IMDb-BEWERTUNG
6,5/10
51.576
IHRE BEWERTUNG
Drei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährl... Alles lesenDrei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährliche Bilder entstehen.Drei Freunde entdecken eine Maschine, die vierundzwanzig Stunden in die Zukunft fotografiert, und verschwören sich, sie zu ihrem persönlichen Vorteil zu benutzen, bis verstörende und gefährliche Bilder entstehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 22 Gewinne & 5 Nominierungen insgesamt
John Rhys-Davies
- Mr. Bezzerides
- (Gelöschte Szenen)
- (Nur genannt)
Mark C. Hanson
- Dog Race Announcer
- (Synchronisation)
Dayci Brookshire
- Sharon
- (Nicht genannt)
Empfohlene Bewertungen
It entertains. It's not the best sci-fi film I've ever seen but it's reasonably high up the list and as a bonus, it keeps getting more interesting as it goes along and thankfully, the ending was fitting.
A few suggestions for improvement:
The characters all seemed like strangers in the beginning and they all waited a set time for their turn to speak which gave the film quite a stilted effect. George Finn was the only one who didn't 'look' like he was acting. Danielle Panabaker annoys me in most of her work because she tries to pull off being innocent and sweet when the character she's playing doesn't need it (either that or she just isn't any good at being 'sweet') - it comes across as being quite fake. The camera could have been expanded on for example; its creation, design, and they could have experimented with various settings. As it stands, I still don't know how they figured out certain things about the way it functioned (but I might have missed the explanation while munching).
Some praise:
Matt O'Leary pulled off a really funny 'wtf are you talking about' moment when his best friend and girlfriend were casually discussing a dead body. Although the opening scenes were jarring because of the lack of chemistry and low budget feel, with literally every scene, the film got more and more engrossing so stick with it. The story was really well written. It progressed at a good pace and although George Finn's character development seemed a bit over the top, I thoroughly enjoyed the film and for once, the ending was fitting and extremely satisfying.
I think everyone involved should be really proud, any criticisms are fairly minor, and I can easily recommend this.
7/10
A few suggestions for improvement:
The characters all seemed like strangers in the beginning and they all waited a set time for their turn to speak which gave the film quite a stilted effect. George Finn was the only one who didn't 'look' like he was acting. Danielle Panabaker annoys me in most of her work because she tries to pull off being innocent and sweet when the character she's playing doesn't need it (either that or she just isn't any good at being 'sweet') - it comes across as being quite fake. The camera could have been expanded on for example; its creation, design, and they could have experimented with various settings. As it stands, I still don't know how they figured out certain things about the way it functioned (but I might have missed the explanation while munching).
Some praise:
Matt O'Leary pulled off a really funny 'wtf are you talking about' moment when his best friend and girlfriend were casually discussing a dead body. Although the opening scenes were jarring because of the lack of chemistry and low budget feel, with literally every scene, the film got more and more engrossing so stick with it. The story was really well written. It progressed at a good pace and although George Finn's character development seemed a bit over the top, I thoroughly enjoyed the film and for once, the ending was fitting and extremely satisfying.
I think everyone involved should be really proud, any criticisms are fairly minor, and I can easily recommend this.
7/10
Time lapse is a very well-made and entertaining little movie, something that should satisfy the average science fiction/thriller fan. The three leads all perform at a high level. Matt O'Leary as a young artist is appropriately fragile, Danielle Panabaker is not the 'good girl' you might assume from her appearance and George Finn conveys real menace in his portrayal as their friend, sinister from the middle point on.
Settings are simple but effective and the atmosphere is well held together by the staging and the clean production. There won't be any awards for set decoration but it works and isn't a distraction to the story. Unlike many low budget efforts it doesn't have that 'cheap scenery' feeling at all.
The lean script has enough science in it to work, but not too much to make it muddled. You aren't going to cheat on your next physics project by borrowing from this movie but you won't be offended by the theory in play. The good news about the story is that it works and by the end of the experience you will feel entertained with intelligent and clever writing. Your brain will be teased by this film.
There are several dark moments in the movie that show some real Hitchcock influence, though a film maker worker in this milieu is wise to borrow from the master. In addition, from time to time the score swells into a legitimate (though very minor) homage to Bernard Hermann. Again, a very good idea. The windup is complete and clean, revelations during the body of the film become evidence that tickle with satisfaction as it ends.
Low budget, but you aren't going to feel like you are watching some derivative film school project. This is a good movie with young actors creating their own characters. I think almost all viewers will find it artistically fresh. This is the first work I have seen from this director and after seeing Time Lapse I will look for his name for future entertainment, along with the names of his young stars.
When you find a film like this with unknown actors, a director you don't recognize and subject matter that could easily become boring you are forgiven if you don't fully commit to a full viewing when the streaming or broadcast starts. Personally, I gave it 15 minutes to prove itself when I began and was quickly stuck on it until the end. You should allow it to be the only content showing at the moment for you and your co-viewers, this is one to pay attention to in order to really enjoy. But, I think enjoyment is nearly a done deal.
Settings are simple but effective and the atmosphere is well held together by the staging and the clean production. There won't be any awards for set decoration but it works and isn't a distraction to the story. Unlike many low budget efforts it doesn't have that 'cheap scenery' feeling at all.
