IMDb-BEWERTUNG
4,9/10
18.575
IHRE BEWERTUNG
Ein Team von Betrugskünstlern bekommt mehr, als sie erwartet haben, wenn ein Job in einem verfluchten Anwesen außer Kontrolle gerät.Ein Team von Betrugskünstlern bekommt mehr, als sie erwartet haben, wenn ein Job in einem verfluchten Anwesen außer Kontrolle gerät.Ein Team von Betrugskünstlern bekommt mehr, als sie erwartet haben, wenn ein Job in einem verfluchten Anwesen außer Kontrolle gerät.
- Auszeichnungen
- 1 Nominierung insgesamt
Ian Lorimer Milne
- Craig
- (as Ian Milne)
Empfohlene Bewertungen
Malevolent, which just premiered on Netflix, is about a phony ghost-hunting crew in the '80s who encounter a real haunted house. I'm seeing a lot of negative reviews for this. Thought it wasn't half bad myself. Sure, it doesn't really do anything new and the story and direction is average, emphasis on AVERAGE. This is a competent film, and I was entertained enough for the running time. The cast is game and sells this. Also, there are a couple of interesting song choices that did catch me by surprise and added to the creepiness.
There were moments during this horror flick where I was fully engaged but then found myself struggling to keep interested. The pace is uneven and the dialog stiff and unnatural. A big part of the problem is actor Ben Lloyd-Hughes. Perhaps it's the fault of the filmmakers for making this Brit actor an American caritcature, cartoonish in his immorality, bullying with denim shirt sleeves rolled up like a 50's Kerouac character, but most of the fault likes with the actor himself. Lloyd-Hughes prefers bludgeoning the viewer instead of giving us muted shades. On the other hand, Florence Pugh is a revelation. Whereas Lloyd-Hughes's portrayal lacks subtlety, Pugh is all nuance. Silent through much of the movie, the director lets Pugh's face tell the story. She has a way of barely moving her facial muscles to convey a great deal. At one point early on, a friend asks a newly-haunted Angela if "she's on something." Her reaction perfectly captures that look narcotic drugs can bring to a person; it leaves the viewer with no doubt to her changing state of mind. A wonderful moment. As for the film itself, it avoids many of the genre's repetitious gimmicks, relying on our imagination to fill in the blanks. For that alone, and Pugh's remarkable performance, I enjoyed "Malevolent," despite the lagging moments, weak dialog and Ben Lloyd-Hughes.
I really looked forward to Malevolent, particularly when I read the outline and saw that both Celia Imrie and James Cosmo were in it.
The script is a really good one, the plot is clever, and is probably the film's biggest asset, the performances are good, and at least the film manages to surprise you, as you watch it, you think you know exactly the direction the film is moving in, you quickly discover you were wrong.
It is definitely flawed, at times it seems not to make sense, almost as if scenes were cut, but it hangs together well, and after a pretty tame start it transforms into a much grittier, darker film.
Fine performances, Ben Lloyd-Hughes and Florence Pugh were particularly good I thought, Celia Imrie is excellent as always, a great chance to witness just how wonderfully talented and versatile an actress she is, what a difference to her character in Acorn Antiques.
It never looks high budget, but it's an enjoyable watch, 7/10.
The script is a really good one, the plot is clever, and is probably the film's biggest asset, the performances are good, and at least the film manages to surprise you, as you watch it, you think you know exactly the direction the film is moving in, you quickly discover you were wrong.
It is definitely flawed, at times it seems not to make sense, almost as if scenes were cut, but it hangs together well, and after a pretty tame start it transforms into a much grittier, darker film.
Fine performances, Ben Lloyd-Hughes and Florence Pugh were particularly good I thought, Celia Imrie is excellent as always, a great chance to witness just how wonderfully talented and versatile an actress she is, what a difference to her character in Acorn Antiques.
It never looks high budget, but it's an enjoyable watch, 7/10.
Florence Pugh always delivers. You any fault her as an actress, she's just so natural and she's does a great American accent.
The same cannot be said for Ben Lloyd Hughes. His American accent comes & goes (not helped by the somewhat clunky script he has) & he really just isn't leading man material. Albeit very much a support to Florence anyways but he's just not very good. I realise his character is meant to be somewhat unlikeable but he has no redeeming qualities whatsoever. Maybe he's a better actor than I am giving him credit for on that basis alone.
I know from the music and the Walkman / phone / phishing machine etc that this is set in the 80's but it doesn't have an 80's feel to it...it's like they are just using retro items...can't quite explain it...doesn't have the feel.of.a different era.
But I am giving it 8 stars cos I can't fault Florence!
The same cannot be said for Ben Lloyd Hughes. His American accent comes & goes (not helped by the somewhat clunky script he has) & he really just isn't leading man material. Albeit very much a support to Florence anyways but he's just not very good. I realise his character is meant to be somewhat unlikeable but he has no redeeming qualities whatsoever. Maybe he's a better actor than I am giving him credit for on that basis alone.
I know from the music and the Walkman / phone / phishing machine etc that this is set in the 80's but it doesn't have an 80's feel to it...it's like they are just using retro items...can't quite explain it...doesn't have the feel.of.a different era.
But I am giving it 8 stars cos I can't fault Florence!
It wasn't terrible. I think the best way to sum it up is "good idea, poor execution". The film had a good cast and the acting was pretty good and I think the plot twist was a great idea. It was just lacking in shock factor. The ending felt rushed as well, and the beginning of the film dragged on so there wasn't enough time left to really focus on the climax. The pacing was off. I remember as soon as the film was done I said "wait, so that's it?". Overall, it's not a bad movie, and I don't regret watching it. Would I recommend it? No, I probably wouldn't. Keep in mind this is simply my opinion. I know some really liked this movie.
Wusstest du schon
- WissenswertesBased on the book "Hush" by Eva Konstantopoulos.
- PatzerAside from certain technologies seen, such as 1980's headphones, there is very little from the actual 1980's in this movie. Most of the fashions, makeup and hairstyles seem very much from the 21st Century, especially during the nightclub scene.
- Zitate
[first lines]
Title Card: None of the dead come back. But some stay. -Saint John the Divine
- SoundtracksI.O.U
Performed by Freeez
Written by Arthur Baker and John Robie
Produced by Arthur Baker
Publishers: Downtown DMP Songs (BMI)/Shakin Baker Music Inc (BMI)/Indulgent Music (BMI)
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media
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Details
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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By what name was Malevolent - Und das Böse existiert doch (2018) officially released in India in Hindi?
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