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There's very little enjoyment to be had in this film, it's a depressing tale from the opening few seconds right to the point the credits roll, where you're left with multiple questions.

Was it real? Did they just do that for shock value? Why did James Dreyfus agree to be in this in the first place?

Multiple times during the film it flashes between reality and the morbid fascinations of the titular character Cara. So by the end of the 1hr 30min runtime you're left wondering whether the end of the film WAS actually the end of the film, or if it had all just been cooked up in one of the characters heads.

Some of the film is outright gruesome just for the sake of it, although admittedly most of it was very well done, so if you like practical effects take a look.

I just can't recommend it though. It's a depressing 90 minutes with no real message to convey other than a bleak look at mental health.

I also find it curious the only 3 reviews before mine are all astoundingly positive and by accounts that haven't really reviewed anything else... make of that what you will.

Elle O'Hara's portrayal of Cara in the film Cara is nothing short of extraordinary. Her performance captivates from the outset, embodying the character's depth and complexity with remarkable authenticity. O'Hara's nuanced expressions and emotive delivery breathe life into Cara, making her journey profoundly relatable and deeply moving.

The chemistry she shares with her co-stars enhances the film's emotional resonance, creating scenes that linger in the mind long after the credits roll. O'Hara's dedication to her craft is evident in every frame, as she seamlessly transitions between moments of vulnerability and strength, capturing the essence of Cara's multifaceted personality.

Critics and audiences alike have lauded her performance, noting her ability to convey complex emotions with subtlety and grace. Her portrayal not only elevates the narrative but also cements her status as a formidable talent in contemporary cinema.

In Cara, Elle O'Hara delivers a masterclass in acting, offering a performance that is both compelling and unforgettable.

Supporting actors did an amazing job, I think it was really well cast.

Coming across like a British social realism picture fused with the unflinching violence and unpredictable nature of a Gaspar Noé film, Cara was something of a surprise. As the feature debut of writer/director Hayden Hewitt, it wasn't surprising that it was good-after all, since becoming a filmmaker only three or four years ago, he had already churned out several mesmerising short films. His rapid ascent in such a short time has marked him as someone destined for big things. But Cara is something else entirely-it's a calling card from an artist who is carving a niche in the British film industry that is uniquely his own.

Lord, do we know that, as a country, we've become synonymous with gritty dramas that take a no-nonsense approach to the depiction of social dysfunction, whether at a state level or on a familial/individual level, as seen in Nil by Mouth or the films of directors such as Mike Leigh and Ken Loach. But Hewitt has melded this tradition with what can only be described as the sort of exploitation elements you'd expect to see in the work of "trash" (and I use that term affectionately) magnates such as Pete Walker.

Hewitt sets out his stall early, adopting a device used by John Carpenter in his sophomore feature, Assault on Precinct 13, in which a little girl is shot after questioning an ice cream man about some missing sauce. In the first ten minutes of Cara, one of the main characters flicks a lit cigarette into a pram after an altercation with the baby's mother. This sets the tone for a film in which anything can happen-and trust me when I say, it will.

To say any more about this film would be a complete disservice, but what I will say is that if you're triggered by violence, it's probably one to miss-there are scenes in this film that made me wince and turn away a few times. Cara is a harsh film, but it's also a very good one.

Gritty, twisted, engaging and thrilling.

From the start the story of Cara drags you in a few misdirections to throw you off and then pieces together for an excellent ending ... or is it.

The characters are well involved and explained leading to you own questions about their involvement as the plot unravels, choice of cast is excellent and they play out the parts perfectly really engaging you into the film.

Having seen Lips directed by Hayden Hewit I knew Cara would deliver and it has. Gritty British horror that will have you talking about it for some time to come.

Very much looking forward to see what comes next.