Ein junger Mann kehrt in das charmante Haus seiner kürzlich verstorbenen Mutter zurück, um eine unheimliche Präsenz zu entdecken, die möglicherweise mit einem eigenartigen Kult verbunden ist... Alles lesenEin junger Mann kehrt in das charmante Haus seiner kürzlich verstorbenen Mutter zurück, um eine unheimliche Präsenz zu entdecken, die möglicherweise mit einem eigenartigen Kult verbunden ist, der von zwei seltsamen Brüdern geführt wird.Ein junger Mann kehrt in das charmante Haus seiner kürzlich verstorbenen Mutter zurück, um eine unheimliche Präsenz zu entdecken, die möglicherweise mit einem eigenartigen Kult verbunden ist, der von zwei seltsamen Brüdern geführt wird.
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- 1 Nominierung insgesamt
Empfohlene Bewertungen
This movie is very subtle, slowly developing and intelligent. What this absolutely is not is a cliché ghost movie.
I have no clue why this film has so poor review on IMDb as of 2013, 5.7. Everyone with a mature mind and refined tastes should absolutely appreciate this film. I was actually scared for once. I guess I have seen about 50+ horror movies in my lifetime and most of the time they fail to frighten me.
Good viewing for mature, quiet audiences. Like somebody else already wrote in their review, keep an eye on this director/writer Rodrigo Gudiño. We got a fresh out of school master film maker making his mark on the world here. Keep doing what you're doing Mr. director and next time get a decent soundtrack for your film.
Gudiño's first shot at not shorts. He quite nailed it! Gudiño takes us into the very self of his characters; we get to know them, to feel what they felt.
Guy enters mother's home in hopes of selling, because she has passed away; guy starts to feel, hear, see things...It looks like the very same formula, but, Gudiño takes it one step up, if not a couple more.
Innovation finally arrives in this genre. A great start to build a pretty good future for Gudiño.
I put this movie in the same category as The Exocism of Emily Rose. They're horror movies that actually have a good storyline , that make put all that you have just seen into complete and coherent thoughts instead of just throwing all the information right in your face like most do.
The movie has a slow pace and an amazing eerie vibe making you feel uneasy throughout the whole thing, completed with the help of Vanessa Redgrave's voice-over done with perfection. It was packed with small hints everywhere leaving you collecting crumbs until you had more and more information. The cinematography and camera work was spot on but I didn't quite like the set design, i think it could have been done with more taste and better positioning.
Overall i think it was a great watch and would surely recommend it, shame it has such a low rating on IMDb.
I've pretty much given up on people realizing that when they come here to dump all over a specific kind of film that they would NEVER like anyway, it is of absolutely NO help to others who may be looking for this type of film and want to know if it is a good one. It's like if you hate old-style, Classic B-Westerns, and you come here and review a film like that and then say how awful, corny, and stupid it is. How helpful is that to other people who happen to LIKE old B-Westerns. Not terribly much... But, people just do not seem to get that.
Anyway, sorry to digress a bit, but I really wish people wouldn't waste all our time and do that. The story and pacing is SLOW... It is ALL about mood and atmosphere with a good layer of Psychological overtones. Also, it is nominally a Ghost Story, which either you like them or your don't. And, it is a SLOW, moody Ghost Story with VERY little in the way of violence or quick-edits or any overt or graphic imagery. So, if you are on of these people who love films like 'HOSTEL' or 'SAW' or 'THE MARTYRS' or 'HAUTE TENSION', you probably will get almost nothing from this movie at all. Again, precisely the reason for many of the poor reviews that you see here.
As I mentioned, a lot of this film is Psychological, mainly because you are pretty much experiencing it from the point of view of the one guy who has come back to his old home where he was raised. One thing that I really did like was the set decoration, the imagery and the cinematography and lighting. It was very effective in creating the mood of the story. Also, I really liked the soundtrack; although the story and overall mood were very low-key, the soundtrack itself reminded me of some of the more adventurous Horror film soundtracks that I really liked that were more common in Horror films about 40 years ago. It is a nice counterpoint to the slow mood of the rest of the film and can build quite a nice crescendo of suspense in a couple of scenes.
There is a lot of religious imagery, which along with the look of the rest of the film was pretty creepy and effective in adding to the mood. The story is deliberately vague so that the audience doesn't REALLY know quite what is going on. The voice-over narration of the mother who has died and what is revealed about the way he was raised adds to the texture of the story, such as it is. Not to be too specific, but the end was rather mystifying and I cannot honestly say that it was clear to me as to what it meant. But, the way it was done still packed a nice little punch at the end of the film.
Basically as you can likely tell by now, this is NOT your usual modern-day, MTV-induced, shaky-cam, found-footage Horror film. It is very much a throwback to Classic Ghost stories, and very low-key ones at that. So, if you have no real interest in those types of films, then you probably won't care for this one. BUT... if you DO have an appreciation for slow, ambiguous, Psychological, and very moody Horror films, then yes, like me, you probably will will find it intriguing and entertaining.
Rodrigo Gudiño's first stab at a feature length horror movie is an indicator of good things to come.
When was the last time I watched a horror movie that ACTUALLY gave me the chills?
if you came up with a movie or two that truly got under your skin at one point or another during the film(s), you know that those involved with those movies are true horror fans. The Last Will and Testament of Rosalind Leigh is also one of those types of horror movies.
for his first go at a full length, Rodrigo Gudiño let everyone know that he's here for one reason only: to strike genuine fear via filmmaking. granted, the premise is something you've seen a million times. without saying too much, the premise is the straight forward 'Alone In the House' approach. which usually is an indicator that the movie you are about to see is something you'll forget about five minutes afterwards because you've seen it a million times.
if you can appreciate the technical side of filmmaking, then you can appreciate the way The Last Testament was made. speaking honestly, i can say that about five minutes in i already judged this movie with a "Yep. Here we go. AGAIN..." attitude. i imagined a bunch of first year film students critiquing every shot and pointing out technical 'mistakes' with such aspects like lighting, camera work, acting, this, that, and whatever else they bore each other with.
but there's something to keep in mind: Gudiño focuses on the story. he puts all his eggs into the first step in filmmaking - writing a good story FIRST, then move along to the other stuff. which doesn't always apply to horror movies (although, sometimes that's not a bad thing.) this story is the most important part. so if the snarky film students point out every little rookie mistake with the filmmaking process of a rookie first film, so be it. in ten years, the jokes on them. in ten years they'll realize Gudiño's first attempt was only his warm up. his foot in the door. while they're sitting around forcing out critiques and secretly wishing they were in Gudiño's director chair.
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Wusstest du schon
- WissenswertesThe writer and director inspired by Stanley Kubrick's style of shooting movies within only a few miles of his home drove around Toronto looking at houses until he found a house owned by a mother and two children who were eccentric Collectors.
- Zitate
Rosalind Leigh: Sometimes, late at night, you can still feel the loneliness, like an animal, in the dark, ready to pounce. It can make a warm memory seem empty and unfamiliar. Past things seem insignificant, and even faith, seem trivial and worthless.
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Última voluntad y testamento de Rosalind Leigh
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- Budget
- 1.800.000 CA$ (geschätzt)
- Laufzeit1 Stunde 22 Minuten
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- Seitenverhältnis
- 1.85 : 1