IMDb-BEWERTUNG
5,4/10
26.668
IHRE BEWERTUNG
Als Jessabelle (Sarah Snook) in ihr Elternhaus in Louisiana zurückkehrt, um sich von einem schrecklichen Autounfall zu erholen, sieht sie sich einem lange gequälten Geist gegenüber, der ihre... Alles lesenAls Jessabelle (Sarah Snook) in ihr Elternhaus in Louisiana zurückkehrt, um sich von einem schrecklichen Autounfall zu erholen, sieht sie sich einem lange gequälten Geist gegenüber, der ihre Rückkehr herbeisehnt.Als Jessabelle (Sarah Snook) in ihr Elternhaus in Louisiana zurückkehrt, um sich von einem schrecklichen Autounfall zu erholen, sieht sie sich einem lange gequälten Geist gegenüber, der ihre Rückkehr herbeisehnt.
Amber Stevens West
- Dead Girl
- (as Amber Stevens)
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I first saw the trailer for this flick in April of last year, at a showing for The Quiet Ones (bad movie, by the way; do not recommend). Being quite the fan of the southern Gothic genre, I wasn't exactly impressed by the trailer but wanted to see it regardless. For some reason or other, Jessabelle never made it to my local theaters - thus, I had to wait for the inevitable RedBox release to follow in January.
And what do you know, I finally got to watch it.
Jessabelle is not a perfect movie. It does have its flaws. It does have its clichés. But it is an honest attempt at making a horror flick and it does work. The atmosphere lends a hand, with spooky southern mansions and dark bayous. And as it so often does in stories like these, voodoo eventually takes center stage.
After recent horror releases like the dismal Oujia (a movie I personally despise), Jessabelle is a welcome change of pace. It is a slow-burner that brings to mind films such as The Skeleton Key (albeit 'Key being a superior effort).
The cinematography is quite good and the acting is effective. Sarah Snook is certainly leading lady material, and you can see her potential here front-and-center. Providing a sympathetic lead can make or break a film like this and Snook does not disappoint. A side note is that she is totally gorgeous and looks just the part for a sweet southern belle.
Final verdict: Jessabelle is nothing groundbreaking but one of the better horror flicks in recent years. Sarah Snook is one to keep an eye on. Worth a rental, but if you want to buy I'd say wait for it to hit the bargain bins.
And what do you know, I finally got to watch it.
Jessabelle is not a perfect movie. It does have its flaws. It does have its clichés. But it is an honest attempt at making a horror flick and it does work. The atmosphere lends a hand, with spooky southern mansions and dark bayous. And as it so often does in stories like these, voodoo eventually takes center stage.
After recent horror releases like the dismal Oujia (a movie I personally despise), Jessabelle is a welcome change of pace. It is a slow-burner that brings to mind films such as The Skeleton Key (albeit 'Key being a superior effort).
The cinematography is quite good and the acting is effective. Sarah Snook is certainly leading lady material, and you can see her potential here front-and-center. Providing a sympathetic lead can make or break a film like this and Snook does not disappoint. A side note is that she is totally gorgeous and looks just the part for a sweet southern belle.
Final verdict: Jessabelle is nothing groundbreaking but one of the better horror flicks in recent years. Sarah Snook is one to keep an eye on. Worth a rental, but if you want to buy I'd say wait for it to hit the bargain bins.
When I first saw the trailer for this film, I thought to myself; "Wow, now that seems like it could be a tense film, she's stuck in a wheel chair the whole time". I stand by that comment; any horror film with the main character being terrorized or haunted and they are stuck, immobile, will lead to greater stakes. That individual can't run away, they can't really hide, they're stuck. I was game to see this flick.