The lean script has enough science in it to work, but not too much to make it muddled. You aren't going to cheat on your next physics project by borrowing from this movie but you won't be offended by the theory in play. The good news about the story is that it works and by the end of the experience you will feel entertained with intelligent and clever writing. Your brain will be teased by this film.
There are several dark moments in the movie that show some real Hitchcock influence, though a film maker worker in this milieu is wise to borrow from the master. In addition, from time to time the score swells into a legitimate (though very minor) homage to Bernard Hermann. Again, a very good idea. The windup is complete and clean, revelations during the body of the film become evidence that tickle with satisfaction as it ends.
Low budget, but you aren't going to feel like you are watching some derivative film school project. This is a good movie with young actors creating their own characters. I think almost all viewers will find it artistically fresh. This is the first work I have seen from this director and after seeing Time Lapse I will look for his name for future entertainment, along with the names of his young stars.
When you find a film like this with unknown actors, a director you don't recognize and subject matter that could easily become boring you are forgiven if you don't fully commit to a full viewing when the streaming or broadcast starts. Personally, I gave it 15 minutes to prove itself when I began and was quickly stuck on it until the end. You should allow it to be the only content showing at the moment for you and your co-viewers, this is one to pay attention to in order to really enjoy. But, I think enjoyment is nearly a done deal.
Time lapse is an independent film about a group of friends who discover a camera that can take pictures of the future. It's a nice concept and is executed very well.
This is only a small budget film with few special effects, instead it relies on a sharp script, good acting and an interesting story. It doesn't take long to set the scene and is always interesting. As things go from bad to worse for the three friends there are a number of tense scenes and some surprising plot turns.
As the film is set in one location it really requires strong performances from the cast and thankfully all three leads excellent as are all the supporting cast.
This is a clever, impressive and very entertaining film which really shows what can be done with a limited budget. This film deserves a much higher profile and I would expect it's current rating of 6.9 from 437 votes to increase over time.
Highly recommended.
This is only a small budget film with few special effects, instead it relies on a sharp script, good acting and an interesting story. It doesn't take long to set the scene and is always interesting. As things go from bad to worse for the three friends there are a number of tense scenes and some surprising plot turns.
As the film is set in one location it really requires strong performances from the cast and thankfully all three leads excellent as are all the supporting cast.
This is a clever, impressive and very entertaining film which really shows what can be done with a limited budget. This film deserves a much higher profile and I would expect it's current rating of 6.9 from 437 votes to increase over time.
Highly recommended.
Well, not *unusually* stupid.
Why doesn't Jasper put up winning lottery numbers instead of race results? Thus, avoiding dealing with the bookie and his henchman? Because he doesn't.
They come up with this reasoning that they have to do what's in the photo of the future, else they'll die or something, which is rather dubious.
But it doesn't matter what their reasoning is. These people are experiencing a self consistent time stream. They don't actually change anything at all. They have no free will. They are automatons. All their thoughts, reasoning, actions are written in stone.
-
I like it a lot and find it repeatedly engrossing. I've probably watched it at least ten times and am always sucked right into it.
I think the acting is great, even Ivan, the bookie. He's pretty funny, and it seems not everybody is sold on him, but he works for me. He DOES come across like he's acting, but that's because the character is acting like he thinks a bookie should act.
And for a low budget movie, the bulk of which occurs in one apartment, it looks great. I don't think it ever feels stale due to that, and that's no small feat.
My only complaint from that department is when they discover the camera (a nice prop). The three leads look over at it, and it cuts to an insert of the camera, which is obviously an insert since the characters should have been visible.
Why doesn't Jasper put up winning lottery numbers instead of race results? Thus, avoiding dealing with the bookie and his henchman? Because he doesn't.
They come up with this reasoning that they have to do what's in the photo of the future, else they'll die or something, which is rather dubious.
But it doesn't matter what their reasoning is. These people are experiencing a self consistent time stream. They don't actually change anything at all. They have no free will. They are automatons. All their thoughts, reasoning, actions are written in stone.
-
I like it a lot and find it repeatedly engrossing. I've probably watched it at least ten times and am always sucked right into it.
I think the acting is great, even Ivan, the bookie. He's pretty funny, and it seems not everybody is sold on him, but he works for me. He DOES come across like he's acting, but that's because the character is acting like he thinks a bookie should act.
And for a low budget movie, the bulk of which occurs in one apartment, it looks great. I don't think it ever feels stale due to that, and that's no small feat.
My only complaint from that department is when they discover the camera (a nice prop). The three leads look over at it, and it cuts to an insert of the camera, which is obviously an insert since the characters should have been visible.
Even though the scope of such an idea asks us to venture beyond the setting of one area and perhaps expand to other parts of the town or even the world, the film-makers did well with the chosen set of spaces. Likely because of the harmonious casting and well knit story. A fine thriller.
Wusstest du schon
- WissenswertesThe filmmakers entirely self-financed the movie, writing the script to fit the confines of their limited budget.
- PatzerWhen Jasper installs a chain lock onto the front door, he installs it backwards, making it effectively useless.
- VerbindungenReferenced in Film Junk Podcast: Episode 520: Inside Out (2015)
- SoundtracksSpider
Written by Gary Conor McFarlane and Adam Edward Browne
Performed by The Autumn Owls
Courtesy of North Star Media, LLC
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tua Thời Gian
- Drehorte
- Los Angeles, Kalifornien, USA(discussed on DVD in Special Features)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 19.572 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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