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"Kuberaa" (2025) emerges as a significant showcase for Dhanush, who delivers a truly stunning, arguably career-best performance. His transformation and embodiment of the character are captivating throughout. However, despite this central strength, the film is hampered by its excessive length and a rushed climax that ultimately undercuts its impact.

Dhanush is the undeniable highlight of the film. His portrayal of a complex character is nuanced, raw, and deeply compelling, demonstrating his exceptional range and commitment. He elevates every scene he's in, making it a performance worthy of major accolades.

The film, directed by Sekhar Kammula, attempts a multi-layered narrative delving into financial crimes and societal power structures. The initial premise is good, offering an intriguing setup that promises depth and engagement. The supporting cast, including Nagarjuna and Rashmika Mandanna, also deliver strong performances, adding to the film's overall quality.

However, "Kuberaa" struggles with its pacing, particularly in the middle sections. The narrative feels protracted, and there are moments where the film becomes tiring, losing the viewer's consistent engagement. This extended runtime dilutes the impact of the unfolding events. Furthermore, the climax, despite the preceding build-up, feels rushed and doesn't land with the emotional punch or narrative satisfaction it should have, leaving a sense of unfulfilled potential.

While "Kuberaa" is a good film with a compelling core and a standout performance from Dhanush, its length and a weak, hurried ending prevent it from reaching the heights it otherwise could have achieved.

A more preachy movie which has its moments but mostly resembling 80's cringe ... This is period of movie making where messages has to be told subtle with good entertaining elements which can take the message to people though not a new message not ever told..but when you want to tell it make it more entertaining as people are speningd their 3 hrs not to watch BHAGAVATH GEETHA but a movie. Shekar , the director made a cringe out of it. The plot is interesting with some thriller elements ...But climax last 20 minutes is more absurd and pulled the movie... Nagarajuna, the king actor to me, is wasted in an unimpressive role with not much interesting to do as his angle of the movie was also very superlatively shown with no depth... Dhanush was more natural in his acting and casual . Rashmika did her role well but again completely wasted with not much relevance in the context of the movie... Bhagyaraj in an unidentifiable role but again wastwd. Villains were more Hindi speaking and has major lip sync issues so was more irritating than generating interest... Overall a disappointing adventure by an exciting director More suitable OTT watch ..

What if billions of dollars in oil reserves could make or break a nation's future? Kuberaa opens with this tantalizing premise, weaving a web of financial espionage where CBI officers, corrupt businessmen, and shadowy power brokers circle each other like sharks.

For most of its runtime, Sekhar Kammula's thriller keeps you guessing who's playing whom in this high-stakes game of greed and justice. Then comes that ending, and suddenly, all that carefully built tension deflates like a punctured tire.

Nagarjuna delivers a compelling performance as Deepak, a disillusioned CBI officer, showcasing more emotional range than his recent commercial outings. His internal conflict feels authentic and lived-in. Dhanush, in a pivotal role, brings his trademark intensity, though his character arc feels somewhat under-explored compared to his stellar work in recent Tamil films. Jim Sarbh as the ambitious businessman Neeraj Mitra is deliciously menacing, in stark contrast to his Homi Bhabha in Rocket Boys. Rashmika Mandanna, while serviceable, doesn't quite transcend the limitations of her role. Dalip Tahil is wasted in an inconsequential role.

Kammula crafts a visually striking film that tackles corruption and power with admirable ambition. The oil reserve subplot provides genuine intrigue, and the film's first two acts maintain impressive momentum. However, the resolution feels rushed and somewhat predictable, preventing what could have been a truly memorable thriller from reaching its full potential.

Despite its flawed conclusion, Kuberaa succeeds as both entertainment and a window into Telugu cinema's evolving sensibilities.

Each and every Sekhar Kammula's film promises an engaging and beautiful story that takes us into the movie. But that is missing in this movie. The first half is pretty good, and it hypes the movie so that by the interval, everyone will be waiting for some twists and turns and something big happening in the last, but that's not what happens. In the first half, they take us to an extreme point where we feel eager to know what's gonna happen next. The second half is a bit lagging but we will still be waiting for something. Which, in the last, remains untouched.