Jessabelle tells the tale of a young beautiful woman who has her dreams cut short by an accident, which leaves her unable to walk. Confined to a wheel chair, she calls her absentee father to come and pick her up. She moves in with him and finds these old VHS tapes around the house with messages from her mother, whose dead, about Jessabelle's fate. You guessed it, her fate isn't looking to good. Her mother see's death, torture and ghosts in poor Jessabelle's future and her future lurks behind every corner.
Okay, so now we have a main character, physically confined to her chair. The threat isn't really tangible, it's a ghost, so that can come out of nowhere. You're not safe in any room, any corner, or under any sheets. Great, this is good news, the tension will come....the tension will come....I'm sure the tension will eventually come....the tension never came.
Jessabelle disappoints me so much in that area. Not once did I ever really fear for her character. Sure things get a little creepy, but those scare tactics are clichéd and tired out. Even the added bonus of our disabled character, couldn't save the film from that. This film only works, barely, due to the performance from Sarah Snook. Snook was nominated in last years Mofo Film Awards for her role in Predestination. She failed to win, but did indeed turn some heads. She does so again, for me at least, with her honest performance here. She's beautiful, but that doesn't define her character, as so many horror movie characters go that route. Here, Snook gives Jessabelle some depth and some empathy, something a lot of horror flicks lack. So Jessabelle earns some points there.
The final reveals fail to live up to the moderate build up. So the end result is a poor result all around. The film lacks a lot of much needed scares and more importantly, tension and fear for the well being of our main character here. If Jessabelle looks like an interesting film to you, don't be fooled, it's not.
Jessabelle tells the tale of a young beautiful woman who has her dreams cut short by an accident, which leaves her unable to walk. Confined to a wheel chair, she calls her absentee father to come and pick her up. She moves in with him and finds these old VHS tapes around the house with messages from her mother, whose dead, about Jessabelle's fate. You guessed it, her fate isn't looking to good. Her mother see's death, torture and ghosts in poor Jessabelle's future and her future lurks behind every corner.
Okay, so now we have a main character, physically confined to her chair. The threat isn't really tangible, it's a ghost, so that can come out of nowhere. You're not safe in any room, any corner, or under any sheets. Great, this is good news, the tension will come....the tension will come....I'm sure the tension will eventually come....the tension never came.
Jessabelle disappoints me so much in that area. Not once did I ever really fear for her character. Sure things get a little creepy, but those scare tactics are clichéd and tired out. Even the added bonus of our disabled character, couldn't save the film from that. This film only works, barely, due to the performance from Sarah Snook. Snook was nominated in last years Mofo Film Awards for her role in Predestination. She failed to win, but did indeed turn some heads. She does so again, for me at least, with her honest performance here. She's beautiful, but that doesn't define her character, as so many horror movie characters go that route. Here, Snook gives Jessabelle some depth and some empathy, something a lot of horror flicks lack. So Jessabelle earns some points there.
The final reveals fail to live up to the moderate build up. So the end result is a poor result all around. The film lacks a lot of much needed scares and more importantly, tension and fear for the well being of our main character here. If Jessabelle looks like an interesting film to you, don't be fooled, it's not.
Returning to her childhood home to recuperate from a horrific car accident, Jessabelle after finding some VHS tapes made by her deceased mother comes face to face with a mysterious spirit seeking vengeance.
Director Kevin Greutert offers an interesting deep south Louisiana chiller, in the vein of Angel Heart and the Skeleton Key to name a few. The slow burning mystery's special effects are excellently executed and there are plenty of jump scares. Notable are Mark Webber and Sarah Snook as Jessabelle. Chris Ellis gives a strong cameo as Sheriff Pruitt and David Andrews (Terminator 3: Rise of the Machines) gives a solid performance as Jessabelle's Dad Leon.
Even with some surprise deaths those familiar with the genre will have guessed writer Ben Garant's twist by the third act. But the novel idea of a mother making video tapes for her unborn child Jessabelle, then Jessabelle now a grown up watching them with her mother (who has since passed away) giving her daughter information via the tapes is a creepy and emotional idea.
