Jilla

Decent Entertainer. Songs were good. Story was nice. Mohanlal acted very well. Simple acting. No over-acting. Family emotions and sentiment also well done. Scene with sister in second half also good. Sampath unexpected villain. Good twist. Seeing poornima jayaram on screen after years was also nice. No overacting by mother and son in drama scenes. Heroine portion could have been better. But melody was nice. Imaan is proving he is boss of melody. Too much fighting, although crowds like it. In fact movie has lot of fights which todays youth love ! which i felt could have been avoided. but to compensate, Parotta suri is very comical. But expected more from thambiramaiah. Overall, nice movie. Can be enjoyed with family.

300 films get released every year in Tamilnadu. And another 300 sleep in the box. With stakes so high, its not surprising to see Vijay playing to the gallery. Ironically, it actually has a good screenplay that plays down its values and lets the stars outshine itself. But, that's precisely why it garnered a record-breaking opening.

Jilla has a backbone of a screenplay, with a few backstories thrown in efficiently. However, the typical hero steals the thunder from it and the crowd pulling elements dominate the depth. Director Neason has it in him to weave in both sentiment and entertainment appropriately. However, south being south, his hero steals all the attention from the story Jilla – Earth shattering Opening.

The off-the-chart expectations stirred by the release of projects of two mega stars lured me in for the first day premiere of "Jilla". Despite encircled by a surreal crowd that screamed "Vijay" at the top of their lungs, I managed to find a tunnel vision with a neutral point of view and am penning this review in the same perspective.

Jilla is the story of the Godson of a Don, who turns into a police officer to aid his godfather, who then does a 180 degree shift opposing him and offers an ultimatum: Change or I will Change you.

The typical essence of a Masala entertainer is sprinkled in vast proportions and hence finds an appeal among the fans. Neutral viewer, like me, will find it hard to sit through several scenes which were deliberately inserted to find whistles rather than aiding the pace of the screenplay.

Over 60 years of combined experience between "Mohanlal" and "Vijay" overshadows almost everyone else on screen. Kajal is just a 3 song dancer with 3 extra scenes none of which feeds her acting appetite. Suri, with his double-meaninged wit, has tried a few gags which in most cases deserve sympathy rather than laughter.

As usual, stunts and songs play spoilsport, since they are logic-less and speed breakers respectively. Suri himself quotes, "Why, unnecessarily, did you stretch a one liner into a song?"

Despite these flaws, the audience will find the movie appealing only because they are able to see the entertainment behind all the aforementioned veils. To give a clear comparison this flick is somewhere between "Thalaiva" and "Thuppaki". Unlike Thalaiva, this is original but unlike Thuppaki this isn't universal.

A little more editing could have sharpened the movie.

An average attempt (5/10).

well lets say, this is another typical vijay movie. its got a similar storyline like his previous movies, save his father, help the poor. its all the same but the movie actually doesn't get you bored at any part, it actually moves you along, there are no stand out scenes in the movie, the movie does a decent job of telling what it wants us to know.

the acting is amazing, vijay brings his likability to screen and mohanlal brings his best out to screen, this time around there is a lot of emotional moments and vijay and mohanlal nail the emotional scenes. the action scenes are exactly what you can expect from a vijay movie, the comedy also is pretty good, though they have double meaning, kajal looks adorable and there is no much importance for her role, she is just there for the sake of having an actress in the movie,something lack in the film but it never pulls you off the experience,this is the movie you can watch once, don't get your expectations high, just sit and get a popcorn

Mohanlal making an appearance was the only motivating factor for me to watch Jilla. And Lalettan under-played subtly. I didn't expect this. But that's exactly why I liked it.

Lalettan could have been given more platform to exhibit his histrionics. But ironically, not exceeding is why the role stands out on its own. There is no hyper-realistic histrionics nor mad-cap mayhem. But there's the ubiquitious punch thrown into satisfy the local audience. Lal is definitely much more than, but sivans boundary stops there and lal becomes sivan and does ample justice by mellowing down.

There's this one shot in a far-off highway, where hes sitting like a King Dethroned, robbed of pride and glory and yet the director didn't subject the scene to melodrama. Instead he let Lalettan shed a …teardrop ! I love Jilla