IMDb-BEWERTUNG
6,5/10
51.533
IHRE BEWERTUNG
Drei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährl... Alles lesenDrei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährliche Bilder entstehen.Drei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährliche Bilder entstehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 22 Gewinne & 5 Nominierungen insgesamt
John Rhys-Davies
- Mr. Bezzerides
- (Gelöschte Szenen)
- (Nur genannt)
Mark C. Hanson
- Dog Race Announcer
- (Synchronisation)
Dayci Brookshire
- Sharon
- (Nicht genannt)
Empfohlene Bewertungen
It entertains. It's not the best sci-fi film I've ever seen but it's reasonably high up the list and as a bonus, it keeps getting more interesting as it goes along and thankfully, the ending was fitting.
A few suggestions for improvement:
The characters all seemed like strangers in the beginning and they all waited a set time for their turn to speak which gave the film quite a stilted effect. George Finn was the only one who didn't 'look' like he was acting. Danielle Panabaker annoys me in most of her work because she tries to pull off being innocent and sweet when the character she's playing doesn't need it (either that or she just isn't any good at being 'sweet') - it comes across as being quite fake. The camera could have been expanded on for example; its creation, design, and they could have experimented with various settings. As it stands, I still don't know how they figured out certain things about the way it functioned (but I might have missed the explanation while munching).
Some praise:
Matt O'Leary pulled off a really funny 'wtf are you talking about' moment when his best friend and girlfriend were casually discussing a dead body. Although the opening scenes were jarring because of the lack of chemistry and low budget feel, with literally every scene, the film got more and more engrossing so stick with it. The story was really well written. It progressed at a good pace and although George Finn's character development seemed a bit over the top, I thoroughly enjoyed the film and for once, the ending was fitting and extremely satisfying.
I think everyone involved should be really proud, any criticisms are fairly minor, and I can easily recommend this.
7/10
A few suggestions for improvement:
The characters all seemed like strangers in the beginning and they all waited a set time for their turn to speak which gave the film quite a stilted effect. George Finn was the only one who didn't 'look' like he was acting. Danielle Panabaker annoys me in most of her work because she tries to pull off being innocent and sweet when the character she's playing doesn't need it (either that or she just isn't any good at being 'sweet') - it comes across as being quite fake. The camera could have been expanded on for example; its creation, design, and they could have experimented with various settings. As it stands, I still don't know how they figured out certain things about the way it functioned (but I might have missed the explanation while munching).
Some praise:
Matt O'Leary pulled off a really funny 'wtf are you talking about' moment when his best friend and girlfriend were casually discussing a dead body. Although the opening scenes were jarring because of the lack of chemistry and low budget feel, with literally every scene, the film got more and more engrossing so stick with it. The story was really well written. It progressed at a good pace and although George Finn's character development seemed a bit over the top, I thoroughly enjoyed the film and for once, the ending was fitting and extremely satisfying.
I think everyone involved should be really proud, any criticisms are fairly minor, and I can easily recommend this.
7/10
When you're the scriptwriter of a movie dealing with time travel, the easiest and cheapest way is to write a script built with protagonists as moronic as pathetic. Let's name them Callie, Finn and Jasper. Then, the plot twists will follow one after the other, at a frenetic pace, until Callie, Finn and Jasper ineluctably lost control like Juliet, David and Alex in Kleine Morde unter Freunden (1994). Although the first twenty minutes are rather encouraging, the last thirty ones are disappointing and almost appalling.
Or maybe neither, depending on your view or perspective on the matter or characters that is. But you can't deny, that this movie (clue is in the title), is well thought of. You might not agree with all the twists and turns this takes, but it does so convincingly. Can you see a couple of things coming before our main characters spot them (no pun intended)? Of course you can. Still fun to watch though.
Which all comes down to a neat direction (for a low budget movie that is) and the stellar cast, that really do their best to convey a really "far out" idea. If you like Science Fiction Thrillers, that do use their head a little bit, you could do worse (a lot worse)
Which all comes down to a neat direction (for a low budget movie that is) and the stellar cast, that really do their best to convey a really "far out" idea. If you like Science Fiction Thrillers, that do use their head a little bit, you could do worse (a lot worse)
I spent the first part of this film umming and ahing as to whether or not I was enjoying it, but towards the end I was totally gripped and at the end I absolutely loved it.
The story and pacing of this film are practically perfect, making it a definite winner in my book, but any prospective viewers might benefit from being aware of a couple of things before they decide to watch.
Firstly it looks kind of like a cheap made for TV movie. Some of the camera shots are creative and well thought out but the whole thing just oozes film-making on a budget, and some people might find that hard to get past.
The style reminded me of the remake they did of The Outer Limits in the 90s, rather than a film from 2014. Also, much like the aforementioned series the incidental music is horribly generic and uninspired (but thankfully used pretty sparsely.) The acting is mediocre from the three leads. Some people will find this grating, so prepare yourself. They won't be winning any Academy Awards anytime soon for their performances, trust me.
So why should you definitely watch this movie? Because despite the clunky dialogue and wooden acting the plot is entertaining, unfolds brilliantly and is executed just about as perfectly as a plot can be executed in a movie. It is a wonderfully self-contained story that builds to a satisfying denouement and keeps you guessing and totally gripped along the way.
If you go into this movie expecting every aspect to be amazing, you're probably going to be disappointed. Instead bear in mind the criticisms above and trust that despite these weaknesses it is an uncommonly enjoyable watch and well worth an hour and forty minutes of your time.
The story and pacing of this film are practically perfect, making it a definite winner in my book, but any prospective viewers might benefit from being aware of a couple of things before they decide to watch.
Firstly it looks kind of like a cheap made for TV movie. Some of the camera shots are creative and well thought out but the whole thing just oozes film-making on a budget, and some people might find that hard to get past.
The style reminded me of the remake they did of The Outer Limits in the 90s, rather than a film from 2014. Also, much like the aforementioned series the incidental music is horribly generic and uninspired (but thankfully used pretty sparsely.) The acting is mediocre from the three leads. Some people will find this grating, so prepare yourself. They won't be winning any Academy Awards anytime soon for their performances, trust me.
So why should you definitely watch this movie? Because despite the clunky dialogue and wooden acting the plot is entertaining, unfolds brilliantly and is executed just about as perfectly as a plot can be executed in a movie. It is a wonderfully self-contained story that builds to a satisfying denouement and keeps you guessing and totally gripped along the way.
If you go into this movie expecting every aspect to be amazing, you're probably going to be disappointed. Instead bear in mind the criticisms above and trust that despite these weaknesses it is an uncommonly enjoyable watch and well worth an hour and forty minutes of your time.
Even though the scope of such an idea asks us to venture beyond the setting of one area and perhaps expand to other parts of the town or even the world, the film-makers did well with the chosen set of spaces. Likely because of the harmonious casting and well knit story. A fine thriller.
Wusstest du schon
- WissenswertesThe filmmakers entirely self-financed the movie, writing the script to fit the confines of their limited budget.
- PatzerWhen Jasper installs a chain lock onto the front door, he installs it backwards, making it effectively useless.
- VerbindungenReferenced in Film Junk Podcast: Episode 520: Inside Out (2015)
- SoundtracksSpider
Written by Gary Conor McFarlane and Adam Edward Browne
Performed by The Autumn Owls
Courtesy of North Star Media, LLC
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tua Thời Gian
- Drehorte
- Los Angeles, Kalifornien, USA(discussed on DVD in Special Features)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 19.572 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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