With an abrupt tagged on closing the meat of Jessabelle has been seen before and it loses its originality and scare factor by the ends reveal. That said, Greutert's film is great looking with an eerie atmosphere that is lacking in so many horrors of late.
Director Kevin Greutert offers an interesting deep south Louisiana chiller, in the vein of Angel Heart and the Skeleton Key to name a few. The slow burning mystery's special effects are excellently executed and there are plenty of jump scares. Notable are Mark Webber and Sarah Snook as Jessabelle. Chris Ellis gives a strong cameo as Sheriff Pruitt and David Andrews (Terminator 3: Rise of the Machines) gives a solid performance as Jessabelle's Dad Leon.
Even with some surprise deaths those familiar with the genre will have guessed writer Ben Garant's twist by the third act. But the novel idea of a mother making video tapes for her unborn child Jessabelle, then Jessabelle now a grown up watching them with her mother (who has since passed away) giving her daughter information via the tapes is a creepy and emotional idea.
With an abrupt tagged on closing the meat of Jessabelle has been seen before and it loses its originality and scare factor by the ends reveal. That said, Greutert's film is great looking with an eerie atmosphere that is lacking in so many horrors of late.
"It says you're not alone. There's a presence in the house with you. She wants you out of the house." Jessie (Snook) has everything going for her. She is the happiest she has ever been and moving in with her boyfriend whom she loves. In an instant her life is changed. Now alone and paralyzed from the waist down she has no choice but to move in with her father whom she hasn't seen in years. When she finds and plays tapes that her dead mother left for her strange and horrifying things start to happen. I have to open by saying that I am not a big horror movie fan. Mainly due to the fact that recently the horror genre has been Saw-like or found footage type. The ones that scare me are the more psychological movies that mess with your head rather than show you how many ways people can be chopped up. This falls into that category. The movie doesn't need to rely on jump scares to get you. The fact that this one in grounded in reality with the random scare thrown in really makes this work. Overall, if you like movies like The Conjuring or Insidious then you will like this as well. This is one of the few movies that creeped me out in the last year. I liked it. I give it a B+.
Returning to her childhood home in Louisiana to recuperate from a horrific car accident (which left her unborn child and fiancé dead) Jessabelle(Sarah Snook)comes face to face with a long-tormented spirit that has been seeking her return—and has no intention of letting her escape.The action of "Jessabelle" takes place in backwoods bayou of Louisiana.The film was directed by Kevin Greutert of "Saw VI" and "Saw 3D" fame.The storyline is quite interesting and captivating and the voodoo imagery is quite spooky.Unfortunately long black haired female spirits in the vein of "Ringu" are too routine to be seriously scary.I must say that I quite enjoyed final twist,though.6 bayou ghosts out of 10.
Wusstest du schon
- WissenswertesAlthough the film is set in Louisiana, filming took place in Wilmington, North Carolina because an appropriate place for filming couldn't be found.
- PatzerWhen Jessabelle's father picks her up and takes her to his home, the father pushes a large hutch out from in front of the room's door - suggesting that he shut the room up when her mother (Dad's wife) died early in her life. The bed coverings would be decades dirty as well as everything in the room.
- Zitate
Title Card: We will cast a shadow over you that cannot be distinguished from Fate. -"Legends of Haiti"
- Crazy CreditsWe will cast a shadow over you that can't be distinguished from Fate. - "Legends of Haiti"
- VerbindungenReferenced in On Cinema: 'The November Man' and 'Jessabelle' (2014)
- SoundtracksThe Upper Peninsula
Written and Performed by Sufjan Stevens
Courtesy of Asthmatic Kitty Records
By Arrangement with Mixtape Music
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- Weltweiter Bruttoertrag
- 6.998.359 $
- Laufzeit1 Stunde 30 Minuten
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What was the official certification given to Jessabelle - Die Vorhersehung (2014) in Spain?
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