Only Danush's action is the one that holds us in our seats throughout the movie. He did an outstanding and brilliant job, which not all leading superstars dare to do. Other co-stars like Nagarjuna and Rashmika also did well, but Jim Sarbh, who played the role of antagonist, should be praised for his performance. But the biggest drawback is the climax. Many things that were meant to be revealed in the last were not which leaves the audience in a pool of confusion and doubts. This film is watchable but only once, and if you're someone who enjoys the performances than the plot, it's a big yes for watching it in the theatres; otherwise, you can wait for OTT...

The film feels fresh and good overall, but it still carries some cliché baggage-especially when it comes to the villains. The hero's character, though, is rare and really interesting. The first half is very good and the second half graph goes down.

It's a long ride-some scenes are fantastic, some drag like a Monday morning, and the rest are just... there. Dialogues feel pretty generic, nothing that sticks.

Dhanush absolutely nails it-can't imagine anyone else in that role. Nagarjuna looks cool and plays a refreshing part; he does a decent job.

It could've been even better if they had swapped Rashmika with Sunaina, she brought real talent to a tiny role, while Rashmika had a better role but didn't quite bring it to life.

Music fits well, cinematography looks great, and the production design is top-class-very natural and detailed. Direction is good too. Shekhar Kammula experiments a bit but still sticks to his usual flavor.

It's a good film-not a must-watch classic, but definitely not a flop either. Had the potential to be great, but missed the mark by a bit. Whether to catch it in theatres, wait for OTT, or skip it-totally your call.

Excellent film by shekar kammula! Dhanush's acting is magnificent!!!! Great story, no lag, attention grasping story. No boring scenes.... Reality of India! Those who lost hope in ur life, watch this movie. An excellent acting of all the actors. I bet no big actor in tollywood can do dhanush's character in this movie. His passion towards acting is just amazing! Dhanush's acting vere level. No commercial overactions. Shekar kammila is known for good classic movies but this time after this action teaser we doubted shekar's new style of story and direction but he didn't fail to make us love him as always. Great movie!

Kuberaa is a decent movie overall. If I had to put it simply in one line, that's it. The performances are top notch, but the characters aren't very strong. Cinematography, storytelling, visuals and all technical stuff is really good, but the story gets boring. It's more than 3 hours long and starts feeling draggy. There's no real excitement in the movie, it just goes smoothly without any scene that stands out. Instead of love, the movie talks more about humanity - shows one side of the story from a beggar's perspective with a human touch. One good thing is Dhanush's acting, he was excellent and even without heroism or mass elements, his character felt real. Rashmika's role felt wasted. Overall it's a normal watch with some disappointment.

With Kubera, Indian cinema offers a striking meditation on the corrupting power of wealth, told through the intimate, unsettling journey of a man thrust from the margins of society into its golden center. Far from the tropes of rags-to-riches storytelling, this film approaches economic mobility not as a triumph, but as a crisis existential, moral, and spiritual.

Directed with remarkable clarity and restraint, Kubera follows the trajectory of a beggar whose sudden rise into affluence acts as a catalyst for an internal unravelling. The narrative arc resists melodrama and embraces a more psychological realism, examining how social class, trauma, and ambition intersect.

Dhanush's performance is a central pillar of the film's success. It is not performative in the traditional sense, but inhabited almost lived. His ability to modulate between the vulnerability of the dispossessed and the performative confidence of the newly powerful is subtle and deeply affecting. He embodies the contradictions at the heart of the film: pride and shame, desire and guilt, survival and self-destruction.

The film's screenplay is economical and deliberate. There is little exposition; meaning is built through gesture, image, and silence. Dialogue is sparse, leaving space for the audience to interpret rather than consume. In this way, Kubera aligns itself with a more contemplative tradition of filmmaking recalling, at times, the moral ambiguity of European neorealism or the social critique of Indian parallel cinema.

Visually, the film employs a carefully constructed aesthetic. The contrast between the chaotic, dusty realism of the protagonist's early life and the cold, glossy sterility of his later environment is not just symbolic it is diagnostic. The cinematography does not romanticize poverty nor glamorize wealth; instead, it reveals both as psychological spaces as much as material ones. The lighting, in particular, evolves with the character's inner world: dim and earthy in the early scenes, then increasingly sharp, distant, and artificial as he ascends.

