IMDb-BEWERTUNG
6,5/10
11.264
IHRE BEWERTUNG
Nachdem seine Familie ermordet wurde, zieht ein junger Mann aus, um die Morde zu rächen. Auf der Suche nach den Verantwortlichen führt ihn sein Weg durch die kriminelle Unterwelt.Nachdem seine Familie ermordet wurde, zieht ein junger Mann aus, um die Morde zu rächen. Auf der Suche nach den Verantwortlichen führt ihn sein Weg durch die kriminelle Unterwelt.Nachdem seine Familie ermordet wurde, zieht ein junger Mann aus, um die Morde zu rächen. Auf der Suche nach den Verantwortlichen führt ihn sein Weg durch die kriminelle Unterwelt.
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Empfohlene Bewertungen
RATED 6/10
Language: Tamil
Source: nil
The cast, production and all technical aspects are perfect. But failed to connect the character and emotion to audience with the writings. The sentiment sequences, action blocks are crafted very well, but as a WHOLE movie it failed miserably.
Looks like all characters are in confused state in second half. There are lot of decisions taken by character just to move the story towards climax, in real/cinematic life no one will do such actions/decisions.
Compared to this second half, the first half was better. Even the great interval block failed to give goosebumps, as that block is so illogical.
Failed to impress, even if you lower your expectations.
The cast, production and all technical aspects are perfect. But failed to connect the character and emotion to audience with the writings. The sentiment sequences, action blocks are crafted very well, but as a WHOLE movie it failed miserably.
Looks like all characters are in confused state in second half. There are lot of decisions taken by character just to move the story towards climax, in real/cinematic life no one will do such actions/decisions.
Compared to this second half, the first half was better. Even the great interval block failed to give goosebumps, as that block is so illogical.
Failed to impress, even if you lower your expectations.
While in this year (2024) no quality films were released.
Tamil cinema had seen numerous gangster making movies or like normal person to being a gangster.
+ve : A. R. Rahaman Music, Dhanush performance, screenplay, -ve: Dhanush doesn't where is needs to go in the second half, SJ suryah is not a right person
Like the Audience are hungry searching for Briyani,Fried Rice, Full non-veg meals finally settled for chapathi..
We have seen many movies like this Bhagavathi, Thirupathichi, Thotti jaya of charters revolving around the families. Same as that on a different angle.
One time watchable.. It would be good experience on theaters not on OTT.
Tamil cinema had seen numerous gangster making movies or like normal person to being a gangster.
+ve : A. R. Rahaman Music, Dhanush performance, screenplay, -ve: Dhanush doesn't where is needs to go in the second half, SJ suryah is not a right person
Like the Audience are hungry searching for Briyani,Fried Rice, Full non-veg meals finally settled for chapathi..
We have seen many movies like this Bhagavathi, Thirupathichi, Thotti jaya of charters revolving around the families. Same as that on a different angle.
One time watchable.. It would be good experience on theaters not on OTT.
Second half could've been better but Dhanush still managed to give a decent entertainer. The rivalry between SJ Surya and Dhanush felt weak, Dhanush could've definitely added some depth to the storyline between the both of them.
Good thing that they didn't get a pair for Dhanush like any other typical Tamil movie.
First half was very good, every characters had a role and everyone acted well. AR Rahman's songs and BGM was brilliant.
Interval scene was very well made kudos to Dhanush and team. Adangatha Asuran song was a visual treat.
Congratulations to Dhanush and team.
Overall a good action entertainer, great choice for a 50th movie. Hope Dhanush continues his directional career.
7/10: A must watch for Dhanush fans.
Good thing that they didn't get a pair for Dhanush like any other typical Tamil movie.
First half was very good, every characters had a role and everyone acted well. AR Rahman's songs and BGM was brilliant.
Interval scene was very well made kudos to Dhanush and team. Adangatha Asuran song was a visual treat.
Congratulations to Dhanush and team.
Overall a good action entertainer, great choice for a 50th movie. Hope Dhanush continues his directional career.
7/10: A must watch for Dhanush fans.
It all starts with anticipation. Dhanush sets the tone, the plot, the characters, and the setting with ease; he's learnt from the best. Plus, nobody needs to tell him how to act, right? Well, yeah, right, but the film doesn't only start with anticipation, it ends with it. An eager audience shuffling in, with a tired one shuffling out. Raayan definitely starts strong, with powerful cinematography, as cinematographer Om Prakash shines with a gritty and dark take on Northern Chennai. While it is a plot point that has been done before, we don't feel as though it's a copy, simply a shade of a rehashed story.
Starting with the performances, they're beyond criticism. Dushara Vijayan stars in a rural dialect, playing a character similar to hers in Saarpatta. Sundeep Kishan, Kalidas, and Aparna Balamurali - I have no qualms, the young men never fail to amaze, and as for Balamurali, she's been the brightest of sparks in every film, regardless of how dull the script can tend to be. In the case of Dhanush, playing a tight lipped role similar to that of which we've seen in Nobody, he portrays everything flawlessly. So, if they can all act well, and of course, the script isn't torturous, then we're all good right? Wrong. The lack of villainy, and the resounding dull atmosphere, almost repeated like a broken radio, leaves the audience craving more - me especially. At times, I remember checking my watch in anticipation of dinner, as frankly, that was more exciting than watching Dhanush and crew walking down an alleyway to an unimpressive A. R. Rahman score for the umpteenth time.
