Crystal Fairy y el cactus mágico

Crystal Fairy is one of the most pointless films I think I've ever watched. It's not trying to be avant-garde and it's not trying to be mainstream, it lingers somewhere inbetween without reason. It has little story, with no plot and hence, goes nowhere from the start. Michael Cera is somewhat fun to watch, but the film as a whole has no motive to make you enjoy it. I can see where the film wanted to go, this exotic road trip, but it fails so many times that it feels like you are watching an idea that could have been unfold into this series of pointless images.

Crystal Fairy and The Magic Cactus is one of those boring films with no substance to give you anything to keep you watching. Michael Cera is possibly the only reason for you to pick this movie up with no other big names.

Gaby Hoffman makes this film. She parades around naked, seemingly in a permanent state of euphoria, extolling the most hippy dippy claptrap philosophies about inner peace and finding yourself since the Swingin' Sixties. When she isn't behaving like a Looney Toon, she can be discovered doodling away in her sketchbook, which is full of oblique drawings. And her armpit hair! I hope that forest of follicles is fake... Otherwise Hoffman must have had to use fertiliser to grow it that thick. I bet the second the movie was complete, those shears were out and moving at a record speed.

She is accompanying Michael Cera and his three rather underdrawn Mexican friends on a quest to find a rare cacti plant, which when liquidised and drunk. is supposed to give you the ultimate high. They plan to imbibe this miracle brew on the beach, under the stars... the setting is everything, right? Cera himself has shades of being a public school boy twit... you can tell by his put-on mannerisms and his laboured talk about drugs he's completely out of his depth. He reminds me of the kid in the video for 'Pretty Fly For A White Guy', in that every scene of him trying to be 'cool' is Cringe City.

The story is simple in structure, has no big surprises along the way and probably could be told in half the length. Yet, there is something oddly endearing about these five young wash-outs... (Not Cera though, he's just annoying) their friendship and journey is enough to keep all but the most impatient viewer glued to the screen. And when Crystal Fairy's tragic past is exposed towards the end, it is a highly effective moment which, in hindsight, explains an awful lot. Can you say 'coping mechanism'? You could, and I suspect you'd be correct. 6/10

Hiding behind masks that cover their vulnerability, two Americans in Chile, Jamie (Michael Cera) and Crystal Fairy, a young free-spirited woman (Gaby Hoffmann), spar off against each other in Chilean filmmaker Sebastián Silva's psychedelic comedy Crystal Fairy. The film was nominated for the Grand Jury Prize and won the Directing Award for World Cinema at the 2013 Sundance Film Festival. Jamie's act is one of controlling, overly-aggressive behavior but not quite the "Ugly American," while Crystal's is the opposite but equally phony, a caricature of a "hippie" filled with love for everyone who spouts clichés about chakras and mother earth, walks around her hotel room naked, engages in healing rituals, and chides the others for eating junk food.

It's hard to tell if the director is using her persona as a means of ridiculing these ideas or just showing how inauthentic she is. In any event, Crystal and Jamie's way of being, while it fills a need for them, has costs in sacrificing who they really are. On the surface, the film is a road trip to find a psychedelic substance in the San Pedro cactus plant which, when boiled for twelve hours and ingested, has the properties of mescaline (it has been said that the actors used mescaline while shooting the film). In essence, however, the film is not really about mescaline but about releasing rigid patterns of behavior and discovering new ways of interacting that are more fulfilling.

The film begins at a party where Silva's hand-held camera-work and improvised conversation is established. On a cocaine high, the caustic Jamie invites a partygoer, a girl who calls herself Crystal Fairy to accompany him and his friends on a quest to repeat the spiritual high described in Aldous Huxley's book The Doors of Perception. When Crystal takes him up on the offer the next day (which he has forgotten that he even made), he is dismayed by her annoying behavior, even though his Chilean friends, Champa (Juan Andres Silva) and his two brothers Lel (Jose Miguel Silva) and Pilo (Augustin Silva), seem more tolerant, perhaps because at least one does not understand English. Their trip to the ocean to locate and purchase a piece of the San Pedro cactus from reluctant residents is one of the comic highlights of the film, even though Jamie has to eventually use surreptitious means to acquire it.

