Die Familie Manzoni, ein berüchtigter Mafiaklan, wird im Rahmen des Zeugenschutzprogramms in die Normandie, Frankreich, umgesiedelt, wo die Anpassung bald eine Herausforderung wird, da ihre ... Alles lesenDie Familie Manzoni, ein berüchtigter Mafiaklan, wird im Rahmen des Zeugenschutzprogramms in die Normandie, Frankreich, umgesiedelt, wo die Anpassung bald eine Herausforderung wird, da ihre alten Gewohnheiten schwer sterben.Die Familie Manzoni, ein berüchtigter Mafiaklan, wird im Rahmen des Zeugenschutzprogramms in die Normandie, Frankreich, umgesiedelt, wo die Anpassung bald eine Herausforderung wird, da ihre alten Gewohnheiten schwer sterben.
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Director Luc Besson is trying to make a black comedy, but it's only mildly amusing occasionally. It's cute to see Dianna Agron smash a guy with a racket. And it's cool to see Michelle Pfeiffer blowing up the convenience store. Of course, Besson is winking at us as Robert De Niro enjoys a showing of Goodfellas. But it's doesn't translate into a funny comedy. At best, there were a couple of chuckle worthy moments.
The movie probably needs a comedian. Looking around, there isn't one known comedian in the bunch. I can't imagine somebody who thinks the pairing of De Niro and Jones would result in hilarity. They could be funny, but only if paired with a great comedian. De Niro needs Ben Stiller for the Meet the Parents movies, and Billy Crystal for 'Analyze This'. And Grumpy face Jones can really only do the straight man. The Tommy Lee Jones role would be better played by somebody funny. Grumpy face is not that somebody.
Robert De Niro is Giovanni Manzoni, a crime boss on the run from his gang, who he tattled on. Put under witness protection, he and his family have a hard time sticking to their given identities as Giovanni is unable to rein in his sadistic urges, leading to a murder here, and a bashing there. His family is not far behind though- Michelle Pfeiffer is one bad closet pyromaniac of a mother, Dianne Aragon is the beautifully dangerous daughter, and John D'Leo is the young wheeler dealer gun, waiting to make a name in the business. The kids are a chip off the old block - brave and shrewd, with extremely practical, no nonsense attitudes. Tommy Lee Jones is the FBI agent who has to help these lunatics maintain a low profile. But all they keep doing, in different doses of hilarity, is making a war-zone out of a mofussil town.
Luc Besson makes a fine comeback with this funny gangster comedy- the script is witty, the pace is fast, there are sudden scenes of shocking violence, and equal doses of laugh out moments. All the actors do a great job. This is a role meant for De Niro- he is a career don (Goodfellas, The Godfather, Casino) and this is right up his alley, a walk in the park. His interactions with his family are awesome, and at the end i was left wanting more of this family- a sequel on the cards? Michelle Pfeiffer's beauty has not dimmed one bit, and Tommy Lee Jones maintains a straight face throughout the antics.
The Family is as much about a real family as it is about thugs. Growing up pains, romance, responsibility, will to survive- all of it is nicely packaged into a decent entertainer which has loads of laughter, guns, hammers, baseball bats, explosions, and everything else you love about the gangster movie genre- 7/10
Family values in The Family are not your father's values unless, like me, your grandfather ran a numbers business in the basement of his barbershop. All of Kodak Park enjoyed that true color.
The Giovanni Manzoni/Fred Blake (Robert De Niro) family has a paterfamilias who is a notorious Mafia don in the FBI witness protection plan. (De Niro as a mobster is the fall's most unimaginative casting but he's funny.) His values are ratting on his fellow Mafiosi to save his legal hide, forcing him to hide with a $20 million reward dogging him. The family's love for each other is unconditional and treats challenges with a baseball bat rather than diplomacy. If a Frenchman disrespects Americans, he might find his supermarket in flames.
If this sounds like a story to turn the nuns' heads completely around, don't worry; it's ultra "black comedy," equal parts Italian-American gangster satire and laughable domestic shenanigans. That midway in the film Fred gets to speak on the merits of GoodFellas before a French crowd in Normandy is one of the nice meta-critical-comedic turns followed by carnage we've come to expect from Mob films. It's pretty much territory owned by Scorsese and De Niro. Additionally, the use of the "f" word has never been so deftly played in a comedy.
Besides the joy of seeing De Niro have a good time with the many tough characters he has played in his career, you get to see Tommy Lee Jones play a gruff FBI agent, Robert Stansfield, who can trade barbs with his charge, Fred, who has such a propensity for violence (he beats up the only plumber within 20 miles of town) that Fred is a full time job for Robert. If Jones's face can't scare Fred into being a good boy, then the threat of losing witness protection does the trick.
Directed with wicked tongue in cheek by La Femme Nikita's stylish Luc Besson, The Family sports an accomplished supporting cast: Michelle Pfeiffer as mom Maggie is gritty Brooklyn with her famous beauty well preserved. The two kids played by Diana Argon and John D'Leo are spot on sweetly dangerous as you might expect.
It's all in GoodFellas fun, a mildly amusing and unusual story that beats many mainstream comedies this year.
"The Family" is a funny black humor comedy by Luc Besson about a family that travels to France under the witness protection program. The story has memorable moments, and my favorite is the reaction of Maggie when she goes to the small supermarket and feels offended. The conclusion uses many clichés and is weak, but watching this movie is worthwhile. It was a great entertainment for a Saturday afternoon without beach in Rio. My vote is seven.
Title (Brazil): "A Família" ("The Family")
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- WissenswertesWhen John D'Leo first met Dianna Agron on-set, he unknowingly asked her if she was the Make-up Girl. Agron burst out laughing and said, "I'm your sister!"
- PatzerIn the movie, the personnel guarding the family are FBI agents. In actuality, the Witness Security Program is operated by the U.S. Marshals Service, not the FBI.
- Zitate
Belle Blake: [after beating Andre with a tennis racket] Hey boys, is this your approach to women? You're not gonna get very far. Girls are not some toys that you fuck in the park! Okay? Your future depends on women, don't you care about your future? So take care of them, or else you're not gonna have one.
- Crazy CreditsAt the beginning, the words "father", "mother", "son" and "daughter" are shown and intersected. Some of the letters vanish, and the remaining ones spell the film's title.
- SoundtracksShine Brightly
Written by Don Boyette, Brittany Butler, Ted Silbert
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Una familia peligrosa
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.918.811 $
- Eröffnungswochenende in den USA und in Kanada
- 14.034.764 $
- 15. Sept. 2013
- Weltweiter Bruttoertrag
- 78.418.811 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1