Perhaps over-criticism is the bane of this film's existence, but perhaps Dhanush has released something unworthy of a second-time watch - rare for his stellar filmography. While drab, it's definitely worth a watch (if, of course, we lower our expectations to the ground). To sum up, the film holds its ground, barely, but surely. It suffers from a stellar cast and crew attempting to make the most out of a lacklustre script.
I'd recommend watching this film with an open mind, then forming your negative opinions afterwards, as I have, since you'll surely have many.
Starting with the performances, they're beyond criticism. Dushara Vijayan stars in a rural dialect, playing a character similar to hers in Saarpatta. Sundeep Kishan, Kalidas, and Aparna Balamurali - I have no qualms, the young men never fail to amaze, and as for Balamurali, she's been the brightest of sparks in every film, regardless of how dull the script can tend to be. In the case of Dhanush, playing a tight lipped role similar to that of which we've seen in Nobody, he portrays everything flawlessly. So, if they can all act well, and of course, the script isn't torturous, then we're all good right? Wrong. The lack of villainy, and the resounding dull atmosphere, almost repeated like a broken radio, leaves the audience craving more - me especially. At times, I remember checking my watch in anticipation of dinner, as frankly, that was more exciting than watching Dhanush and crew walking down an alleyway to an unimpressive A. R. Rahman score for the umpteenth time.
Perhaps over-criticism is the bane of this film's existence, but perhaps Dhanush has released something unworthy of a second-time watch - rare for his stellar filmography. While drab, it's definitely worth a watch (if, of course, we lower our expectations to the ground). To sum up, the film holds its ground, barely, but surely. It suffers from a stellar cast and crew attempting to make the most out of a lacklustre script.
I'd recommend watching this film with an open mind, then forming your negative opinions afterwards, as I have, since you'll surely have many.
I just came out from watching an early screening of Raayan at the AMC 25 in Times Square. This movie exceeded all my expectations!
The slums and the several gang, police and civilian story lines coalescing brilliantly reminded me of Brazil's City of God. The revenge plot, the incredibly choreographed action sequences, and the nighttime glistening chromatic scenes reminded me of John Wick.
The movie clocks in at around 2hrs and 30mins. By the 90 minute mark I started thinking that the movie might become flat because it seems like all plot lines have been fully explored and the race to the ending would be a long-stretched, stereotypical one, but something happens that completely shifts the entire movie in a new direction. That something brought back feelings of rage and sorrow akin to Japan's Akira, where you are left speechless and empty at how things wound up the way they did.
For us westerners that grimace at the thought of a dance scene popping up in the middle of the scene, don't panic. There are only two major dance scenes in the movie that last around 5 minutes each, both of which fit in very well with the movie by conveying the emotions and forcefulness of their particular timestamps; the second dance scene was in particular potent and mesmerizing, nothing of a corney dance spectacle you might have seen in a YT Bollywood scene.
This movie and Kill have been the biggest movie surprises this year for me. It has certainly opened my mind to Indian films, and I can't wait to see more movies of this calibre.
The slums and the several gang, police and civilian story lines coalescing brilliantly reminded me of Brazil's City of God. The revenge plot, the incredibly choreographed action sequences, and the nighttime glistening chromatic scenes reminded me of John Wick.
The movie clocks in at around 2hrs and 30mins. By the 90 minute mark I started thinking that the movie might become flat because it seems like all plot lines have been fully explored and the race to the ending would be a long-stretched, stereotypical one, but something happens that completely shifts the entire movie in a new direction. That something brought back feelings of rage and sorrow akin to Japan's Akira, where you are left speechless and empty at how things wound up the way they did.
For us westerners that grimace at the thought of a dance scene popping up in the middle of the scene, don't panic. There are only two major dance scenes in the movie that last around 5 minutes each, both of which fit in very well with the movie by conveying the emotions and forcefulness of their particular timestamps; the second dance scene was in particular potent and mesmerizing, nothing of a corney dance spectacle you might have seen in a YT Bollywood scene.
This movie and Kill have been the biggest movie surprises this year for me. It has certainly opened my mind to Indian films, and I can't wait to see more movies of this calibre.
Wusstest du schon
- Alternative VersionenThe film was edited to television premiere to secure a U/A (parental guidance) classification after cuts were made for scenes of brutal violence, profanity and intimate scenes along with insertions of disclaimer. This version has a duration of 139 minutes.
- SoundtracksAdangaatha Asuran
Poetu Dhanush
A R Rahman, Dhanush
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 453.000 $
- Eröffnungswochenende in den USA und in Kanada
- 453.000 $
- 28. Juli 2024
- Weltweiter Bruttoertrag
- 1.513.558 $
- Laufzeit2 Stunden 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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