Crystal Fairy ends up in a good place even though it is more than a little irritating in getting there. During the trip, Jamie and Crystal talk to each other, but at cross purposes. The results are unpredictable but, suffice it to say, their longing for a spiritual experience does not take the form that Huxley described. Michael Cera's role is out of character from the lovable, nerdy self he has played in earlier movies, but he is terrific in this film, totally natural and very real, as is Hoffmann in her role, both continuing to reveal a new dimension to their character. Ultimately, the group's sharing about their fears and their discovery of how their act no longer serves their purpose in life is more open and honest than anything I've seen in films recently and stays in the memory.

Michael Cera goes a long way toward changing his lovable doofus image in this road trip movie with a laid back and ultimately rather sweet vibe.

Cera plays an obnoxious American vacationing in Chile who's trying to chase down a special kind of cactus that has mind-altering capabilities when the juice is distilled and drunk. Along for the ride are three native Chilean brothers and another American, a hippie-dippie girl named Crystal Fairy. The Chileans are quiet, polite and tolerant while the Americans are both unpleasant, Cera because he's a jerk and Crystal Fairy because she tries too hard. If this had stayed yet another Americans-behaving-badly movie I wouldn't have liked it. But it goes a very different, and welcome, direction, as the group's time together causes defenses to be relaxed and vulnerabilities to emerge.

"Crystal Fairy" does a great job of capturing that unique dynamic that evolves when a random assortment of people spend a lot of time together on a road trip. The characters created by Cera and Gaby Hoffman (who plays Crystal Fairy) certainly aren't pleasant to spend time with for much of the film's running time, but they're so like people I've actually known that it's fascinating to watch their performances and how thoroughly they can create characters that feel so authentic.

I was already won over by the film's casual, relaxed atmosphere by the time the last few scenes came around, and then, after a late-act revelation and the sensitive way in which the film handles it, decided that I had sort of fallen in love with it.

Grade: A

Crystal Fairy and the Magical Cactus and 2012 follows a group of Caucasian backpackers as they rummage the lands of Chile in search of a sought-after cactus that apparently holds the power to give you an incredible high. The leader of the pack is Jamie (Michael Cera), who is assisted by several friends and the spirit named "Crystal Fairy" (Gaby Hoffmann) in order to find the renowned hallucinogen.

I was not under any chemical reinforcement while watching Crystal Fairy, and thankfully, neither was the film. I question how its quality is affected if a curious soul does decide to use any drugs while watching the film. From my viewpoint, stone-cold sober at 7pm, this was a pretty stale film affair. It's a film that lacks a compelling narrative, interesting characters, and finds itself consistently unfunny and unmoving in terms of attempting to get us invested in this situation.

Films like this irritate me because what unfolds is an almost unfairly subjective review talking about the lack of anything interesting about the film and relying heavily but unintentionally on generalities. The film features a lot of talking, a lot of drugging, some instances of nudity, and a lot of characters racing back and forth trying to enjoy their not high. I suppose if you've hung with a group of friends - or have friends - like this, your interest in the film will skyrocket past mine. Films like this seem more enjoyable when relatability with characters is brought up on the scene or experience in similar situations within the film. Frankly, I have neither, so the film is like watching a stranger's home movies during last weekend's house party.

This is the exact same way I felt while watching Fear and Loathing in Las Vegas several months back. The constant depiction of drug hallucinations and acid/mescaline-induced trips wore me down to no end. At least with that film I had the benefit of director Terry Gilliam's eclectic, cluttered visual style, along with the benefits of Johnny Depp and Benicio Del Toro's character acting skills. With Crystal Fairy, I have only the charming blandness of Michael Cera's performance and one laugh every half-hour to keep me marginally in-tune with the picture. Director Sebastián Silva doesn't infuse any particular visual-flare to give us any kind of connection to these witless gringos. It's so cold it almost makes Chile's climate seem like the arctic.

On a final note, I kept pondering what exactly Crystal Fairy and the Magical Cactus and 2012 could've been for me to enjoy it. For one, it could've invited more character personality into the mix. Two, it could've had some slick visual-hallucinations capitalizing off the talents of a young visual effects artist. And finally, perhaps the little things such as cinematographical and musical touches would've provided a pleasant look at Chile's culture. Instead, we get a forgettable piece of of cinema that seems to prefer catering to the viewing habits of the few instead of many others'.

Starring: Michael Cera and Gaby Hoffmann. Directed by: Sebastián Silva.