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Nymphomaniac: Teil 2

Originaltitel: Nymphomaniac: Vol. II
  • 2013
  • 16
  • 2 Std. 4 Min.
IMDb-BEWERTUNG
6,6/10
101.266
IHRE BEWERTUNG
BELIEBTHEIT
2.370
463
Nymphomaniac: Teil 2 (2013)
Trailer for Nymphomaniac: Vol. II
trailer wiedergeben1:46
3 Videos
99+ Fotos
Psychological DramaDrama

Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.

  • Regie
    • Lars von Trier
  • Drehbuch
    • Lars von Trier
  • Hauptbesetzung
    • Charlotte Gainsbourg
    • Stellan Skarsgård
    • Willem Dafoe
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    101.266
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.370
    463
    • Regie
      • Lars von Trier
    • Drehbuch
      • Lars von Trier
    • Hauptbesetzung
      • Charlotte Gainsbourg
      • Stellan Skarsgård
      • Willem Dafoe
    • 183Benutzerrezensionen
    • 257Kritische Rezensionen
    • 61Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 14 Gewinne & 31 Nominierungen insgesamt

    Videos3

    Nymphomaniac: Vol. II
    Trailer 1:46
    Nymphomaniac: Vol. II
    Trailer #1
    Trailer 1:47
    Trailer #1
    Trailer #1
    Trailer 1:47
    Trailer #1
    Nymphomaniac: Volume 2: Sex Addict (French)
    Clip 1:04
    Nymphomaniac: Volume 2: Sex Addict (French)

    Fotos167

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    Topbesetzung42

    Ändern
    Charlotte Gainsbourg
    Charlotte Gainsbourg
    • Joe
    Stellan Skarsgård
    Stellan Skarsgård
    • Seligman
    Willem Dafoe
    Willem Dafoe
    • L
    Jamie Bell
    Jamie Bell
    • K
    Stacy Martin
    Stacy Martin
    • Young Joe
    Shia LaBeouf
    Shia LaBeouf
    • Jerôme
    Christian Slater
    Christian Slater
    • Joe's Father
    Uma Thurman
    Uma Thurman
    • Mrs. H
    Mia Goth
    Mia Goth
    • P
    Sophie Kennedy Clark
    Sophie Kennedy Clark
    • B
    Michael Pas
    Michael Pas
    • Old Jerôme
    Jean-Marc Barr
    Jean-Marc Barr
    • Debtor Gentleman
    Udo Kier
    Udo Kier
    • The Waiter
    Ananya Berg
    Ananya Berg
    • Joe - 10 Years
    Morgan Hartley
    • B - 12 Years
    Andrea Thomsen
    • Joe's Girlfriend - 12 Years
    Tine Burn
    • Joe's Girlfriend - 12 Years
    Tabea Tarbiat
    • Valeria Messalina
    • Regie
      • Lars von Trier
    • Drehbuch
      • Lars von Trier
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen183

    6,6101.2K
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    Empfohlene Bewertungen

    7PassPopcorn

    Pass the Popcorn! review

    I finally got to see the second part of Lars von Trier's Nymphomaniac last night. As you might remember, I didn't really like the first part – it was mostly pretentious artsy stuff that couldn't keep me interested, and also I didn't come to the theater to masturbate, as some people seem to be doing. And seriously, how can they? I admit that this movie can make you horny, but every sex scene is coated with depression and isn't really sexy, which ultimately ruins the mood. But I digress. Nymphomaniac vol. II turned out to be quite surprising. It was better than the first part, and more interesting, as it focused more on the main character's relationship with society and how her 'condition' affected it – and therefore, it was much darker and heartfelt.

