Der Auftrag - Für einen letzten Coup ist es nie zu spät!
Ein Dieb arbeitet mit seinem Vater und Sohn zusammen, um ein Gemälde von Monet zu schmieden und das Original zu stehlen. Gemeinsam planen sie den Raub ihres Lebens.Ein Dieb arbeitet mit seinem Vater und Sohn zusammen, um ein Gemälde von Monet zu schmieden und das Original zu stehlen. Gemeinsam planen sie den Raub ihres Lebens.Ein Dieb arbeitet mit seinem Vater und Sohn zusammen, um ein Gemälde von Monet zu schmieden und das Original zu stehlen. Gemeinsam planen sie den Raub ihres Lebens.
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Still this is a decent, if predictable effort into the Heist foray. We know where it is heading and while only in movies people behave certain ways, there is a bit of switch with the story of a son who has been neglected and has to be won over again. Maybe this will warm your heart (not being sarcastic) to a degree that you'll give this a higher rating
Travolta is looking old and worn down it has to be said. He looked very far from a man capable of taking on 6 large men in a fight. His performance, at least dramatically, was quite good however as you would expect with him of course having a close association with the lose of his son five years previously. He did struggle a bit with the Boston accent, with it appearing and disappearing from scene to scene. The rest of the cast held things together but were nothing memorable. I think a few touch ups of the script structure and this could have been quite a sleeper hit. Even as it it's not all that bad of a watch.
I mean, come on, critics! I usually agree with you—but saying this is too "slow paced" and that it has "two, conflicting, story lines"? I LOVED the pace, and the acting, and, especially the story line(s).
OK, so it does have two story lines going on—the forgery and heist, and the human interest about the forger's family (his dad, his son, his ex-wife who had not seen the son in years, the female detective...). So what? It's believable (as much as any heist story or human interest story can be) to the point that plot vs. sub-plot is just not a problem.
I thought Travolta DID give a heck of a performance. His pace fit the overall pace of the film, as did that of the other actors. And Travolta, who has had his share of sorrow in real life, looked to me like a man who has been there, done that. He looks the part and is very convincing.
Everyone actually looked pretty good (or properly bad-ass) thanks to some solid lighting and overall nice cinematography. (This is not some kind of "art" film, but nevertheless consistent in it's camera work.) The sound quality was good (a pet peeve of mine in some films) including the music which seemed to fit the film nicely.
As for the VERY best performance in the film, besides Plummer, who is always fun to watch for me... it has to be young Tye Sheridan. Nicely understated, smart, believable. I'm looking forward to his next film, whatever it turns out to be.
Finally, the director certainly knows a thing or two about film making, as, even with the somewhat slow pace, everything builds mostly evenly towards a satisfying ending. Of course the screenplay had to work too, for that to happen.
Bottom line, I'm glad I rented "The Forger". I enjoyed pretty much all of it, and even replayed a few parts to study how the film was put together. Probably no Academy Awards coming for this, but all cast and crew can still stand tall.
Now, if you can get past Travolta's look in this picture (I couldn't help getting distracted by his awkward wig and goatee) and don't expect much, you'll probably be mildly entertained.
Christopher Plummer is very likable in this, and his presence helps the movie a lot.
Overall, straight to video material.
5 out of 10
Wusstest du schon
- WissenswertesJohn Travolta traveled to Hong Kong to study oil painting in order to prepare for his role in this film.
- PatzerRay's head wound was sloppily stitched by his father but there was no sign of this for the rest of the film.
- Zitate
Will Cutter: I just never see you guys hug, or say you love each other.
Joseph Cutter: Yeah, well I don't do that. But he knows.
Will Cutter: You sure?
Joseph Cutter: I didn't tell your grandmother either. But she knew. Why? Because words don't mean shit in this world, Will. It's what a person does for you that counts.
- VerbindungenFeatures Opfer der Unterwelt (1949)
- SoundtracksHigher
Written by Eric Cross and Daniel Brake
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El gran impostor
- Drehorte
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 500.304 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1