IMDb-BEWERTUNG
6,0/10
4185
IHRE BEWERTUNG
Die Reise des Malaikottai Vaaliban, eines unangefochtenen Kriegers, der Zeit und Geografie überwindet und über jeden Gegner triumphiert, dem er begegnet.Die Reise des Malaikottai Vaaliban, eines unangefochtenen Kriegers, der Zeit und Geografie überwindet und über jeden Gegner triumphiert, dem er begegnet.Die Reise des Malaikottai Vaaliban, eines unangefochtenen Kriegers, der Zeit und Geografie überwindet und über jeden Gegner triumphiert, dem er begegnet.
- Regie
- Drehbuch
- Hauptbesetzung
Grace Antony
- Rangarani
- (Synchronisation)
Empfohlene Bewertungen
Saw the film yesterday. Was quite surprised seeing the backlash criticising the film. This is a quintessential LJP film. If you want to see Mass Mohanlal movie then this is not one. Beautifully shot , each and every frame is spectacular. Have not come across a Malayalam movie shot like this in the past.
Its shot like a play giving it a Shakespearen touch and second half is enthralling and will give you a feel of Clint Eastwood+ Tarantino style filmmaking and ending on a great note.
A bit slow but enjoyable fare.
Do watch it in theatres. Ignore the silly stupid criticism that's pulling the movie down deliberately.
It is a LJP film that uses Mohanlal in an apt manner as a Mallan.
Its shot like a play giving it a Shakespearen touch and second half is enthralling and will give you a feel of Clint Eastwood+ Tarantino style filmmaking and ending on a great note.
A bit slow but enjoyable fare.
Do watch it in theatres. Ignore the silly stupid criticism that's pulling the movie down deliberately.
It is a LJP film that uses Mohanlal in an apt manner as a Mallan.
Malaikottai Vaaliban follows Vaaliban(Mohanlal) and his group of mercenaries/warriors who fight other warriors in different villages and who never loses a fight. Lijo Jose Pellissey takes his own time to establish Vaaliban as a charismatic warrior with his lengthy scenes and long shots embellished with a subdued background music. The framing, the music and the theme reminds the westerners of yore. Vaaliban ends up at his native village where he fights off the Portuguese ruler who enslaves the local people. The story moves at brisk pace from here on exploring various genres with some unexpected twists, albeit uninteresting, and culminates at an inconclusive juncture.
Lijo Jose Pellissery's obsession with static frames is evident here. The movie plays out like a theater play with long pauses between scenes and overly melodramatic dialogue. The choice of instruments used to provide the background score elevates this feeling which you may love or hate depending on your mood. The movie feels like it overstayed its welcome after a certain point.
Mohanlal as Vaaliban shines with his ever-expressive eyes and flawless portrayal of an arrogant mercenary. Harish Peradi gets an important and meaty role as Vaaliban's mentor which he portrays with finesse. The true star of the movie is the cinematographer Madhu Neelakandan who captivates the audiences with his immersive frames and color. You rarely say that camera work is the main highlight of a movie, and this is one of those.
But in the end, as the saying goes, even the best technicians cannot save a movie with barely any story to hold on to.
Lijo Jose Pellissery's obsession with static frames is evident here. The movie plays out like a theater play with long pauses between scenes and overly melodramatic dialogue. The choice of instruments used to provide the background score elevates this feeling which you may love or hate depending on your mood. The movie feels like it overstayed its welcome after a certain point.
Mohanlal as Vaaliban shines with his ever-expressive eyes and flawless portrayal of an arrogant mercenary. Harish Peradi gets an important and meaty role as Vaaliban's mentor which he portrays with finesse. The true star of the movie is the cinematographer Madhu Neelakandan who captivates the audiences with his immersive frames and color. You rarely say that camera work is the main highlight of a movie, and this is one of those.
But in the end, as the saying goes, even the best technicians cannot save a movie with barely any story to hold on to.
A well shot movie. A beautiful, picturesque folklore with philosophical underlying if you linger a bit longer on it... Each frame looks like a painting so fresh from the canvas. The score too takes a high with ethnic tunes and instruments. Especially the bgm during a major fight scene was so novel and enjoyable. All the actors have done justice to their characters. Mohanlal's age defying stunts are to look out for. His reactions to certain situations remind us why he is called the 'complete actor'. The antagonist played by Danish Sait is fantastic. This movie is a visual treat. Technically brilliant! Do remember that it is an LJP movie. You'll love it if you love cinema.
This film is not for general audience who expect commercial elements. It's slow paced. Could have been managed better. People who were almost sleeping during the 1st hour are later claiming the film is 10/10. Why? They want to look like pro movie analysts lmao. If you give this 10/10 just because you can claim "Pure LJP film", then your actual standards are low!
For neutrals, If you have free time, go and watch it. Don't watch it out of FOMO due to overrating by wannabe analysts. There is degrading as well by general audience. Overall, it's a different attempt but bang average outcome. Different does not mean 10/10 lol. Don't go with over expectations after hearing fancy phrases like "Visual treat", "Not everyone's cup of tea", "LJP Brilliance"
For neutrals, If you have free time, go and watch it. Don't watch it out of FOMO due to overrating by wannabe analysts. There is degrading as well by general audience. Overall, it's a different attempt but bang average outcome. Different does not mean 10/10 lol. Don't go with over expectations after hearing fancy phrases like "Visual treat", "Not everyone's cup of tea", "LJP Brilliance"
In a single word my opinion is it's not the best of Ljp but it's a awesome movie by Ljp. And it's a purely Ljp movie.
*It's purely a slow pace drama, shows in a new way which malayalam industry never saw.and it works perfectly for me *The music work is great that it's perfect,and perfectly balance with the scenes.
*It's fantastic camera work is there, and each and every visuals are clearly one of the best in malayalam industry.
*And I can't forget the art work, it is also awesome, like each department worked in this movie done a great job.
*Coming to the performance lalettan and all the characters done a great job.
If you are thinking about watching the film please understand that *I first thought it's a Ljp-mohanlal film and expected som commercial items. But after some times I understood that it's purely a Ljp movie, and also couldn't go with the flow of movie about 1hour after that I got the flow and I started to enjoy it, So don't expect for a commercial items in this film.
*It's purely a slow pace drama, shows in a new way which malayalam industry never saw.and it works perfectly for me *The music work is great that it's perfect,and perfectly balance with the scenes.
*It's fantastic camera work is there, and each and every visuals are clearly one of the best in malayalam industry.
*And I can't forget the art work, it is also awesome, like each department worked in this movie done a great job.
*Coming to the performance lalettan and all the characters done a great job.
If you are thinking about watching the film please understand that *I first thought it's a Ljp-mohanlal film and expected som commercial items. But after some times I understood that it's purely a Ljp movie, and also couldn't go with the flow of movie about 1hour after that I got the flow and I started to enjoy it, So don't expect for a commercial items in this film.
Wusstest du schon
- WissenswertesMohanlal's voice was dubbed by filmmaker Anurag Kashyap in the Hindi dubbed version of the film.
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Details
- Erscheinungsdatum
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- Offizieller Standort
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- Auch bekannt als
- मलाइकोट्टई वालिबन
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Box Office
- Weltweiter Bruttoertrag
- 808.435 $
- Laufzeit2 Stunden 36 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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