The score is equally considered. It refrains from overemphasis, choosing instead to serve the internal rhythm of the film. Moments of tension are often underlined not with music, but with silence, forcing the viewer to sit with discomfort rather than be guided through it emotionally.

What distinguishes Kubera from many of its contemporaries is its refusal to resolve itself through easy catharsis. There is no simplistic moral takeaway, no forced redemption. Instead, the film concludes in a space of ethical ambiguity, leaving the viewer with a set of unresolved tensions. This ambiguity is not a flaw, but a strength. It affirms the film's seriousness as a work of art its desire not to entertain, but to provoke thought.

In the context of Dhanush's broader filmography, Kubera represents a significant contribution. Known for his versatility and commitment to challenging roles, Dhanush here participates in a project that aims for something more than mainstream appeal. It is a film with thematic ambition, stylistic discipline, and political resonance.

Kubera invites reflection not only on individual choices but on the structures that shape them. In doing so, it asserts cinema's enduring role as a mirror not just to society's surface, but to its deepest ethical and psychological fractures.

Could have easily cut down the total run time to 150mins, felt like I was in for a long chase right from the moment Deva escaped from the baddies. And to top that some of those chase sequences felt repetitive and tired. But Dhanush did a fine job in portraying the role of a beggar, he literally got himself immersed in the character and made us feel like we were watching the life of a real beggar. Rest of the characters too did a great job in their roles. And coming to the score, at times it was good especially the one for Neeraj(played by Jim Sarbh). Overall a decent film with some shortcomings.

WORST 3 hours of my entire life. The movie has no head and no tail. The whole movie revolves around a beggar running in circles and completely based on unrealistic terms. No one except Dhanush had a role in this movie. Not one character showed any ethic. There is no story line or plot whatsoever and the movie has an incomplete and utterly stupid ending. The only plausible reason for this movie to have 7.6 rating is because of crazy fanatics. As someone who loves watching Dhanush and Nagarjuna on screen, this movie was an UTTER FAILURE. My honest opinion save your money and time. The script writer is definitely straight out of school.

Kubera is more than just a film-it's an emotional, cinematic storm that leaves a lasting impact. With powerful storytelling, unforgettable visuals, and phenomenal performances, it's easily one of the most gripping experiences in recent times.

Nagarjuna sir is back, radiating unmatched style and grace. His screen presence is magnetic, and every scene he's in feels iconic. It's a comeback that reminds us of his timeless charm and power.

Dhanush is on another level altogether. He doesn't just act-he vanishes into the role. Watching him as a helpless, broken man-a beggar-is nothing short of transformative. His pain feels real, raw, and deeply human. It's one of those rare performances that makes you forget the actor and only see the character. I actually clapped in the theater for the first time.

Rashmika Mandanna delivers a top-notch performance, full of fire, emotion, and subtle strength. She nails every scene she's in, proving again why she's one of the most versatile and magnetic actresses of this generation.

Add to that stunning choreography, a powerful soundtrack by Devisree, and impactful visuals-Kubera is a complete cinematic package.

Don't miss it. Feel it. Experience it.

Kubera is a very good attempt but misses the point due to dragged screenplay. Dhanush is a show stealer with his stellar acting. Nagarjuna's grey character is well written and a satisfying ending is given to his role. Rashmika Mandanna has done a good job too. Jim Sarbh also has done very well what he had to. So acting wise all 4 actors, have given their best. Dialogs are also well written although some lines by Dhanush and Rashmika repeat many times in the film.

The story is also promising and the first half is gripping. The second half however gets lost in dialogues, and the cat-and-mouse chase between the two lead characters is tiresome. (I thought it was a movie about scam as shown in the trailer, but it's only used as a backstory for all those chase scenes) DSP's bgm is good but in some places repetitive. Visuals are also good especially in the laser format.

Overall, it mostly delivers on its promise of an engaging story, but the dragged screenplay and rushed ending brings it down.

