IMDb-BEWERTUNG
8,3/10
1919
IHRE BEWERTUNG
Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.Bagus, ein Drehbuchautor, trifft sich wieder mit seiner Highschool-Freundin und Schwarm Hana, die immer noch um den Verlust ihres Mannes trauert.
- Auszeichnungen
- 7 Gewinne & 14 Nominierungen insgesamt
Denisa Chyntiera Innocentia
- Line Producer
- (as Denissa Cynthiara Innocentia)
Empfohlene Bewertungen
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
Such a wonderful film! I am a fan of meta films, and this is a prime example of how it is done. This film perfectly blurs the line between cinema and reality. The protagonist claims that this is a commercial movie, and not an art film. I will remain respectful to his opinion, and add that this is still a work of art.
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
There's no one movie quite like this one. Every scene leaves a lasting impression, despite many of them consisting mostly of conversations. What sets this film apart is its ability to keep you engaged with minimal action, relying on the depth of its dialogue to propel the story forward. The performances are exceptional, with the actors' delivery capturing the essence of their characters so effectively that even a simple exchange becomes captivating.
The film excels in creating tension and emotion from seemingly mundane moments, making every scene feel significant. The dialogues, although seemingly ordinary, are layered with subtext and insight, revealing much more than what's said on the surface. This intricate blend of storytelling makes it impossible to get bored, as every conversation feels like it's contributing something essential to the narrative.
Ultimately, the movie's strength lies in its ability to hold the viewer's attention purely through the power of its writing and performances. It's a perfect example of how a film doesn't need constant action or flashy visuals to be compelling. It's a celebration of meaningful dialogue, character development, and the art of storytelling that sticks with you long after the credits roll.
The film excels in creating tension and emotion from seemingly mundane moments, making every scene feel significant. The dialogues, although seemingly ordinary, are layered with subtext and insight, revealing much more than what's said on the surface. This intricate blend of storytelling makes it impossible to get bored, as every conversation feels like it's contributing something essential to the narrative.
Ultimately, the movie's strength lies in its ability to hold the viewer's attention purely through the power of its writing and performances. It's a perfect example of how a film doesn't need constant action or flashy visuals to be compelling. It's a celebration of meaningful dialogue, character development, and the art of storytelling that sticks with you long after the credits roll.
Real life, Movie, L and Strong character, behind the scene, movie making process, romantic, sadness comedy, creative
The best Indonesian movie i ever seen!!!
Romantic comedy, heart mealting, the unique storyline ever, you could enjoy the storyline, twist between movie making process and real story, the idea of this movie is simple, but the way this movie show the idea will bring you a new experience and insight how to learn about others emotional situation, symphatic with exciting script
Casting in this movie is really great, all character is fit each others and in main character, both of them had love story in another great sequel movie as well
Black and white movie but so colourful in reality.
The best Indonesian movie i ever seen!!!
Romantic comedy, heart mealting, the unique storyline ever, you could enjoy the storyline, twist between movie making process and real story, the idea of this movie is simple, but the way this movie show the idea will bring you a new experience and insight how to learn about others emotional situation, symphatic with exciting script
Casting in this movie is really great, all character is fit each others and in main character, both of them had love story in another great sequel movie as well
Black and white movie but so colourful in reality.
An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
WUSSTEST DU SCHON:
- WissenswertesThe Black & White nature of the movie is NOT a gimmick, but rather a plot device.
- Crazy CreditsBefore film begins, there is a brief trailer for Agak Laen (2024).
- VerbindungenReferences Slumdog Millionär (2008)
- SoundtracksBercinta Lewat Kata
Performed by Donne Maula
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Falling in Love Like in Movies
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Jatuh Cinta Seperti di Film-Film (2023) officially released in India in English?
Antwort