Metacritic-Rezensionen

Part of the power of Small Things Like These lies in its Trojan horse nature. This is a political allegory disguised as a character study, a reflection on national guilt and moral complicity, wrapped inside the experiences of one man, in one small town, standing in for the whole of Ireland, and possibly the world.

It’s subtle but resonant, intimate but emotionally expansive and at every step crisply unsentimental.

With notable patience, Mielants (who directed Murphy in six episodes of Peaky Blinders) allows the darkness to gradually seep in.

Small Things Like Things is a modest gem.

Murphy’s performance, Tim Mielants’s controlled direction and subtle emotional heft combine to make this low-key adaption of Claire Keegan’s Booker-nominated 2021 novella very much a proposition to be reckoned with.

It’s Murphy’s exquisitely pained performance, unclenching by fine degrees into something like grace, that gives Small Things Like These its eventual, fist-in-the-gut power, even as the film evades melodramatic confrontation to the last, ending elegantly at a point where many other stories might choose to begin.

It’s a profound performance by Murphy – perhaps even more so in fewer words than Oppenheimer – as Bill’s anger burns with tragic urgency.

Keegan chose a man of few words to make his stand, and Murphy, very much the man of the moment, steps up to play him with a heroic understatement that could move mountains.

It is an absorbing, committed drama.

Its rich tone of regret, guilt and unspoken malice comes across in careful direction from Tim Mielants, Frank van den Eeden’s shadowy cinematography and subtle, measured performances across the board.