For a film named Kuberaa, it felt poorer than an artist during the COVID lockdown. Nothing 'Kuberaa-ish' about it. Thematically thin, narratively bankrupt and barely more than just loose change.

Kuberaa sets the stage for a compelling social crime drama with weighty themes, but the screenplay forgets to do anything well. The ideas aren't explored with conviction, the narrative feels patchy, and scattered emotional highs are no excuse for the rushed and unsatisfying payoff the film was supposedly building toward.

In the end, Kuberaa promises wealth in meaning (and themes) but trades it all for emotional spectacle...one that builds ambitiously but cashes out on mediocrity.

I had no expectations for Kuberaa because I didn't like Sekhar Kammula's recent movies-the last one I liked was 'Life Is Beautiful' back in 2012.

But to my surprise, I enjoyed Kuberaa. I decided to like the film in the first 30 minutes itseld because it wastes no time and dives straight into the movie's plot and establishes the equation between the antagonist and the two protagonists very clearly.

The first half is really good, with no big issues. The second half is also good because more of the story is revealed here, but it's a bit less interesting since it moves slower, has some clichés before the end, and the ending is just average.

Dhanush is great as usual-no one else could play his character. Nagarjuna is good, but he could be better; I'm not sure if it's his acting or the way his character was written, but something felt off, especially in the second half. Still, I'm glad he's doing roles that fit his age. Jim Sarbh is very good in his part. Rashmika is good too, and you can see she tried hard, especially in the real dumpyard scenes. DSP's music is okay.

Overall, Kuberaa could have been better but I was satisfied and happy that Sekhar Kammula is still in the race and he is not dated yet. Especially I liked how he shot realistic backstories of Deva and Dipya - this added some originality and authenticity to the charecters and the movie.

This film was the first Dhanush film I saw in the theater. While there aren't many things in the film that excite us, there are some things that make us think. As for the verses of the fruit, it didn't hold my attention to a great extent. Similarly, the film's story didn't stick in my mind that much. The other person's screenplay naturally gave it to me. You know, while watching this movie, there were some good comedy scenes. Overall, even though we couldn't take in too many things when we saw the film in the theater, we did take in a few things to a lesser extent. By choosing such stories, there is a chance that Dhanush will get some good things on one side and some bad things on the other.

This Indian film is nothing short of excellent. From the very first frame to the closing credits, it captures the audience with powerful performances of Dhanush, Nagarjuna and Rashmika, a compelling narrative, and a deeply resonant message. The actors didn't just play their roles they truly lived within their characters. Their emotional depth, expressions, and the authenticity with which they portrayed the highs and lows of human experience made each scene feel raw and real. It is rare to see a film where the ensemble cast works in such perfect harmony, yet each actor manages to leave a lasting impact.

The soundtrack of the film deserves special praise. The music does not merely accompany the story it elevates it. Each score is finely tuned to match the emotions of the scenes, whether it's the haunting silence of moral conflict or the intense beats during a moment of ambition-driven conflict. The background score flows like an emotional undercurrent that enhances every turning point in the film, guiding the audience through the characters' psychological landscapes.

Technically, the film is flawless. The cinematography captures both the grit and grandeur of the story. The lighting, set design, costume, and editing all blend together seamlessly to create a cohesive visual narrative. The attention to detail in every shot shows that the technical crew did their job to perfection. Every frame feels intentional nothing is out of place, nothing feels rushed. The transitions are smooth, the color palette reinforces the emotional tone, and the visual storytelling adds layers to the already rich script.

The screenplay is engaging and tightly written. It does not waste time with unnecessary subplots but instead dives deep into the inner workings of its characters and their moral dilemmas.

The direction by Sekhar Kammula is masterful. Every scene feels carefully thought out, and the pacing is impeccable. The director never loses control of the narrative, even when the film explores morally grey areas. Instead, these moments are used to provoke thought and engage the viewer in an emotional and ethical dialogue. The film doesn't offer easy answers, and that's what makes it powerful. It challenges the audience to question what they would do in the same situation and forces them to confront the uncomfortable truths about human nature and society.

