Television
- 2012
- 1 Std. 46 Min.
Füge eine Handlung in deiner Sprache hinzuAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it ... Alles lesenAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a despera... Alles lesenAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this tradi... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
- Amin Chairman
- (as Kazi Shahir Huda Rumi)
- Solaiman
- (as Suchinta Chowdhury Chanchal)
Empfohlene Bewertungen
2012's Bangladesh movie ''Television'' has something interesting story to know about, it's the story that revolves around the old village chairman's orthodox traditional restrictions and changing modern mind of that community youngsters, that old village chairman has some negative stereotypes regarding the changing trends and the advent of technology which may mislead its community members and about posing threat to their tradition, in order to avoid its impact he imposes various rules and bans the use of various modern gadgets like mobile and television, but the question is until what extent such practices prevails to be in action? At the end of the movie the same old village chairman who unfortunately misses the chance of visiting the pilgrim place witnesses the same pilgrim place in the television and reaches the state of euphoria and finally realising that every thing in this world has its own pros and cons, but its consequence is depended on how we use them.
The entire casting is so good that each and every artist had provided full justice to their respective roles, the story has been neatly narrated and no doubt it reaches the mind of people and evoke their emotions, very fine and incredible work done by the young Bangladesh film maker Mostofa Sarwar Farooki.
The film brilliantly juxtaposes tradition and modernity, highlighting the transformative power of television. It showcases how the arrival of a TV can change social dynamics, bringing both excitement and conflict to the village. Apu, played convincingly by the talented Chanchal Chowdhury, is portrayed as a reluctant yet relatable protagonist, caught between his conservative upbringing and the allure of the new media. His internal struggles and eventual decisions form the emotional core of the film.
Farooki's direction is commendable, balancing humor with serious social commentary. The screenplay effectively blends satire with drama, providing sharp insights into the clash of values and the complexities of human relationships in a changing society. The dialogues are witty and engaging, adding to the film's appeal.
The cinematography captures the essence of rural Bangladesh beautifully, with vibrant visuals that enhance the storytelling. The music, featuring a blend of folk and contemporary styles, complements the narrative and adds to the film's overall charm.
One of the film's strengths is its ability to provoke thought without being overly didactic. It encourages viewers to reflect on their own relationships with technology and the media, while also addressing broader themes of identity and cultural preservation.
However, some viewers may find the pacing uneven, with certain scenes feeling prolonged. Nevertheless, the film's engaging narrative and relatable characters keep the audience invested throughout.
In conclusion, Television is a captivating film that successfully merges entertainment with meaningful commentary on the effects of modern media on traditional values. It is a must-watch for anyone interested in the evolving cultural landscape of Bangladesh and the ways in which technology shapes our lives.
This movie shows a strange village where no one can watch television and young people cannot use mobile phones.
I like the writing of the movie. Mostafa Sarwar Farooqi always makes such good movies. The cinematography and the screenplay was good.
Mojnu was interesting as a character and the actor made it even better. The story of Solaiman and Kohinoor's relationship was amazing. You will love it,
The acting of Chanchal Chowdhury and Mosharraf Karim was fantastic. Nusrat Imroz Tisha was a good actress in the movie.
I would suggest you to watch this movie.
Wusstest du schon
- WissenswertesOfficial submission of Bangladesh to the Oscars 2014 best foreign language film category.
- VerbindungenFeatures Tees Maar Khan (2010)
Top-Auswahl
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Details
Box Office
- Budget
- 36.000.000 BDT (geschätzt)
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix