Schön, wild, lustig und verloren: Katie nimmt vor dem College eine einjährige Auszeit, um sich selbst zu finden. Über ihre Suche und ihre Abenteuer berichtet sie in einem anonymen Blog.Schön, wild, lustig und verloren: Katie nimmt vor dem College eine einjährige Auszeit, um sich selbst zu finden. Über ihre Suche und ihre Abenteuer berichtet sie in einem anonymen Blog.Schön, wild, lustig und verloren: Katie nimmt vor dem College eine einjährige Auszeit, um sich selbst zu finden. Über ihre Suche und ihre Abenteuer berichtet sie in einem anonymen Blog.
- Auszeichnungen
- 1 wins total
- Waiter
- (as Sascha Saballet)
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However, this movie is something different all together. Reviewers have said the basic plot, the great acting of Britt, (and I mean great acting) and the confusion of the ending. But to me the ending was what the movie was all about.
I went into this thinking like others it would be a rather light hearted teen angst comedy. And that's what it mostly was. Except it wasn't. First, as others have pointed out, Britt brought a gritty realism to the role that was really refreshing. Superb acting for me.
But more importantly, through the whole movie I felt this edgier, almost spooky context under the surface. For some reason I expected something bad to happen, like when she went to see Sheen, a sex offender, and he locks the door. Or when kissing Slater on his birthday I expected the wife who was in another room to walk in. A strange tension was simmering underneath the movie and it was intriguing me. And when it got near the end and it looked like a fluff ending in the works I still felt the tension. And then the real ending, and all of a sudden it all made sense. Kinda like a dream within a dream.
Absolutely brilliant.
I realized her unique acting talent years ago in "Dan in Real Life", where she plays the middle daughter of Dan. I knew she was going on to bigger roles, and a successful Hollywood career if she wanted it.
In this movie aimed at the adolescent audience, she plays a confused teenager writing a blog revealing her daily activities and secrets, advised to do so by her high school guidance counselor in lieu of moving onto her first year in collage.
The main issue that Robertson has had to deal with in tinsel town is the fact that she is typecast as a teenager roll after roll, even though she is getting close to 28 years old at this writing. In the 2015 feature film Tomorrowland with costar George Clooney, she plays a high school student as well.
If you like Britt Robertson, or if you aren't aware of her yet, and you want to see someone "nail an acting role", I strongly advise this movie. However, if you are a prude, or someone that has hangups about a young woman walking around her house in panties and a t-shirt, please pass on this movie, and go see a shrink.
The characters gave life advice that I felt was great and added to the fact that they helped impact the main character to decide what to do with life.
I'll keep this short but I will lovingly recommend this movie to friends and movie fans alike. I think most will miss this movie but they're only missing out on what seems to be an empty, carefree movie that turns out to be something much more.
I watched on a limb due to someone's recommendation and thoroughly happy I clicked and watched.
It occurred to me that this would probably turn out to be a fluffy, sensitive chick-flick and that I might walk out after a little while. My male ego often feels unable follow the psychological estrogen trail for too long... At the movies, anyway.
I mention this for all the male readers because I was truly blown away by this little movie.
It deserves to have little or none of its content revealed. I will mention the package: nicely written, surprisingly engaging, considering how modest and devoid of ambition some of the dialogs can deceivingly appear at the start. The picture is deeply candid and offers genuinely potent insights into cinematic gender language. It is fresh! It took me by surprise and wrapped me around its little finger in no time. Walking out? Out of the question!
The style of the picture is discreet - it allows some very subtle performances to come across.
Britt Robertson, the lead, deserves accolades. She is a superb actress - deeply vulnerable. What's more, she has a unique quality for an actress: she makes her protagonist fascinating long before we've even begun to get acquainted with her crisis.
The film left me speechless. In a good way.
Robertson is actually in her mid-20s but in this adaptation she plays younger (ie, a teenager, clues are in the script if you listen) and that becomes a cheat of sorts.
The script based on book about how adolescent girls get "confused" by the digital age we live in, has a lot of plot arcs about cheating, so cheating is clearly a theme here, or at least a sub-theme.
The direction follows the vibe of Easy A, or Ferris Bueller, where the young person appears (initially) to be the smartest person in the film (possibly on the planet?) and the constant voice-over only adds to that impression.
I did not read the book. Those reviewers that did say that the lessons and morals from the book do not translate well onto the big screen.
I will concede the point to them.
Robertson, aside from playing younger, is also DDG (drop dead gorgeous) and seems to have gone to the Emma Roberts School of Acting. While she is not a physical match for Roberts, she mugs and struts and double-takes and pouts in the exact same rhythm, so the effect is (see the heading for the review) odd.
The other casting choices are also odd. Big names (Martin Sheen, Justin Long) drop by to play forgettable parts. Very odd.
The technicals are outstanding.
Wusstest du schon
- WissenswertesWinner of 'Best Actress' for Britt Robertson at Nashville Film Festival 2014
- PatzerWhen the old guy talks with Katie at the party, he talks about how the Apache desecrated the enemy and what they did to General Custer's cavalry, who, in fact, died at the hands of the Sioux.
- Zitate
Paul Spooner: Dear Miss Kampenfelt, since you expressed a desire today to learn more about adult life, here are ten bitter truths for your reading pleasure. Number one, complete honesty is a complete lie. Two, marriage is sacred only to those who have never been married. Three, money is more integral to happiness than romantic love.
Katie Kampenfelt: Four, every human being is a contradiction. Some hide it better than others. Five, never underestimate the tendency of human beings to act contrary to their own best interests. Six, were it not for the fear of getting caught, most of us would behave like savages. Seven, all sex has consequences, most of them dire.
Joel Seidler: [reading the last three bitter truths] The older you get, the faster time flies until months pass like days. There's no such thing as living happily ever after. Everything gets worse.
- VerbindungenReferences Adam est... Ève (1954)
- SoundtracksMy Christmas Song
Written by Alexandra Nicholas
Performed by Zanny
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Undiscovered Gyrl
- Drehorte
- Colorado Street Bridge, Pasadena, Kalifornien, USA(Driving to Dan's new house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 950.000 $ (geschätzt)
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1