    Note: skip this paragraph if you plan to see the movie as a whole, as it reveals some important plot points from the first volume. In this part, Joe (Charlotte Gainsbourg) is still telling her story to Seligman (Stellan Skarsgard), but his role is minor as he mostly listens and doesn't have many witty, maths-related remarks – which I thought was positive, and I liked that Joe asked him how could he possibly be thinking about mathematical formulas while she's talking about sex. My thoughts exactly, but this gets explained, too: Seligman is an asexual virgin. For the sake of drama, could he really have been anything else if not Joe's exact opposite? Also, this part shows us Joe ruining her monogamous life with Jerôme (Shia LaBeouf) because of her addiction, and we can finally see and understand the pain her addiction causes her.

    I like to think this part of the movie is more Trier-like: there is less pretentious crap and less oh-so-shocking sex, but more is said about the main character and the story actually goes somewhere (while the first part was mostly about young Joe having sex). Volume II finally tackles the subject of nymphomania as a serious addiction. Just like a junkie, Joe gives up everything for her daily dose, even her loving husband who just can't satisfy her need. And even when she, in one scene, claims she loves herself as she is – a sex addict – it's hard not to smile and feel pity for a person that tries, in every possible way, to justify her behavior, while being aware of the lies she's feeding herself with. Still, I understand why the first part of the movie is lighter and focused on Joe's sexual adventures: every addiction feels awesome at first, just like youth is a much easier life period than all that comes after. Because of this needed transition, it's much better to watch the movie as a whole, if you can manage to sit through its 4 hour entirety.

    It was also easier to concentrate on the actors' performances in this part of the movie. Stacy Martin is finally gone, thank God, except for a small part in the beginning that doesn't really show her bad acting. You can now really appreciate Charlotte Gainsbourg as an actress, as she does more than just sit on a bed and talk. Mia Goth is really good as P, even though this is her first role in a movie ever. Willem Dafoe got too little screen time to be really impressive, although he wasn't bad, but Jamie Bell as the sadistic K was great – so naturally intimidating, even his facial expressions make you shiver. There are still some scenes that make you cringe, the pretentiousness isn't completely gone and the movie is tedious from time to time, but I'd suggest you see it, preferably as a whole. It's not perfect, but it's definitely an interesting experience.

    Rating: 7/10 Read more at http://passpopcorn.com/
    9SimonD1900

    The tabu of sex

    Sex is tabu, something shameful. At the same time we praise it and obbses over it. It's all most want to talk about, and do talk about, yet there is so much *hush hush* about it at the same time. We love it and we fear it. It's both extacy and it's also pain. It's such a double edge sword. Yet, in reality, it's one of the most common and fundamental parts of human nature and what we are. It's actually mondane. Still, we make such a big fuss over it.

    I think Trier tries to tackle this ambivalent complexities we have about sex, also the fact that we humans function sexually in very different ways, in this very long two part film. Personally, I think he did a good job. I do understand if many hate it though and I wouldn't blame them.

    And I would like to add, if you enjoy this movie. I would recommend the directors cut version.
    7fciocca

    The descent into darkness of Joe.

    While the first volume of 'Nymphomaniac' served the purpose to build up the character of Joe, this second part is the descent into complete darkness of this woman, who loses any kind of control. Here we see all the negative consequences that her addiction brings into her life. This chapter is tougher to watch, because the images used are very graphic and explicit. The plot is showing Joe slowly but inevitably spiraling down into a very dangerous path and the more we go on, the worse things get. The protagonist is completely detached from reality and the director managed very well to create this sensation of alienation on screen. Some shootings are surreal and I felt a constant feeling of loneliness for a person that basically cannot find any kind of satisfaction anymore. This film hits pretty hard, and it is not for everyone. I watched the director's cut of both chapters, which were rawer and longer compared to the normal cinematic release. I cannot really make a comparison between the two versions, but I feel that despite their length, by the end of the two movies we have a full picture of Joe's story, which is rich with compelling details. So, my recommendation would definitely be to retrieve the extended version.

