Die Serie spielt in den 1960er Jahren und folgt Endeavour Morse in seinen frühen Jahren als Polizeibeamter. Zusammen mit seinem Senior Partner DI Fred Thursday führt Morse eine Reihe von Erm... Alles lesenDie Serie spielt in den 1960er Jahren und folgt Endeavour Morse in seinen frühen Jahren als Polizeibeamter. Zusammen mit seinem Senior Partner DI Fred Thursday führt Morse eine Reihe von Ermittlungen in Oxford durch.Die Serie spielt in den 1960er Jahren und folgt Endeavour Morse in seinen frühen Jahren als Polizeibeamter. Zusammen mit seinem Senior Partner DI Fred Thursday führt Morse eine Reihe von Ermittlungen in Oxford durch.
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Zusammenfassung
Reviewers say 'Endeavour' is lauded for its strong performances, especially Shaun Evans and Roger Allam, and its detailed period setting. The series is appreciated for its accurate costumes, historical context, and intricate storylines. Character development is highlighted, though some note inconsistencies compared to the original 'Inspector Morse'. Later seasons receive mixed reviews, with critiques about engagement and political themes. Overall, 'Endeavour' is considered a valuable addition to the Morse universe, attracting both admirers and detractors.
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In my opinion they are the best English series ever! Absolutely great story lines, great actors... The Pilot episode is just wonderful.
I have already seen both series 1 & 2 and cannot wait for series 3. You can watch each episode separately without following the order of episodes.
I recommend it to those who love English series and not just those... also who ever likes a good thriller!
It's very difficult to figure out who is the killer and that's what I like about those series too.
Those series give you some explanations to Inspector Morse and his behavior.
I have already seen both series 1 & 2 and cannot wait for series 3. You can watch each episode separately without following the order of episodes.
I recommend it to those who love English series and not just those... also who ever likes a good thriller!
It's very difficult to figure out who is the killer and that's what I like about those series too.
Those series give you some explanations to Inspector Morse and his behavior.
High quality television, with its strength being the re-creation of the 1960s, but with 2010s cinematic advances. The main characters are interesting and well-acted, although if you are a steady mystery viewer, you will figure out the ending very soon, which does take away from the suspense.
Sean Evans presents the shy, taciturn Morse in his younger days as a detective. He is fetching and keeps his own counsel as to personal matters, and we can see him developing into the ascerbic, driven chief detective we've come to love and respect. Colin Dexter's brill writing launches us here in ENDEAVOR into a seamless transformation into the mature Morse with promise of excellent episodes to come. I'd like to see more of the young Morse and hope this is only one segment of what will surely be a superior backstory for the series. Beautifully written and paced, ENDEAVOR presents a cast of appealing faces and splendidly low key criminal pursuits. Highly recommended. I loved it, am clamoring for more.
Sean Evans presents the shy, taciturn Morse in his younger days as a detective. He is fetching and keeps his own counsel as to personal matters, and we can see him developing into the ascerbic, driven chief detective we've come to love and respect. Colin Dexter's brill writing launches us here in ENDEAVOR into a seamless transformation into the mature Morse with promise of excellent episodes to come. I'd like to see more of the young Morse and hope this is only one segment of what will surely be a superior backstory for the series. Beautifully written and paced, ENDEAVOR presents a cast of appealing faces and splendidly low key criminal pursuits. Highly recommended. I loved it, am clamoring for more.
After the surprisingly well handled one-off prequel, Shaun Evans is back as the young detective Endeavour Morse. Just like the original series with John Thaw, its success hinges on the charisma and personality of the lead character. Here Evans excels and carries the whole thing off handsomely. His performance portrays obvious knowledge and classical moral values but also an eager curiosity, drive and a naive humility which reminds us throughout this episode that he is a new recruit of sorts. The only issue I could find to quibble with is the almost Sherlockian mythology that has been added. In the original he was a knowledgeable and sharp police detective whereas here he is very much the deductive crime-fighter. As a Conan Doyle fan I do approve a little of the mythologizing but it needs to keep its roots with the original and down to earth.
I deeply love Morse's series, and I deeply love Lewis sequel, each in its own different way. They are two extraordinary detective shows, which I strongly recommend.
