Enemy

This is one dark disturbing movie. It isn't a horror but will leave you feeling a bit uncomfortable. We have here a man who discovers that he has a doppelgänger, and decides to hunt the guy down to meet him. It all turns dark when they get involved with other's partners, and we have a dark movie which utilises sex heavily.

This is a very well done film. The acting is great, with Jake Gylennhaal competently driving the dark edges of the lead characters, who are all but identical except by the smallest margins in the mind. The directors doesn't shove anything, and allows a slow pace so as to not force anything.

The camera work is great, but it's the story that is the main crux. It doesn't give you any answers, and you can make out the parallels or analogies as you wish. There is a repeat use of a spider as a motif in the story somehow, but what it represents is never made clear.

Problem is that, it's so uninviting a film, and the characters mostly all unlikeable, that you can't help but feel distanced by this film. Its slow pace can be too slow, and hinders the films. It's more a film to think about and take away the points with you. You'll theorise various things about it.

It's not a bad film, but won't be for everyone. It's not easy to like and has a dark heart. Make of it what you will.

What made Denis Villeneuve's "Enemy" most interesting was that it didn't end how I expected it to. Throughout much of the movie I kept thinking "I know exactly where this is going," but it didn't go like that. It's not a great movie, but I thought that it was worth seeing. I saw a connection to Villeneuve's "Incendies", in which the son and daughter of an immigrant from an unidentified Arab country try to find out their family history and get an unpleasant surprise (I viewed the movie as a look at the roots of Arab Spring). The less said about Villeneuve's disgusting "Prisoners", the better.

So while it's not a masterpiece, it's still a fun, mind-bending movie. I've never read any of José Saramago's work but now I'd like to. Jake Gyllenhaal and Mélanie Laurent (Shoshana Dreyfuss in "Inglourious Basterds") have been making a lot of good movies.

Enemy is the latest thriller from Canadian director Denis Villeneuve, and it stands as a hybrid mix of David Lynch and David Fincher at their very finest. Enemy follows Adam (Jake Gyllenhaal) on a journey to find his exact lookalike named Anthony, a terrible D-list celebrity. As his investigation deepens, the mystery thickens and he is thrown into a fray way above his head. What works in Enemy is Gyllenhaal's fearless performance as a man who is searching to find who he really is. There are a couple scenes that he has where is truly riveting and it becomes so hard to take your eyes off the screen. It really is an explosive yet very contained performance that I feel needs a lot of recognition. Enemy marks itself as a film about identity and never knowing who you truly are and the pressures of wanting to become something you're not. While it remains as a heavy message, it still makes for a film that almost demands repeat viewings. At 90 minutes even, the film moves and never slows down enough for us to even breathe. Before we can even question what is going on in one scene, Villeneuve throws us another curve ball to contend with. While that may bring confusion to many people, it is very welcoming to a viewer in the mood to do some serious thinking. Anything beyond that, it may garner some negative responses especially if you're not paying close attention. Enemy works well as a psychological thriller, bringing some of the most disturbing images I've seen on screen in recent years. This film is NOT scary, but it is extremely uneasy and very creepy, especially towards the last twenty minutes of the film, which had me holding my breath as we finally discover the truth of what is going on.

Overall, this is one hell of a film that really does almost require a second (and possibly a third) viewing. I highly recommend it, especially to fans of David Lynch's Eraserhead. The images are memorable, the performances are very well rounded and this is just a very very well done film.

Adam Bell (Jake Gyllenhaal) is a history professor at UGT in Toronto. He lives a tired monotonous life with his girlfriend Mary (Mélanie Laurent). On a recommendation, he rents a movie and finds a bit actor named Daniel Saint Claire who looks exactly like him. After some searching, he finds that Daniel's real name is Anthony Claire and he's married to the pregnant Helen (Sarah Gadon).

Adam's life is tired and boring. I get that point. In fact, I get that point within the first five minutes. It needs to move faster to get to the heart of the movie. It's an unnecessarily slow start. Once it gets going, this has a nice sense of paranoia and unrealism. Everything including the setting, the props, the music, the grayish tones, and the brutal architecture gives off a weird 70s hyper-unreal feel to the movie. Then there is the spider thing. I'm fine with not able to explain it myself. It may be better that there is no easy resolution. I can live off of the mood of the movie by itself.

This film is listed as a thriller/mystery and the plot summary suggests that it will be a great slice of sci-fi ideasmanship with a big Hollywood name in the lead. Regardless of whether the film is any good or not, it is pretty important that you ditch expectations at the door, because this is not so much a thriller as it is a character piece that uses this device to explore its central character(s). You need to know this because ultimately the film is very slow, really doesn't give you anything in the way of easy answers and will require you to think back over the film once you do reach the ending. So while it is generally good to come to a film without knowing much about it, it is best here to go in without bringing your own assumptions.

The plot sees a history professor living out a life that he appears to find dull. He gives the same lectures and he has similar sex with his girlfriend – all of which seems to be in contrast to the opening scene where we see him at some very seedy sex club. One night he is watching a movie on the suggestion of a colleague and he sees what appears to be himself in a tiny supporting role. Turning to the internet he finds that the struggling actor in question is indeed a perfect match for him, and he sets out to meet him – something that both men quickly realize is a mistake.

This plot unfolds in a way that is patient and atmospheric; the soundtrack broods across the entire piece, everything is dimly lit apart from a few scenes and generally there is a feeling of things not being right. This is added to by the presence of large spiders in a couple of scenes – in particular a giant one that treads across the entire city. As a presence the film is engaging in its mystery but while it entices you to work out what is happening, it is better to be thinking about what it all means, since this is a film or allegory more than action. Viewing it as such and a lot of it makes sense – not all of it – but most of it. There are clear themes of infidelity, of moral weakness, of temptation and within all of these the spiders and the doppelgangers all fit in a way that will make sense if you take the time after to think back over it – but not if you are too busy being annoyed at the end for not being the tidy thriller conclusion you expected. Once you do think back through it, I would say that it is perhaps not as smart or as subtle as it would like to think itself, but it does still work thanks to some good ideas in fragmenting the flow of time through the narrative (but mostly keeping this to itself) and also making it pretty clear that it is not a straight piece as the one-line pitch would suggest).

I should be honest and say that I didn't know anything about the film when I watched it and I did get caught up in the mystery looking for the film to hand me everything; however I did also buy into the brooding atmosphere so it was clear that there was more meaning than solutions to be drawn here. Villeneuve is clearly one who likes the darker side of things; having seen Prisoners and the short film Next Floor from him recently I think that much is clear. Here he makes the most of that and is helped by the soundtrack and cinematography. Gyllenhaal understands the film well and his performance(s) is well targeted to be ignorant but yet also informed as to how he lays out the path; it is a subdued performance(s) but one he does well. Outside of him there is really just a supporting cast but Laurent and Gadon both do their parts well. Rossellini's character doesn't really work (being a bit too obvious in what she delivers) and I also didn't care too much for her casting since she seems like Lynchian shorthand that wasn't needed by that point.

Enemy is a strange film but it is a mostly engaging one. It is dark and brooding in its presentation and while the mystery is more about meaning than explaining events, it compels on both levels. It is not as smart as it would like to think though and I can understand a level of frustration with it, but to me it was a film I enjoyed while watching and appreciated thinking back over it.