What truly makes this film stand out is its exploration of transformation. The protagonist's journey from a beggar to someone chasing immense wealth is not portrayed as a mere change in financial status it is a profound metamorphosis that affects his identity, values, and relationships. The film does not shy away from depicting the dark side of ambition. Greed corrupts not just the soul of the protagonist but also impacts the people around him. The supporting characters, each with their own arc, reflect different responses to the temptations of wealth and the price they pay for their choices.

Yet, amidst the darkness, the film leaves room for redemption. The final act introduces a glimmer of hope, a moment where the protagonist is faced with the consequences of his actions and is offered a chance to make things right. This journey towards redemption is handled with sincerity and emotional depth. It does not feel forced but rather emerges naturally from the character's development.

In conclusion, this film is a brilliant piece of cinema that goes beyond entertainment. It is a thought-provoking exploration of human ambition, moral complexity, and the potential for change. With outstanding performances, breathtaking music, technical excellence, and masterful direction, it delivers a message that lingers long after the film ends. It is a film that speaks to the heart and mind and deserves to be watched, remembered, and discussed.

RATED 7/10 Language: Tamil Source: Nil Media Partner: Amazon Prime

The story is powerful, and its development is handled very effectively. It's truly impressive to see both heroes so deeply immersed in their roles.

The first half subtly unveils the political undercurrents, with restrained yet impactful performances from both Nagarjuna and the antagonist. While the pacing feels a bit stretched at times, the narrative manages to keep the audience engaged.

However, all of this is undermined by how Nagarjuna's character is wrapped up and the way Dhanush takes over in the final 20 minutes. The villain's character loses depth and turns into a joker, making the ending feel disappointing and significantly weakening the overall impact of the film.

Kuberaa is a powerful socio-political thriller that combines gripping action with a meaningful message. Dhanush shines in a dynamic role, while Nagarjuna and Rashmika offer strong support. Director Sekhar Kammula impresses with grounded storytelling and impactful visuals. The film smartly addresses themes like corruption and wealth disparity. Despite minor pacing issues, Kuberaa stands out as a compelling and thought-provoking entertainer.h.

The film tackles themes like corruption and wealth inequality with intelligence.

Despite a slightly slow mid-section, Kuberaa is a must-watch for meaningful entertainment.

This movie had the potential to be the game changer, just falls short, but still, engages you throughout it's runtime Dhanush is literally the heart and soul of the movie, he has literally put up a acting masterclass, be it the expressions, mannerisms or dialogue delivery, everything is on point, simply outstanding. Nagarjuna shines as Deepak, a breath of fresh air from his usual hero roles, Jim Sarbh was terrific as Neeraj, his Telugu dubbing and lip sync was spot on, Rashmika does well in her limited yet good role.

Technically, movie is vibrant and colourful, thanks to cinematographer Niketh Bommi, each and every scene was shot in real time locations, a rarity these days, credit goes to Art director Thota Tharani, editing by Karthika Srinivas could have been better, movie feels so long and sometimes restless too, DSP music is decent, but his BGM is the real deal, showed great variation throughout the movie, still showing that he's the OG Coming to writer director Sekhar Kammula, his writing could have been better, especially the second half and climax, which felt underwhelming, direction is very good, keeps the audience hooked to the screen as long as the movie goes.

BOTTOMLINE: NOT A MASTERPIECE, STILL ENJOYABLE THUMBS 👍

Absolute not cinema. Waste of time. Despite the hype, this film fails on almost every level. The plot is painfully predictable, filled with clichés and lacking any real tension or originality. The characters are shallow, with wooden performances that make it hard to care about their journey. Even the visuals, which had potential, feel overdone and artificial. The pacing drags, and by the final act, you're more bored than invested. Overall, it's a disappointing experience that wastes both time and talent. A forgettable mess that tries to be deep but ends up being dull. Do not waste your time watching.

Set in a complex world driven by black money, power, greed, deceit, trust, betrayal, and a quest for redemption, Kuberaa (2025) is a gritty, cerebral financial-crime thriller that keeps you hooked.

The film is not perfect and it takes a while for it to find its rhythm, as it shifts between the characters.

Dhanush Garu, as Deva the beggar, gives another noteworthy performance. The writing is so good that it gives him ample scope to perform.

