Viduthalai Part 2

While viduthalai-1 is classic elevated by Suri, viduthalai-2 is good but many parts look cliched and over reaching. Vijay sethupati has acted well as always but would not say brilliant. Gautam menon have same wooden expression as in umpteen films. He is miscast. Anurag kashyap still has the same cheeky expression of a paanwalah. Sethupathy and Anurag kashyap look too well fed for the radicals they were portraying. The guys portraying chief secretary, collector and SP are mere caricatures. The locations, photography brilliant. For his standards, expected much more from Vetrimaran. Still a good movie.

Must watch movie👌

Viduthalai Part 2 is a masterstroke by Vetrimaaran, blending emotional depth with gripping intensity. Vijay Sethupathi shines as Vaathiyaar, delivering a performance that is both commanding and poignant. Soori's portrayal of Kumaresan brings raw vulnerability, making the moral dilemmas even more impactful. The film's visuals are stunning, with every frame telling its own story, while Ilaiyaraaja's score heightens the tension beautifully. The narrative strikes a balance between action and emotion, leaving you deeply moved. A compelling and unforgettable sequel that cements its place as a standout in Tamil cinema.

For now, "No one can convey their political ideology this better and stronger than Vetrimaaran" Undoubtedly this is the best political drama film this year Totally just awesome even though the film gets lagged sometime as it potentially needed for conveying ideas clearly.

Another remarkable thing is that no perspective is taken as lite and perspective of people,police, officers and politicians are clear. Without representation the whole police or group as bad they are differentiated by there understandings and desires with was very clear as the second protagonist itself a police who gave up law due to his helplessness but, not because that every police officers are bad .

The female lead is from higher caste who is nice to everyone .mainly no one group is totally represented as bad and ugly like some tamil directors movie this is where Vetrimaaran stands apart from others that he is trying to represent reality mostly instead of showing support to one side totally by make everyone who is opposite as bad!

The character writting of Perumal and Kumaresan was sticked to the point and conveying the main ideologies through them was just brilliant and amazing "Totally a must watch MASTERPIECE"

Vetri had done something not many can do. I know he lived in North Arcot district in his early days. I have heard few stories about Naxalits and i can see he had heard too 😊

Dialogues were poweful and it's a politics lesson for all. It's coming at a time right wing is dominating india.

As always Sethu supporting these kinds of movie is not new but hats off again.

End of the day, i was wondering why Vetri did this movie. For sure this got less scope for a blockbuster movie like aadukalam or vada chennai. I see this as, Vetri liked to share what a communist party and back in days, the so called naxalites got created. More than that, he makes us all feel violence is not a solution but politicizing people is the solution, which is what Thiruma keeps saying 😊

Viduthalai 2 is a rare instance of a Vetrimaaran film not hitting the anticipated highs. Sure, the efforts are evident in terms of writing and performance, but this is Vetrimaaran pulling off a Gautham Menon in terms of excessive voiceovers - it's always "tell" and not "show." The love story in Part 1 was one of its top redeeming qualities, but the Vijay Sethupathi - Manju Warrier romance is not as resonating. Maybe, both their wigs were too distracting for me. It gets better in the second half, however.

Ilaiyaraja's score is fantastic, especially adding more fervour to the action blocks. Vetri crafts the pre-intermission corn field set piece really well. Placing the blow horn-esque Viduthalai theme amid it was also a solid decision. Then again, the editing (as is the case in several Vetrimaaran films) is choppy. We can sense a matter-of-fact, information-dump nature to the proceedings with Rajiv Menon and company (offering some odd hilarity in the process), but an extra dose of melodrama (and preachiness) is added to the flashbacks.

I'm not sure if it's an editing flaw or because Vetri has the habit of rewriting dialogues at the time of dub, but the voiceovers at times tend to overlap with dialogue exchanges; that was jarring as hell. Technicalities aside, this is probably Vetri's most politically charged film to date, even when some loose threads don't really get anywhere. How you take to that can also affect your viewing experience. The film's concluding scene reinstates how good a writer Vetrimaaran is, and how great a performer Soori is.

Also, did CBFC really choose to blur out those gory scenes after an "A" certification? I don't get it. The same goes for cuss words.