IMDb-BEWERTUNG
5,2/10
3457
IHRE BEWERTUNG
Auf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es lie... Alles lesenAuf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es liegt eine lange Fahrt vor ihm.Auf Befehl eines skrupellosen Gangsterbosses muss ein Fluchtwagenfahrer gegen sein Gewissen ankämpfen und ein ahnungsloses Crewmitglied zu einer Hinrichtung aus dem Hinterhalt fahren. Es liegt eine lange Fahrt vor ihm.
- Auszeichnungen
- 1 wins total
Marcus Johnson
- C. Morales.
- (Nur genannt)
Empfohlene Bewertungen
Terrible script. Awful accents. Nice lighting though!
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
A real dad movie. Bring him to me was somewhat of a non-planned movie. A friend asked I wanted to go to the movies and this was what was on so I thought why not.
While not relaxing at all, a relaxing movie which you can follow and does not make you think too much while watching it. Also quite short, which is good compared to a lot of other big name movies that are out now. Probably one of those movies that you can put on on a Friday night when you're drinking some beers with a mate or with your dad. A short and concise story with some twists that has everything you need in a guy's movie. Shooting, driving, what else do you need? A recommended watch.
While not relaxing at all, a relaxing movie which you can follow and does not make you think too much while watching it. Also quite short, which is good compared to a lot of other big name movies that are out now. Probably one of those movies that you can put on on a Friday night when you're drinking some beers with a mate or with your dad. A short and concise story with some twists that has everything you need in a guy's movie. Shooting, driving, what else do you need? A recommended watch.
Trailer looked like a lean and mean noir and right up my alley.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
Boring, storyline all over the place, the story uninteresting, basically 2 guys in a car driving and talking for a majority of the movie. 2 American leads, primarily an Aussie cast and filmed in Queensland Australia.. why bother making it set in America?! I can't tell what accent Rachel Griffiths was going for, Boston? Cause it sounded more Australian if anything. Its just a meh, forgettable movie. Not sure the other reviewers saw the same movie then I did. Don't know, just did nothing for me. Thankfully it was only 96 minutes. And what was with that ending?! It just stops! Don't see this in the cinema, lol.. I had no one else in my theatre.
This movie races into the cinematic scene with a relentless plot as a getaway driver faces a moral dilemma dictated by a ruthless crime boss. The film, while far from a laid-back watch, offers an engaging experience without taxing your brain. Its concise duration distinguishes it from today's lengthy blockbusters, making it a convenient choice for a casual Friday night. The narrative, though straightforward, weaves in enough surprises to maintain audience interest. This action-packed film is a quintessential guy's movie, encompassing intense shootouts and heart-pounding driving sequences. A quick, thrilling story with the right blend of elements makes it a solid recommendation, especially for those seeking a high-octane escape.
Wusstest du schon
- WissenswertesTom Evans' screenplay was inspired by the death scene of Nicky Santoro (played by Joe Pesci) in the Martin Scorsese film Casino (1995).
- PatzerAt roughly 12 minutes in, the passenger is complimenting the driver about his car and asks what year it is. the driver says it's a 1970. this is wrong. the Chevy Chevelle in the movie has two round tail lights on each side making it a 1971. the 1970 Chevelle had one square (ish) tail light on each side.
- SoundtracksAuburn Skies
written by Kevin Qian
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.301 $
- Eröffnungswochenende in den USA und in Kanada
- 1.475 $
- 25. Feb. 2024
- Weltweiter Bruttoertrag
- 65.492 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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