Vintage Nagarjuna Garu is back! His character is emotional and contradicting with grey-shades and.reminds you of his role in RGV Garu's Antham (1992). Deepak Tej is a man in turmoil who wants to do the right thing but is manipulated to go against his conscience. Nagarjuna Garu conveys this anguish with restrained intensity. His body language and eyes convey his plight. Adakatteralo pokachekka!👌The last decade was really rough on Nagarjuna Garu (after Oopiri 2016) and we somehow forgot what a phenomenal actor he is!

The last decade (after Oopiri 2016) made us forget what a phenomenal actor he is!

Blending innocence, helplessness and gentle humour, Rashmika Garu makes her presence felt.

As the villain, Jim Sharbh Ji is excellent.

Kuberaa leaves a few questions unanswered towards the end. These niggles stop the story from being wholly compelling. The climax is a bit unconvincing... but I was ok with this.

Sekhar Kammula Garu's direction is not only technically strong, but also emotionally and philosophically effective. There was definitely a lot of heart and hardwork.

He lends credence to the story by setting it in Mumbai and choosing the right locations for every scene.

Anand (2004) was a manchi coffee laanti cinema. Kuberaa (2025) is a manchi kasi tho theesina cinema! Kammula kummesindu!

Story & Screenplay: 8/10 Direction: 8/10 Acting performances: 9.5/10 Music: 9/10 Locations (Mumbai): 10/10 Production Design: 9/10 Cinematography: 8.5/10 Editing: 6/10

A script with extraordinary potential. Well-delivered. But, could it have been made any better? Absolutely yes! Just ignore the shortcomings, and you'll bring home some heavy thoughts to ponder upon.

The film will do well in the Hindi belt too.

A must-watch on the big screen.

Kuberaa delivers a powerful message-one that challenges our narrow understanding of what it means to be a beggar. The film reminds us that begging isn't limited to those in tattered clothes asking for money on the street. In truth, everyone is a beggar in some way-yearning for love, care, attention, or validation. The most striking irony the film exposes is that those who hoard wealth, keeping it confined to themselves and their families while ignoring the needs of the poor, are the real beggars-beggars of generosity, of empathy, of humanity.

A thought-provoking portrayal that leaves a lasting impression. Beautiful direction.

Kubera attempts to ground itself in real, gritty themes - and for the most part, the story holds your attention. It doesn't drag, and there's always something happening. Dhanush, as expected, is phenomenal. His performance anchors the film, and he brings a quiet intensity that keeps you invested. The supporting cast also does a commendable job, complementing his role rather than just filling space.

But here's where the film falters - it feels like it's told in bits and pieces. There's a noticeable disconnect between scenes and characters, like the transitions didn't quite stitch together. At times, scenes felt unnecessarily stretched, while in other places, crucial moments were cut short. This imbalance disrupts the rhythm.

Nagarjuna's character especially stands out for the wrong reasons - his presence feels incomplete and underdeveloped, like a subplot that never truly landed. And the most jarring part? The start and end of the movie feel like they belong to entirely different films. The ending, in particular, comes across as abrupt and oddly placed, leaving behind a sense of urgency and incompleteness.

In short, Kubera had the potential to be a powerful narrative - and Dhanush's performance proves that. But the overall execution, with its fragmented storytelling and pacing issues, holds it back.

Final Verdict: 5 out of 10 Watch it for the performances, but don't expect a cohesive, emotionally satisfying arc.

"Kubera" is a thoughtful attempt by Sekhar Kammula to blend social commentary with mainstream storytelling. With Dhanush and Nagarjuna in key roles, the film has a solid backbone of acting talent and it shows-both deliver powerful performances, with Dhanush in particular standing out in emotional scenes.

The storyline explores themes of power, money, and morality, staying true to Kammula's signature style of grounded, character-driven narratives. The first half is engaging, with good build-up and character development. However, the pacing dips in the second half, and certain subplots feel slightly undercooked.

Rashmika Mandanna adds charm and emotion to the story, but her character could have been explored more deeply. The cinematography and background score elevate key moments, though the music overall feels a bit forgettable for a Kammula film.

It's not a mass entertainer, but if you enjoy films with depth and realism, this one is worth watching.