So I gave Endeavour a try, both with curiosity and with fear that the experience would ruin my memories of the two shows I liked so much.
Also, Shaun Evans is physically very different from John Thaw, so this made me cringe even before the start.
Having said this, I fell for it from the very first episode.
I was surprised to find out that Shaun Evans is a terrific actor, who plays an entirely credible Morse, if not physically, in a seamless psychological continuity which makes you feel the smooth way in which this young Morse would become the older Morse 20 years later, the incipient causticity, the noticeable anger, the budding low-key self-confidence--- This is very skillfully done in the prequel.
Both Thaw and Evans play the magic of giving a sexy twist to an unsexy character, without flashing the sexy card or even circumventing all attempts to look hot.
Allum plays a marvelous D.C. Thursday and the interaction between them, mentor-pupil, is instrumental to explain how this young Morse ends up being that later Morse.
The 60's atmosphere is a plus in the show, very well portrayed and recreated. I'd say that the linking common trait between Morse, Endeavour and Lewis is, yes, their tremendous atmospheric virtue which sets you right on «in that particular place in that particular time».
If you like detective stories, you will not be disappointed at all, and even if you are not a Morse or Lewis fan, you will find this show entertaining, alluring and deeply satisfactory by its own right.
So I gave Endeavour a try, both with curiosity and with fear that the experience would ruin my memories of the two shows I liked so much.
Also, Shaun Evans is physically very different from John Thaw, so this made me cringe even before the start.
Having said this, I fell for it from the very first episode.
I was surprised to find out that Shaun Evans is a terrific actor, who plays an entirely credible Morse, if not physically, in a seamless psychological continuity which makes you feel the smooth way in which this young Morse would become the older Morse 20 years later, the incipient causticity, the noticeable anger, the budding low-key self-confidence--- This is very skillfully done in the prequel.
Both Thaw and Evans play the magic of giving a sexy twist to an unsexy character, without flashing the sexy card or even circumventing all attempts to look hot.
Allum plays a marvelous D.C. Thursday and the interaction between them, mentor-pupil, is instrumental to explain how this young Morse ends up being that later Morse.
The 60's atmosphere is a plus in the show, very well portrayed and recreated. I'd say that the linking common trait between Morse, Endeavour and Lewis is, yes, their tremendous atmospheric virtue which sets you right on «in that particular place in that particular time».
If you like detective stories, you will not be disappointed at all, and even if you are not a Morse or Lewis fan, you will find this show entertaining, alluring and deeply satisfactory by its own right.
Love this drama. Like the whole idea of a young Morse. Endeavour certainly has his detractors which have the scope to needle him because he is so junior. I suppose this is why he is so grumpy when he is older - getting his own back as it were. So plenty here to allow viewers to hark back to the original drama but also a huge amount of good coming from the new actors. From the use of typewriters to seeing lots of letters. A lack of overt violence, sex and swearing plus excellent story lines. What more can we ask?
It's quite possible to marry the indelible Sixties period to that charming music. Roger Allam is excellent at Fred Thursday and Shaun Evans puts a lot of effort into the young Morse. Anton Lesser as chief superintendent Bright is a prig
It's quite possible to marry the indelible Sixties period to that charming music. Roger Allam is excellent at Fred Thursday and Shaun Evans puts a lot of effort into the young Morse. Anton Lesser as chief superintendent Bright is a prig
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- WissenswertesIn the pilot, the character Dorothea Frazil, played by Abigail Thaw, on her first meeting with the young Morse says, "Haven't we met before?" He shakes his head and says no. As he walks away, she gazes warmly at him "...maybe in another life..." She's referring to her personal daughter-father relationship with the older Morse, John Thaw.
- PatzerOn two occasions, in series 4 and/or 5, Morse uses "Mother" over the radio for the letter 'M', instead of "Mike". This is an especially grievous error, as it is frequently stated in this show (as well as the original Inspector Morse (1987)) that Morse served in the army's signals corps. He would know the phonetic alphabet better than most people.
- VerbindungenFeatured in The Crime Thriller Club: Folge #1.6 (2013)
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