Eine Spionin des MI6 wird während des Kalten Krieges nach Berlin entsandt, um den Mord an einem Kollegen zu untersuchen und eine verloren gegangene Liste von Doppelagenten wiederzufinden.Eine Spionin des MI6 wird während des Kalten Krieges nach Berlin entsandt, um den Mord an einem Kollegen zu untersuchen und eine verloren gegangene Liste von Doppelagenten wiederzufinden.Eine Spionin des MI6 wird während des Kalten Krieges nach Berlin entsandt, um den Mord an einem Kollegen zu untersuchen und eine verloren gegangene Liste von Doppelagenten wiederzufinden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 20 Nominierungen insgesamt
- Aleksander Bremovych
- (as Roland Moller)
- Yuri Bakhtin
- (as Jóhannes Jóhannesson)
- East German Guard #1
- (as Attila Arpa)
- Helena
- (as Lili Gessler)
Empfohlene Bewertungen
There is the music, the action, and the lesbian sex. I love the hose fight. There is such great intensity. The car chase is also right up there. This movie has great sequences. The story itself is a muddle of unknowable characters and simplistic plot devices. The biggest sin is the flashforward debriefing scene. It takes away the danger and it also grinds down the pacing. It should have been done straight up timeline. This could have been a fun spy romp but the storytelling is so jumbo that I stopped caring about the plot or the characters.
In the intro, you already get a foretaste of the direction the movie is going to take, which is then consistently followed through. The movie doesn't lose its pace over the entire runtime. There is no real hole.
The entire atmosphere feels incredibly authentic. The whole thing is underpinned by a really stylish, cool and coherent soundtrack, which strongly underpins the images shown.
The only point of criticism is the plot. It seems a bit confused and essentially serves to explain why a character gets from A to B. The story isn't really complicated, but you still think to yourself at some points, just accept it and don't question it.
But you can turn a blind eye to that, because the actual plot is in the background for me here. The overall look and feel paired with the really strong fight choreography let you quickly overlook it.
And that brings us to the crucial point. The movie has incredibly strong fight scenes. The camera is close up throughout and all the fights look handmade. That's what I want to see and not cut-up action where you can't see anything or which is just bristling with GCI. Some action movies can take a leaf out of this book. Showing and not hinting is the motto here. One of the best scenes of the whole movie is a several minutes long plan sequence in a house. I find this impressive every time. In these moments, the movie reminds me of a reduced, well dosed John Wick, only the setting and the framework story appeals more to me personally.
All in all, 'Atomic Blonde' is a solid agent thriller, which can more than convince with its atmosphere, look and fight scenes. In terms of plot, familiar structures, motifs and sequences are used. If you can overlook that, then you can really have fun with the movie.
Wusstest du schon
- WissenswertesCharlize Theron had eight personal trainers to help her master her intensely physical performance. She also trained with Keanu Reeves, who was preparing for John Wick: Kapitel 2 (2017).
- PatzerOnce in the movie the supposedly German words "Sovietische Handelsmission" ( "Soviet Trade Mission") can be seen. The first of these two words is spelled incorrectly. The correct version is "Sowjetische Handelsmission".
- Zitate
Lorraine Broughton: I've read your file. I've also read your dog file. So let's cut the crap, shall we? This whole hungover, show-up-late, don't-know-which-way-is-up act, I'm not buying it. I trust you about as far as I can throw you.
David Percival: "It's a double pleasure to deceive the deceiver."
Lorraine Broughton: Niccolo Machiavelli. It was on your shelf.
David Percival: Oh my God, I think I fucking love you!
Lorraine Broughton: That's too bad.
- Crazy CreditsThere is a credit for "Best Camera Trainee Ever."
- Alternative VersionenThe lesbian scenes were cut from the Arab version release.
- VerbindungenFeatured in Atomic Blonde: Fight Like a Girl (2017)
- SoundtracksBlue Monday '88
Written by Stephen Morris (as Stephen Paul David Morris), Bernard Sumner, Peter Hook and Gillian Gilbert (as Gillian Lesley Gilbert)
Performed by New Order
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
- How long is Atomic Blonde?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Atómica
- Drehorte
- Budapest, Ungarn(as Berlin, Germany, main shooting location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.687.870 $
- Eröffnungswochenende in den USA und in Kanada
- 18.286.420 $
- 30. Juli 2017
- Weltweiter Bruttoertrag
- 100.014.025 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1