    The cast is composed of many great actors. I loved to see Willem Defoe, even though he had just a small part that granted just a few minutes of screentime. I loved Mia Goth in 'X: A Sexy Horror Story' and 'Pearl', so I was very happy to see her in this film as well. She is good, but unfortunately she appears only in the latest 40 minutes of the film. I liked the interpretation of K by Jamie Bell. Despite being aggressive, he was an interesting character that enabled a part of Joe that was hidden. The photography is amazing, however in terms of creative editing choices, I preferred the first film. This one at times looked a bit flat and boring. I think that some images are just too cruel. In this case, they really do not serve any purpose to the story. I get that Lars Von Trier wanted to create a shock effect, but in my perspective it was unnecessary. Overall my rate for this last chapter is slightly lower than the first one: 7.2. However this is an incredible movie that exposed several controversial topics such as abortion, sex addiction and it questioned many aspects of human relationship back in 2013, where these kinds of topics were taboo for the most part. 'Nymphomaniac' is in my perspective a pioneering film that you should absolutely watch.
    5Leofwine_draca

    The lesser of the two films

    Lars von Trier's second film about the life story of a female nymphomaniac goes down increasingly dark alleyways compared to VOL. I, but at the same time I found it the lesser movie. This film just doesn't have the drive or vitality that made the first film so interesting, and there are some odd plot decisions - especially towards the climax - that don't ring true.

    There are still some oddly gripping moments here, but they're more disturbing than ever. Jamie Bell is a real surprise, playing a completely different character to that than you'd expect and doing very well with it too. I'm surprised that I found Charlotte Gainsbourg less sympathetic than the actress playing the younger version of her character. By the time Willem Dafoe enters the frame, the movie seems to have lost its way and become a bizarre, slow-paced thriller instead. And don't get me started on the Mia Goth stuff.

    As before, this is a beautifully shot movie with a lot of fragility and artiness contained within its shots. But Lars von Trier can only keep the audience's interest for so long, and by now his tale is beginning to drag, leaving a film that is only so-so rather than profound. And that 'twist' ending is ludicrous more than anything else.
    Gordon-11

    Nymphomaniac: Vol. II

    This film tells the story of a woman who turns into dark sexual behaviour after discovering that just sex is not enough to satisfy her nymphomaniac urges.

    In "Nymphomaniac: Vol. II", there is a lot of graphic sex. The sadomasochism is quite shocking and raw. There are many occasions when I was very surprised by how far the actors and actresses would go. How she descends into a pitiful state is sad. The second half of the film takes a turn into exploring another side of Joe's sexuality. Actually, "Nymphomaniac: Vol. II" explores almost all common sexual minority behaviours - it is almost an eye opener - and in some cases eye closer.

    "Nymphomaniac: Vol. II" is a bit too extreme for my taste.

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    Handlung

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    • Wissenswertes
      Charlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
    • Patzer
      In the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
    • Zitate

      Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.

      Seligman: That's unbelievable!

      Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.

      Seligman: No matter how much I try, I can't find anything laudable in pedophilia.

      Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.

    • Crazy Credits
      Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
    • Alternative Versionen
      The director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
    • Verbindungen
      Featured in Film '72: Folge vom 19. Februar 2014 (2014)
    • Soundtracks
      The Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
      Performed by Mads Hock

      Written by Johann Sebastian Bach

      Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)

      © Zentropa Music

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. April 2014 (Deutschland)
    • Herkunftsländer
      • Dänemark
      • Deutschland
      • Belgien
      • Vereinigtes Königreich
      • Frankreich
      • Schweden
    • Offizielle Standorte
      • Magnolia Pictures
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Ninfomanía (vol. 2)
    • Produktionsfirmen
      • Zentropa Entertainments
      • Zentropa International Köln
      • Slot Machine
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    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 327.167 $
    • Eröffnungswochenende in den USA und in Kanada
      • 74.978 $
      • 6. Apr. 2014
    • Weltweiter Bruttoertrag
      • 4.934.965 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 4 Minuten
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    • Seitenverhältnis
      • 2.35 : 1

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