Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminelle... Alles lesenRaubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
- Bank Manager
- (as Bryan McHale)
Zusammenfassung
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Saw in AMC theater 12-14-2024.
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
I don't have too much to say about this film since it's actually not really stand-out in any way. It's at its best when focused on the life and times of members in The Order and fleshing out this world of the rural pacific northwest. Nicholas Hoult is having a hell of a year and this is another great performance to add to the resume for the year. Everyone is was just okay performance-wise but there has to be some blame on the writers for leaning so deeply into the hard-boiled detective tropes. Sometimes the FBI officers just act way too-cool-for-school and it shows some laziness on the writers' part. A nice foil to that is Jamie (Tye Sheridan) who does a fantastically accurate impression of a small town cop. I'll be a defector and say that I actually enjoyed the action sequences, and I like that details within action plot points have actual effect later in the story. I'm getting a lot of No Country For Old Men influence, and that's a good thing.
The film has a really good handle on itself with a steady mix of tension building and discovery until the third act in which themes muddy significantly. There was some kind of two-sides-of-the-same-coin subtheme being attempted in the end between Terry and Bob that didn't really work for me, and cops suddenly lose all the discipline they had earlier in the film to do action hero things. There is a whole lot of world building in the film that adds to the whole rural aesthetic but I wonder if it contributed to its slow pacing. The film certainly felt long for a less than 2 hour movie.
Enjoyable crime thriller with some salient themes of racism and uprising to think about.
The performances are often excellent, though I feel that Jude Law (sometimes) and Jurnee Smollett (all the time) overplay their roles quite a bit. To be fair with them, it definitely doesn't help that we're given very little to understand who the protagonists really are or why they behave the way they do. I'm sure in a book, all of that would have been covered, but as a movie, it lacks psychological depth and ends up feeling superficial.
That said, the outdoor cinematography is beautiful, and despite his grunts and weird faces, I did enjoy seeing Jude Law back on screen.
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- WissenswertesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- PatzerAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Zitate
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- VerbindungenReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- SoundtracksKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.010.901 $
- Eröffnungswochenende in den USA und in Kanada
- 877.855 $
- 8. Dez. 2024
- Weltweiter Bruttoertrag
- 2.270.354 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1