural spooks or send a chill down your spine with a serial killer's knife, then "Black Cab" might just be your ride. Unfortunately, the film is a bit like a taxi that keeps circling the block without ever quite reaching its destination.

The plot centers around Anne (Synnøve Karlsen) and Patrick (Luke Norris), an estranged couple who, during a night out, find themselves at the mercy of a seemingly genial cab driver played by Nick Frost. As the evening takes an unnerving turn, the couple realizes they've been abducted and trapped on a remote, haunted road where the lines between the driver's dark motives and supernatural elements blur. What follows is a mix of psychological tension and paranormal confusion that leaves both the characters and audience guessing.

Frost's portrayal of the cab driver is one of the movie's biggest draws. Fans of his unique blend of humor and menace will appreciate his commitment to the role. He brings his usual wit while trying to wrap it in dread that spices up the film's first half, though his character never quite reaches its full potential. Despite Frost's best efforts, the script holds him back from transcending into the truly chilling villain the story needs. His performance wavers between sinister charm and overplayed ambiguity, resulting in a character that feels like a missed opportunity for horror greatness.

Goggins' direction is atmospheric, particularly in the way he captures the claustrophobic, isolated road setting, utilizing fog-drenched landscapes and eerie silences to ramp up suspense. However, this careful crafting is somewhat undercut by a plot that cannot decide whether it wants to be a paranormal ghost story or a gritty tale of abduction and human depravity. The film oscillates between these two horror subgenres without committing to either, leaving viewers with a sense of narrative whiplash.

The pacing suffers as a result, with the first half filled with promise and taut, well-measured suspense, while the second half devolves into a somewhat chaotic scramble of revelations that don't fully deliver. I found myself nodding off at times, because there is just a lot of driving down a dark road throughout the film.

In the end, "Black Cab" is a film that will intrigue those who enjoy layered suspense and are fans of Nick Frost's distinctive approach to dark roles. Certainly an ok one time watch.

When I sat down to watch the 2024 movie "Black Cab", I had never heard about it. But it being a horror and/or thriller movie that i hadn't already seen, much less ever heard about, of course I opted to sit down and watch it. I am a huge fan of all things horror, after all.

Writer Virginia Gilbert put together a fair enough script. However, I must admit that somewhere past the mid-point of the narrative, I was starting to zone out, because there just wasn't much of any thrilling pacing to the narrative. It felt like a rather monotonous droning. Sure, I made it through the movie, but what started out pretty fair sort of turned to a monotonous mush.

The acting performances in the movie were good. I was only familiar with Nick Frost and Synnøve Karlsen.

"Black Cab" had adequate special effects, though it was not a movie that made use of an abundance of special effects though.

If you enjoy supernatural thrillers, then you might want to check out "Black Cab", as you might just find it to be enjoyable.

My rating of director Bruce Goodison's 2024 movie "Black Cab" lands on a four out of ten stars.

British indie horror can sometimes be a bit hit and miss. This one is fairly middle of the road.

Nick Frost plays his part well. Equal parts troubled, scared, creepy and even endearing. He steals the show for me although Synnove Karlsen puts in a decent turn.

The movie plays on classic haunted highway ghost stories and has some creepy moments. Theres an interesting angle about how vulnerable we really are in a cab driven by someone we know nothing about but that isn't really the purpose of the story, although the depth in Frost's performance did make me think.

Shot in the dark and taking place in a single night with a significant proportion inside a London cab, there's some good use of light. A couple of jump scares and some creepy exposition delivered nicely by Frost give the film just enough atmosphere to keep you engaged.

My favourite part was the ending which is a little ambiguous and probably open to some interpretation.

Overall though I thought it was pretty average fare.

I'm going to have to make this a fast review. I just watched this film and it actually knocked me out. I don't even understand how or if it really ended. I don't understand what happened 2 the main character. What a piece of garbage. I'm really disappointed. I've never seen Nick frost in something so awful!

I thought black fun was awful. This was just as bad. I guess it's got something to do with the name maybe?

Anyway, once again, i'm really disappointed in this film, and I advise you to not waste your time. If you're looking for a good watch, this ain't it.

I'm just now adding this little blurb because it's telling me my review is too short and I can't can't honestly think of anything else to say so blah blah blah.

Semi-creepy, semi-interesting with horrible flow and logic, insipid acting, minuscule gore, below-average psychological ghost impact, nothing to say on it besides it makes you sleep like tiny dosage of propofol. British indie horror that's slightly below-average, phlegmatically underachieved and never should have been produced. That black cab should have eaten the driver whole up.

• Screenplay/storyline/plots: 3
• Production value/impact: 4.5
• Development: 5.5
• Realism: 4.5
• Entertainment: 1.5
• Acting: 6
• Filming/photography/cinematography: 6
• VFX: 7.5
• Music/score/sound: 4.5
• Depth: 2
• Logic: 1
• Flow: 2
• Horror/thriller/drama: 3
• Ending: 1.